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Ever felt like you don’t fit in or worse don’t belong? Or wondered what it would be like to be without a mom or a dad? Ever looked up at the stars at night and wondered what it would be like to travel the cosmos? Come travel the cosmos with orphaned Al Alpherztz, as he takes the trip of a lifetime through the Milky Way galaxy, meets his father who is the King of the Constellation of Pegasus, and come to know who is truly the great King of Kings, and Lord of Lords, Creator God.
Domitian, Emperor of Rome AD 81-96, has traditionally been portrayed as a tyrant, and his later years on the throne as a `reign of terror'. Brian Jones' biography of the emperor, the first ever in English, offers a more balanced interpretation of the life of Domitian, arguing that his foreign policy was realistic, his economic programme rigorously efficient and his supposed persecution of the early Christians non-existent. Central to an understanding of the emperor's policies, Brian Jones proposes, is his relationship with his court, rather than with the senate. Roamn historians will have to take account of this new biography which in part represents a rehabilitation of Domitian.
This provocative collection of essays is a comprehensive study of the "father-daughter dynamic" in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as "daughters" in a culture that venerates "the father." They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to the present. Conjoining the classical and the modern with a unified theme reveals an important continuum in female authorship-a historical approach often ignored by scholars. The essays devoted to the literature of the classical period discuss canonical texts in a new light, offering important feminist readings that challenge existing scholarship, while those dedicated to modern writers introduce readers to little-known texts with translations and readings that are engaging and original. Contributors: Tomoko Aoyama, Sonja Arntzen, Janice Brown, Rebecca L. Copeland, Midori McKeon, Eileen Mikals-Adachi, Joshua S. Mostow, Sharalyn Orbaugh, Esperanza Ramirez-Christensen, Edith Sarra, Atsuko Sasaki, Ann Sherif.
As war splits the galaxy, the Emperor toils in the vaults beneath the Imperial Palace. But his great work is in peril, and the forces of Chaos are closing in… While Horus’ rebellion burns across the galaxy, a very different kind of war rages beneath the Imperial Palace. The ‘Ten Thousand’ Custodian Guard, along with the Sisters of Silence and the Mechanicum forces of Fabricator General Kane, fight to control the nexus points of the ancient eldar webway that lie closest to Terra, infested by daemonic entities after Magnus the Red’s intrusion. But with traitor legionaries and corrupted Battle Titans now counted among the forces of Chaos, the noose around the Throneworld is tightening, and none but the Emperor Himself can hope to prevail.
A luminous and inspiring portrait of a Black pioneer and artistic force—Eartha Kitt—and one of the most moving mother/daughter stories in Hollywood history. In this unique combination of memoir and cultural history, we come to know one of the greatest stars the world has ever seen—Eartha Kitt—as revealed by the person who knew her best: her daughter. Eartha, who was a mix of Black, Cherokee, and white, is viewed by the world as Black. Kitt, her biological daughter, is blonde and light skinned. This is the story of a young girl being raised by her mother, who happened to be one of the most famous celebrities in the world. For three decades, they traveled the world together as mother and daughter. Even after Kitt got married and started a family of her own, she and Eartha were never far from each other’s sides Eartha had a very difficult childhood growing up in extreme poverty in South Carolina. She described herself as being “just a poor cotton picker from the South.” She did not have her own familial ties to lean on after being abandoned by her own mother as a toddler and having never known who her father was. She and Kitt were each other’s whole world. Eartha’s legacy is still felt today. Not only do we still listen to “Santa Baby” every Christmas, but many of today’s most influential artists con­sistently mention Eartha, paying tribute to her groundbreaking stances on social issues such as racial equality and women’s and LGBTQ rights. And she is still widely remembered for her defin­itive portrayal of Catwoman in the classic Batman television series, voicing the character Yzma in Disney’s The Emperor’s New Groove, and her many other movie and Broadway roles. In these pages, Kitt brings her mother to life so vividly, you will feel as if you'd met her. You’ll embrace her love of nature, exercise, simple food, and independence, along with her lessons on the importance of treating people kindly and always being true to yourself. Filled with love, life lessons, and poignant laughter, Eartha & Kitt captures the passion and energy of two remarkable women.
Reborn as the Flame, thirteen-year-old Emily has saved Olympus from destruction but when the gruesome Nirads begin a new invasion, Emily and her friends become entangled in the conflict as old grudges are unearthed and new enemies are discovered.
Provides students with important source material covering an age of major transition in Europe - the establishment of Rome as a Christian empire. Most of the material was previously unavailable in English.
This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships. Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage. The book will be of interest to scholars working in art history, classics, and archaeology.