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THE FATHER THING contains the stories written in 1956, just before the publication of Dick's first novel, SOLAR LOTTERY. The stories are a mix of the previously uncollected and some of his most famous pieces such as Foster, You're Dead a powerful extrapolation of nuclear war hysteria, and The Golden Man, a very different story about a super-evolved mutant human.
The author describes his journey to Vietnam with his war veteran father, offering a glimpse of a land that had shaped both of their lives while reflecting on his father's war experience and the war's continuing political, cultural, and personal influence.
Rhyming text depicts a father sharing with his child such things as seven words that all mean blue and the name of every kind of cloud.
Based on the feature film of the same name, The Father Effect is a must-read for the millions of men and women who have lost their fathers through divorce, death, or disinterest. John Finch always struggled after his father committed suicide when he was eleven, but it wasn't until he was raising his own three daughters that he truly understood their futures relied on his coming to terms with his difficult past. To move forward, he needed to forgive both his father for choosing to leave, and himself for not being the best father he could be. This journey led to The Father Effect, a book containing practical help for anyone, man or woman, with a deep father wound from losing a dad through divorce, death, or disinterest. Through positive lessons on forgiveness and approachable advice on how to change your legacy as a parent, partner, and person, The Father Effect is the ultimate healing tool for anyone who has suffered the absence of a dad.
The 2011 Sperry Symposium volume explores the rich symbolism of Lehi's dream and Nephi's vision, placing such symbols as the mists of darkness, the great and spacious building, and the church of the Lamb of God in the context of the last days.
An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas’ house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end. Winner of the prestigious Davy Byrnes Award and published in an abridged version in the New Yorker, this internationally bestselling contemporary classic is now available for the first time in the US in a full, standalone edition. A story of astonishing emotional depth, Foster showcases Claire Keegan’s great talent and secures her reputation as one of our most important storytellers.
Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.
Thirteen short stories by the legendary author of The Man in the High Castle and other science fiction classics. Philip K. Dick didn’t predict the future―he summoned the desperate bleakness of our present directly from his fevered paranoia. Dick didn’t predict the Internet or iPhones or email or 3D printers, but rather he so thoroughly understood human nature that he could already see, even at the advent of the transistor, the way technology would alienate us from each other and from ourselves. He could see us isolated and drifting in our own private realities even before we had plugged in our ear buds. He could see, even in the earliest days of space exploration, how much of our own existence remained unexplored, and how the great black spaces between people were growing even as our universe was shrinking. Philip K. Dick spent his first three years as a science fiction author writing shorter fiction, and in his lifetime he composed almost 150 short stories, many of which have gone on to be adapted into (slightly watered down) Hollywood blockbusters. Collected here are thirteen of his most Dickian tales, funhouse realities with trap doors and hidden compartments.
Short stories originally published from 1953 to 1955.