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Poetry. Christoper DeWeese's second book, THE FATHER OF THE ARROW IS THE THOUGHT, re-says the human against the "fucked ecosystem" of the contemporary landscape. Locating themselves in a series of varied physiographic settings, the poems illuminate the tragic reality of our imaginations: that our bodies lag behind our minds; that our physical forms can never go so far as we think, dream, or say. But this is not simply a book of elegy and woe. Drawing upon Paul Klee's theory of "creative kinetics," the idea of art defying physical laws through the use of symbolic, visionary, or transcendent imaginative acts, DeWeese presses past lament, unmoving something strange and complicated amidst "the uncharted lands / I keep discovering inside / no, behind me, / where my bones I throw." Personal, surprising, questing and ambitious, THE FATHER OF THE ARROW IS THE THOUGHT is a wild event, a new myth shot through time and space. "DeWeese's poems, a unified collection of stand alone meditations, offer a new myth composed straight out of our 21st Century's hideous beauty. The poems' heroic chronicle epics our situation and offers us redeeming compassion. That we're able to imagine our way through, across, over, above, beyond and around just about anything, tempts us, teases us, and lets us see what can't be seen." Dara Wier The cloud is trying to hold itself together, and I am trying to hold up the cloud. Heavy and tired, I look around. I drag myself across the rainbow, a quiet exhibit immediately forgotten in the question of distance, how many miles it is between here and anything, the horizon a cliff all jump and floating, the miles just numbers hidden between my breathing and the real sun stumbling its transparent limbs through the window. I want to grab the cloud and juice it down, and then stuff it in the blender. The cloud is boneless. It's getting closer, a uvula vibrating in the handsome wind. I breathe evenly. For a gangster, I'm getting pretty good at this. It's as if breathing is a bank I've robbed so often I've been named its president. The responsibility soothes me. Orphans depend on my decisions. I look out the window. I walk into the white building."
'One of the most famous of modern art documents - a poetic primer, prepared by the artist for his Bauhaus pupils, which has deeply affected modern thinking about art . . . This little handbook leads us into the mysterious world where science and imagination fuse.' Observer
NATIONAL BESTSELLER As King Robert the Bruce of Scotland plots to retake his English-occupied castles, he needs the stealth and skill of his elite soldiers, the Highland Guard. Fearless and indomitable, no men are more loyal to their king, or more cherished by the women they love. The talents of legendary marksman Gregor “Arrow” MacGregor are crucial now, as Bruce moves to reclaim his Scottish holdings. Gregor is considered the most handsome man in Scotland, and his fame as an archer is rivaled only by his reputation with the lasses as a heartbreaker. But when his infamous face is exposed during a covert mission, Gregor is forced to lie low. He returns home only to find a new battle waiting: a daring game of seduction involving his now very grown-up and very desirable ward, Cate of Lochmaben. A born fighter, Cate was clinging to life when Gregor rescued her after a vicious English raid on her village left her mother dead. But five years later, the once scrappy orphan Gregor took under his protection has become a woman. Brave, strong, and skilled in warfare, Cate is determined to lay claim to the warrior who refuses to be trapped. The heat in his eyes tells her she has his attention . . . and his desire. But will Gregor allow his heart to surrender before danger finds them, and the truth of Cate’s identity is revealed? Praise for Monica McCarty and The Arrow “[Monica] McCarty’s gift lies in writing strong characters into wildly entertaining—often unexpected—scenarios. Readers can’t go wrong with her latest.”—The Washington Post “The Highland Guard come to life as McCarty fills her tales with historical accuracy and moving romance. The ninth in the series is well paced, emotional and powerfully told. Don’t miss it!”—RT Book Reviews (Top Pick!) “One of the best Highlander historical series out there.”—The Reading Cafe “Heart-wrenching . . . The Arrow made a lasting impression on me.”—Under the Covers “A mixture of passion, history, and great wit to create a tale to captivate your senses! To die for!”—Addicted to Romance “There is danger, laughter, and sweet love and secrets revealed. All the characteristics of a wonderful read.”—Tea and Book “Monica McCarty is an absolutely superior author! Her Highland Guard series has to be one of the absolute best Highland series out there! Fun, fast paced, fact driven and totally fantastic!”—Bodice Rippers, on The Raider “McCarty is a master at writing Highlander romance . . . keeping her Highland Guard series fresh, with spectacularly riveting plots and fabulously romantic couples. . . . If you’ve not read this series yet, then I strongly suggest that you do.”—Night Owl Reviews, on The Hunter
An adaptation of the Pueblo Indian myth that explains how the spirit of the Lord of the Sun was brought to the world of men.
