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The Female Quixote completely inverts the adventures of Don Quixote. While the latter mistook himself for the hero of a Romance, Arabella believes she is the fair maiden. She believes she can fell a hero with one look and that any number of lovers would be happy to suffer on her behalf.
The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. The collection brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism.
This work concentrates on how eighteenth-century feminine novelists articulate the concerns important to women's lives and fates, and argues that these novelists used their romances to combat the controlling ideologies of the age.
This studyargues that female networks of conversation, correspondenceand patronage formed the foundation for women's work in the 'higher' realms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women's writing.
This book examines professional literary criticism by Romantic-era British women to reveal that, while developing a conscious professionalism, women literary critics helped to shape the aesthetic models that defined Romantic-era literary values and made the British literary heritage a source of national pride. Women critics understood the contested nature of aesthetics and the public implications of aesthetic values on questions such as morality, both public and private, the nation's cultural heritage, even the essential qualities of Britishness itself.
This study introduces readers to the eighteenth-century novel through a consideration of contemporary social issues. Eighteenth-century authors grappled with very similar problems to the ones we face today such as: what motivates a fundamentalist terrorist? What are the justifiable limits of state power? What dangers lie in wait for us when we create life artificially?The book discusses key authors from Aphra Behn in the late seventeenth century to James Hogg in the 1820s, covering the 'long' eighteenth century. It guides readers through the main genres of the period from Realism, Gothic romance and historical romance to proto-science fiction. It also introduces a range of debates around race relations, anti-social behaviour, family values and born-again theology as well as the power of the media, surveillance, political sovereignty and fundamentalist terrorism. Each novel is shown to be directly relevant to some of the most urgent moral issues of our own time.