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Civil society organizations report that fourteen children disappear every day in Mexico. This book studies the origins of this social phenomenon and its consequences, not only in the emotional sphere, but also in how children have been treated. Focusing on children's special positions within Mexican society rather than criminal acts or the implementation of the law, Sosenski links social and cultural history, the history of crime and fear, the application of justice and the media's role, childhood and the city to paint a multi-dimensional picture of child abduction and its causes. Exploring the social impact of child protection policies and the figure of the robachicos, or child kidnapper, Soneski draws from oral traditions, films and books, songs and plays; all of which embody a culture of fear and danger reported and accentuated by a mass media response. The Fear of Robachicos in Mexico focuses on the role of the media and entertainment in the legitimization of violence toward children and the objectification of their lives, stripping them of their right to freedom and curtailing their autonomy.
In the Vortex of Violence examines the uncharted history of lynching in post-revolutionary Mexico. Based on a collection of previously untapped sources, the book examines why lynching became a persistent practice during a period otherwise characterized by political stability and decreasing levels of violence. It explores how state formation processes, as well as religion, perceptions of crime, and mythical beliefs, contributed to shaping people’s understanding of lynching as a legitimate form of justice. Extending the history of lynching beyond the United States, this book offers key insights into the cultural, historical, and political reasons behind the violent phenomenon and its continued practice in Latin America today.
In autumn 1951, a diverse array of Muslim, Christian, and Jewish students from clubs like the Muslim Brotherhood and the Worker's Vanguard launched a guerrilla struggle against British occupation of the Suez Canal Zone. Revolutionary Emotions in Cold War Egypt recovers this overshadowed revolution of 1951, and the part played by the “Canal struggle” in the overthrow of the Egyptian monarchy. In a study spanning a half-dozen international archives, the book delves into the divisive court cases and rousing club newspapers, intimate memoirs and personal poetry of Egyptian activists. These documents reveal that in the early years of the Cold War, morality tales and moral emotions were at the heart of the methods and the successes of Egyptian activists. What stories did activists tell, and how did the emotional appeals and “moral talk” of Islamist and communist clubs compare? How did Arabic-speaking populations negotiate moral norms, and what role did emotions like love, anger, and disgust play in political campaigns? Taking a journey through Islamic parables about perilous beaches, communist adaptations of Greek myths, and popular stories about Juha's Nail and Paul Revere's Ride through the Suez Canal, this book uncovers a rich history of activist storytelling. These practices uncover the mechanics of morality tales, and reveal how activists used narratives to convert emotion to motion and drive social change. Still vitally important for readers today, such findings shed light on how paramilitary groups and protest movements use moral appeals to attract support-and why activist campaigns become the controversial epicentre of polarizing emotional battles.
Civil society organizations report that fourteen children disappear every day in Mexico. This book studies the origins of this social phenomenon and its consequences, not only in the emotional sphere, but also in how children have been treated. Focusing on children's special positions within Mexican society rather than criminal acts or the implementation of the law, Sosenski links social and cultural history, the history of crime and fear, the application of justice and the media's role, childhood and the city to paint a multi-dimensional picture of child abduction and its causes. Exploring the social impact of child protection policies and the figure of the robachicos, or child kidnapper, Soneski draws from oral traditions, films and books, songs and plays; all of which embody a culture of fear and danger reported and accentuated by a mass media response. The Fear of Robachicos in Mexico focuses on the role of the media and entertainment in the legitimization of violence toward children and the objectification of their lives, stripping them of their right to freedom and curtailing their autonomy.
From the migration of the Aztecs to the rise of the empire and its eventual demise, this book covers Aztec history in full, analyzing conceptions of time, religion, and more through codices to offer an inside look at daily life. This book focuses on two main areas: Aztec history and Aztec culture. Early chapters deal with Aztec history—the first providing a visual record of the story of the Aztec migration and search for their destined homeland of Tenochtitlan, and the second exploring how the Aztecs built their empire. Later chapters explain life in the Aztec world, focusing on Aztec conceptions of time and religion, the Aztec economy, the life cycle, and daily life. The book ends with an account of the fall of the empire, as illustrated by Aztec artists. With sections concerning a wide variety of topics—from the Aztec pantheon to war, agriculture, childhood, marriage, diet, justice, the arts, and sports, among many others—readers will gain an expansive understanding of life in the Aztec world.