Adam Moore describes how he suffered a serious brain injury and recovered with medical help and family support.
A lyrical biography of Kahlil Gibran by award-winning writer Cory McCarthy, with glorious illustrations by Caldecott Honoree and two-time Coretta Scott King Illustrator Award winner Ekua Holmes. Before Kahlil Gibran ever put his pen to the page to eventually become the world's third best-selling poet of all time, he was Gibran Khalil Gibran, a child immigrant from Lebanon who had a secret hope. That hope sprung from his experiences in Lebanon, where Christians and Muslims crashed like two strong headwinds, and in Boston, where the wealthy crashed with the poor. His secret hope: to connect all people from around the world, bringing them together despite their differences and beliefs. But how could he bring people together when he himself felt fractured? He was Kahlil Gibran, the Arab American who struggled to make a home in America, and he was Gibran Khalil Gibran, the Lebanese boy who missed his home, struggling to hold on to his roots. Kahlil found his answer in writing poetry. Kahlil's secret hope, shot like an arrow from Lebanon, feathered by the spirit of American independence, became a book called The Prophet. And even today, Kahlil's words continue to fly around the world, bringing people together.
Human beings have two outstanding characteristics compared to all other species: the apparently enormous elaboration of our thought through language and symbolism and the elaboration of our forms of social organization. The view taken in Human Thought and Social Organization: Anthropology on a New Plane is that these are intimately interconnected. To understand this connection, the book compares the structure of the systems of thought that organizations are built upon with the organizational basis of human thinking as such. An experimental method is used, leading to a new science of the structure of human social organizations in two senses. First, it gives rise to a new kind of ethnology that has the combination of empirical solidity and formal analytical rigor associated with the “paradigmatic” sciences. Second, it makes evident that social organizations have distinctive properties and require distinctive explanations of a sort that cannot be reduced to the explanations drawn from, or grounded in, these other sciences. Human social organizations are created by people using systems of ideas with very specific logical properties. This book describes what these idea-systems are with an unbroken chain of analysis that begins with field elicitation, and continues by working out their most fundamental, logico-mathematical generative elements. This enables us to see precisely how these idea systems are used to generate organizations that give pattern to ongoing behavior. The book shows how organizations are objectified by community members through symbolic representations that provide them with shared conceptions of organizations, roles, or relations that they see each other as participating in. The case for this constructive process being pan-Homo sapiens is described, spanning all human communities from the Upper Paleolithic to today, and from the most seemingly primitive Australian tribes to modern-day America and India. While focusing primarily on kinship, Human Thought and Social Organization shows how the analysis applies with equal precision to other social areas ranging from farming to political factionalism.
Eleven-year-old Walter Tell awaits the skillful demonstration of his father William, a Swiss freedom fighter, who will shoot an apple from his head.
'There is much to admire in this intriguing, ambitious, immersive book' Literary Review The gods are abandoning the earth, tempted by other worlds where they can live in peace. Only a few keep an interest in mortals. In their place, darker, more ancient forces are wakening... Silvius is given a task by a dying centaur. The dark god Python is rising and massing an army of immense power. The only thing that can save the world is the Arrow of Apollo – but it has been split into two. Silvius and his friend Elissa must travel to the land of their sworn enemies, the Achaeans. Meanwhile, Tisamenos is facing his own dangers in Achaea. A plot is afoot against him and his father, and it falls to him to stop it. When Silvius, Elissa and Tisamenos meet, they enter a final, terrifying race to bring together the pieces of the Arrow and use it to lay Python low once more.