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The Craft for Gen Z: The Feast Makers, indie bestselling author H. A. Clarke crafts an action-packed conclusion to the Scapegracers trilogy, as our beloved teen coven tackle college acceptances, queer romance, and a witch trial to remember for the ages. After restoring their powers, Sideways just wants to get on with senior year. But the covens have convened for the trial of Madeline Kline. When this stubborn, independent witch begs the Scapegracers to save her from a cruel and unusual punishment, Sideways knows they have to get involved. It’s the right thing to do, even if Madeline did steal their soul and wear it for a time. Right? Making an example out of Madeline seems, strangely, just as important to the most powerful covens as divvying up the Scapegracers amongst themselves. Sideways, Jing, Daisy, and Yates are reluctant to abandon what they’ve built together, but as the college acceptances (and rejections) roll in, the offer of a magical family beyond Sycamore Gorge becomes increasingly tempting. Unfortunately, choosing a new coven will have to wait: witchfinders are gathering in town, and some of these visitors make the Chantrys seem tame in comparison. Every witch—Scapegracer or not—is about to be in grave danger. And on top of all that, Sideways thinks they just might be in love. In H. A. Clarke’s signature raw and explosive style, The Feast Makers brings the indie-bestselling Scapegracers trilogy to a dynamic end as Sideways, Jing, Daisy, Yates, and Shiloh tackle college acceptances, queer romance, and the meaning of justice in an ever-challenging world.
“Sharp and exciting, always vivacious and sensory . . . All I want is more—more of these sweet vicious girls and their helplessly loving leader, changing themselves, one another and the world.” —Amal El-Mohtar, The New York Times Book Review The Craft for Gen Z: The Scratch Daughters, indie bestselling author H. A. Clarke crafts a brilliant, award-nominated sequel to The Scapegracers: a raw and roiling tribute to queer lineage, to finding oneself, and to the deep love of chosen family. Sideways Pike is desperate. It turns out that Madeline Kline didn’t want to make out with her; infinitely worse, she was only flirting to get access to Sideways’ specter. Madeline has ripped the magical soul out of Sideways’ throat, and with it, everything that makes a witch feel whole. Madeline would know: the Chantry boys took hers, and she’s going to use Sideways’ specter to hunt them down and get it back. Sideways Pike, lesbian witch extraordinaire, isn’t going to let little things like a treacherous crush or a brutal family of creepy witch hunters stop her, even if it means tracking down Madeline without the Scapegracers—her best friends, her coven, the girls she’s come to love ferociously above all else. But Sideways and her trusty bike are in for a bumpy ride . . .
Introduction : prohibition and a ritual regime -- A history of mediation -- Fasting, bodies, and the calendar -- Proliferations of mediators -- Blood, silver, and coffee -- Spirits in the marketplace -- Concrete, bones, and feasts -- Echoes of the host -- The media landscape -- The knowledge of the world -- Conclusion
A New York Times Editors' Choice pick Named a Best Book of the Year by NPR, Los Angeles Times, Vogue, Wall Street Journal, Food Network, KCRW, WBUR Here & Now, Emma Straub, and Globe and Mail One of the Millions's Most Anticipated Books of 2021 America’s modern culinary history told through the lives of seven pathbreaking chefs and food writers. Who’s really behind America’s appetite for foods from around the globe? This group biography from an electric new voice in food writing honors seven extraordinary women, all immigrants, who left an indelible mark on the way Americans eat today. Taste Makers stretches from World War II to the present, with absorbing and deeply researched portraits of figures including Mexican-born Elena Zelayeta, a blind chef; Marcella Hazan, the deity of Italian cuisine; and Norma Shirley, a champion of Jamaican dishes. In imaginative, lively prose, Mayukh Sen—a queer, brown child of immigrants—reconstructs the lives of these women in vivid and empathetic detail, daring to ask why some were famous in their own time, but not in ours, and why others shine brightly even today. Weaving together histories of food, immigration, and gender, Taste Makers will challenge the way readers look at what’s on their plate—and the women whose labor, overlooked for so long, makes those meals possible.
The religious and political history of late 17th and early 18th century England is typically written in terms of conflict and division. Focusing on provinvial towns Professor Miller reveals that, although town government was not at all democratic, there was participation, consultation, and negotiation.