Offering insights on the wide range of sources that are available from across the globe and throughout history for the study of the history of emotions, this book provides students with a handbook for beginning their own research within the field. Divided into three parts, Sources for the History of Emotions begins by giving key starting points into the ethical, methodological and theoretical issues in the field. Part II shows how emotions historians have proved imaginative in their discovering and use of varied materials, considering such sources as rituals, relics and religious rhetoric, prescriptive literature, medicine, science and psychology, and fiction, while Part III offers introductions to some of the big or emerging topics in the field, including embodied emotions, comparative emotions, and intersectionality and emotion. Written by key scholars of emotions history, the book shows readers the ways in which different sources can be used to extract information about the history of emotions, highlighting the kind of data available and how it can be used in a field for which there is no convenient archive of sources. The focused discussion of sources offered in this book, which not only builds on existing research, but encourages further efforts, makes it ideal reading and a key resource for all students of emotions history.
A Hermeneutical Approach to Religious Discourse in Mexican Narrative explores the complex phenomenon of religious discourse in contemporary Mexico as it appears in four works of Mexican literature: Rosario Castellano's Oficio de tinieblas, Elena Poniatowska's Hasta no verte Jesús mío, Vicente Leñero's El evangelio de Lucas Gavilán, and Carmen Boullosa's La Milagrosa. Catherine L. Caufield examines how it is possible to write lived experience as fiction as well as how it is possible that fiction can stimulate the reader to imagine the lived world differently.
Using the yardstick that a short story is any fiction under 15,000 words, Ishmael Reed--with the assistance of Carla Blank--has assembled an anthology that reexamines the history of the form across a broader, more inclusive spectrum. The result is a collection that stretches the boundaries of the American literary landscape, including work ranging from animal stories of the Northwest Coast Eyaks to African-American folklore to reflections on the American Muslim experience. Pow-Wow is the sequel to Reed's From Totems to Hip-Hop: A Multicultural Anthology of Poetry Across the Americas, 1900-2002, a volume that included both Tupac Shakur and T. S. Eliot, and was named one of the best poetry anthologies of 2003 by Library Journal. Its fiction-focused follow-up once again demonstrates the broad range of American writing, from such stellar names as Langston Hughes, Gertrude Stein, Russell Banks, and Alejandro Murguíto newly discovered writers of all races, genders, and backgrounds. By presenting many different sides to the American story, the fiction of these writers challenges official history, shatters accepted myths, and provides alternatives to mainstream notions of personal and national identity. Gathering these voices together, Pow Wow offers a fascinating and vital opportunity to traverse the fault lines that separate, distinguish, and define a nation made of many Americas.
From Mexico City to San Francisco's Mission District, nothing comes easy—in life or in love. Here is an unstereotypical view of a world as treacherous as it is tender, as hilarious as it is heartbreaking. Authentic and honest, these nine stories focus on today’s Latino men, their strength and vulnerability, their fears and deepest desires. “Danger, cruelty, lust, loss, blood, death and dance. . . . Couldn’t put the book down. So hot I had to smother it in half and half. Murguía's a master of hearts on fire, working his storytelling anvil late at night, in a wrecked cubicle of SF called La Mission. No doubt the hungriest fiction and the most ferocious collection in the last three decades.”—Juan Felipe Herrera, author of Border Crosser with a Lamborghini Dream “Alejandro Murguía has returned the short story to the people. Though some of his characters are down on their luck, the author has hit the literary jackpot with this one. He’s been revered as an artist for decades among the multicultural cognoscenti, and the publication of this fabulous volume will confirm for many readers what we knew all along.”—Ishmael Reed, author of The Reed Reader “This is a book of rare intensity and transcultural joy!"—José David Saldívar, author of Border Matters: Remapping American Cultural Studies "The nine tales of life in Mexico City and the Mission District depicted . . . crackle with energy without losing sight of their narratives. . . . [Murguia's] Mission district is not a hipster haven but a melting pot for Latinos from all over the Americas, and his Mexico City is a thriving cultural whirlwind."—San Francisco Chronicle Book Review "Alejandro Murguía begins This War Called Love: Nine Stories, his second collection, with an unforgettable portrait of Mexico City in the summer of 1956. Murguía’s prose has the captivating quality that can only flow from a narrator who is himself captivated by his passions. A born storyteller, Murguía sustains flawlessly believable first-person narratives, which gives his prose much of its warmth and nuance."—The San Francisco Bay Guardian "Equal parts funny and sad, Murguía’s short stories depict, with tender and sometimes unflinching detail, love, life, and growing up Hispanic. . . . Although the best of the collection are on the darker side, Murguía also shines in the more lighthearted stories . . . Free of stereotypes and always honest, this collection presents Latino Chicano life at full throttle."—Booklist "Authentic and honest, these stories focus on today’s Latin men, their strength and vulnerability, their fears and deepest desires."—Latin Style Alejandro Murguía was born in California, but raised in Mexico City. His experiences as an international volunteer in the Nicaraguan Insurrection of 1979 are recounted in his second collection of short stories Southern Front (American Book Award, 1991). He lives in San Francisco, where he teaches Latin American literature at San Francisco State University.