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This text is devoted to the colourful landscapes produced during the Fauvist period of 1904-1908. An essay on the emergence of the Fauve landscape is followed by four essays devoted to individual sites and such topics as Fauvism's impact on tourism and politics. Another essay concentrates on the critical landscape, in essence the critics' reception of these paintings. Matisse, Braque, Derain, Vlaminck, Dufy, Marquet, Manguin and Friesz are represented with examples of their works.
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
"Despite its having been the subject of several books, Fauvism remains a little known artistic movement. The author demonstrates that Fauvism constitutes a specific pictorial system for the expression of reality - a system that can be clearly defined not by any preliminary doctrine, but by dynamic action. He also explains how these paintings are not merely the result of a technique of expression using pure colors, but rather a lyrical translation of the artist's relationship to the universe - a new type of spatial awareness."--BOOK JACKET.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.