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Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.
Readers today are especially thrilled by the prospect of good news. Drought and global warming, civil war and famine, poverty and economic inequity—yes, bad news abounds. This book by Dr. Stephen Wilkerson, on the other hand, is about hope and optimism for the future. The recorded history of our world is largely one of a sometimes worthy patriarchal striving. It has, however, all too often been tarnished, marred, and horribly disfigured by the hatreds, intolerance, and destruction that have accompanied it. And the good news? There is another way, poignantly and persuasively outlined nearly two hundred years ago by Johann Wolfgang von Goethe, involving the Divine Feminine. Goethe’s masterpiece, Faust, involves an immensely intelligent but profoundly narcissistic man, who cruelly and selfishly exploits and ultimately ruins the life of an innocent maiden. In the legend on which Goethe’s great work is based, Faust understandably winds up in Hell, just as he does in virtually every version of this well-known wager with the Devil. But in Goethe’s interpretation, the deeply flawed protagonist is received into Heaven by the Mother of God Herself. How and why can this be? Mankind’s long history of heroic accomplishment has never been sufficiently tempered by a sense of global community and cooperation that mitigate the horror and devastation that ever seem to march along beside a single-minded struggle to achieve and prevail. And how may this missing unity be brought about? Alchemy as understood in this book has nothing to do with an early and misguided chemistry and everything to do with the sort of individual transformation necessary for a better, more gracious, more inclusive world. The millennial patterns of blind violence and repression can only be ameliorated by a thoughtful and genuine embrace of open-minded reception of difference and heart-felt valuation of a larger, borderless world in which all grow together rather than further apart. Such is the promise of the final words in Goethe’s Faust: “The Divine Feminine leads us forward.”
Loosely connected with Part One and the German legend of Faust, Part Two is a dramatic epic rather than a strictly constructed drama. It is conceived as an act of homage to classical Greek culture and inspired above all by the world of story-telling and myth at the heart of the Greek tradition, as well as owing some of its material to the Arabian Nights tales. The restless and ruthless hero, advised by his cynical demon-companion Mephistopheles, visits classical Greece i search of the beautiful Helen of Troy. Returning to modern times, he seeks to crown his career by gaining control of the elements, and at his death is carried up into the unkown regions, still in pursuit of the `Eternal Feminine'. David Luke's translation of Part One won the European Poetry Translation Prize. Here he again imitates the varied verse-forms of the original, and provides a highly readable - and actable - translation, supported by an introduction, full notes, and an index of classical mythology. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Offers a survey of early Faust stories and a detailed reading of Faust Part One.