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The articles are intended to open the field of patristic scholarship and suggest new approaches and areas of research, and include full relevant bibliographical inforamtion for scholars of patristics, history of theology, intellectual history, medieval and Renaissance studies, as well as seventeenth- and eighteenth-century history.
Known as the “Father of Church History,” Eusebius was bishop of Caesarea in Palestine and the leading Christian scholar of his day. His Ecclesiastical History is an irreplaceable chronicle of Christianity’s early development, from its origin in Judaism, through two and a half centuries of illegality and occasional persecution, to a new era of tolerance and favor under the Emperor Constantine. In this book, Michael J. Hollerich recovers the reception of this text across time. As he shows, Eusebius adapted classical historical writing for a new “nation,” the Christians, with a distinctive theo-political vision. Eusebius’s text left its mark on Christian historical writing from late antiquity to the early modern period—across linguistic, cultural, political, and religious boundaries—until its encounter with modern historicism and postmodernism. Making Christian History demonstrates Eusebius’s vast influence throughout history, not simply in shaping Christian culture but also when falling under scrutiny as that culture has been reevaluated, reformed, and resisted over the past 1,700 years.
This book is a collection of articles examining liturgical music from classical Greece and ancient Israel to late 15th-century Flanders and Spain. The focus is on two main topics: the negative role of instruments in ancient cult music; and the development of ecclesiastical song in early Christianity. Presented in this book are 16 articles written by the author over a period of 30 years. They span two millenia in their coverage, ranging from classical Greece and ancient Israel to the late 15th-century Flanders and Spain. Liturgical music in some form or another is the theme that binds them together, and two topics in particular are focused on: the negative role that instruments play in ancient cult music; and the development of ecclesiastical song in early Christianity. For the negative role of instruments, a series of articles treats classical Greek ethical notions of instruments, the status of instruments in temple and synagogue and the absence of instruments from early Christian and medieval Church music. The second focus - that of the development of ecclesiastical song - is dealt with in several studies that trace the psalmody and hymnody of the Christian tradition from its roots in Judaism to the origins of Gregorian chant in 7th-century Rome. The articles rely strongly on the writings of the Christian Church Fathers, such as Augustine, Basil and John Crystostom.
“Catholicism takes a path less traveled in leading us to explore the faith through stories, biographies, and images.”—Timothy M. Dolan, Archbishop of New York What is Catholicism? A 2,000-year-old living tradition? A worldview? A way of life? A relationship? A mystery? In Catholicism Father Robert Barron examines all these questions and more, seeking to capture the body, heart and mind of the Catholic faith. Starting from the essential foundation of Jesus Christ’s incarnation, life, and teaching, Father Barron moves through the defining elements of Catholicism--from sacraments, worship, and prayer, to Mary, the Apostles, and Saints, to grace, salvation, heaven, and hell. Whether discussing Scripture or the rose window at Notre Dame, he uses his distinct and dynamic grasp of art, literature, architecture, personal stories, theology, philosophy, and history to present the Church to the world. Paired with his documentary film series of the same title, Catholicism is an intimate journey, capturing “The Catholic Thing” in all its depth and beauty. Eclectic, unique, and inspiring, Father Barron brings the faith to life for a new generation, in a style that is both faithful to timeless truths, while simultaneously speaking in the language of contemporary life.
If the word trinity isn’t in Scripture, why is it such an important part of our faith? And if the Bible can be interpreted in many ways, how do we know what to make of it? And who decided what should be in the Bible anyway? The Church Fathers provide the answers. These brilliant, embattled, and sometimes eccentric men defined the biblical canon, hammered out the Creed, and gave us our understanding of sacraments and salvation. It is they who preserved for us the rich legacy of the early Church. D’Ambrosio dusts off the dry theology and brings you the exciting stories and great heroes such as Ambrose, Augustine, Basil, Athanasius, Chrysostom, and Jerome. This page-turner will inspire and challenge you with the lives and insights of these seminal teachers from when the Church was young.
What is the church? What does it mean to be a member of the church? This book examines how the earliest Christian theologians in the Latin West understood the nature, ends, and boundaries of the church. By analyzing the thought and practices of figures such as Tertullian of Carthage, Cyprian of Carthage, Augustine of Hippo, and Pope Leo the Great, James K. Lee shows how early Latin theologians forged distinctive views of the church as one, holy, catholic, and apostolic. Lee argues that according to the Latin fathers, the church was one complex reality with visible and invisible aspects that could be distinguished but not separated. God could work outside of the church’s visible bounds, yet all who were saved were joined to the church’s invisible bond of charity. The church’s unity was found in charity, and for the early Latin fathers, there was no salvation outside of the church. In addition, Lee demonstrates the trajectory from an exclusivist ecclesiology to a more inclusive understanding of church membership in the development of Latin ecclesiology over the course of the first five centuries of Christianity.