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This selection of poems is from 4500 entries submitted for the 1988 BBC Arts and Africa Poetry Award. The collection reflects the great depth and vigour of contemporary African poetry.
Acclaimed poet and MacArthur Foundation Fellow, Lucia Perillo, a former park ranger who loved to hike the Cascade Mountains alone and prided herself on daring solo skis down the wild slopes of Mount Rainier, was diagnosed with multiple sclerosis when she was in her thirties. I've Heard the Vultures Singing is a clear-eyed and brazenly outspoken examination of her life as a person with disabilities. In unwavering and witty prose, and without a trace of self-pity, she contemplates the bitter ironies of being unable to walk, what it’s like to experience eros as a sick person, how to lower one’s expectations for a wilderness experience, and how to deal with the vagaries of a disease that has no predictable trajectory. Masterfully written, the essays resonate with lovers of literature and nature, and with anyone who has dealt with disadvantages of the body or the hard-luck limitations of ordinary life.
Poetry. Women's Studies. Art. Music. SISYPHUSINA is a cross-genre collection of prose, poetry, visual art, and improvisatory music, centered on female aging. Faced with linguistic and literary traditions that lack rich vocabularies to describe female aging, Shira Dentz uses the hybrid form as an attempt to suture new language that reflects internal and physical processes that constitute a shifting identity. By deviating from formal classical construction, and using the recurring image of a rose, SISYPHUSINA circles around conventions of beauty, questioning traditional aesthetic values of continuity, coherence, and symmetry. Some of the book's images are drawn from separate multimedia collaborations between the author and composer Pauline Oliveros, artist Kathy High, and artist Kathline Carr. A musical composition improvised by Pauline Oliveros, based on one of her text scores, titled "Aging Music," is the book's coda, and readers can listen to it online by scanning a QR code inside the book. The interweaving of these collaborations with the author's voice and voices from other sources imbue this book with a porous texture, and reimagines the boundary of the book as a membrane.
The poetry of Lawrence Welsh crosses many borders, from South Central Los Angeles, where he was raised, to El Paso, where he has lived for almost twenty years. A newspaper man turned poet, a punk rock songwriter who became an English teacher, an Irishman at home in Texas, Welsh gives voice to the famous, the infamous, and the forgotten.
Robert Penn Warren, in a recent introduction given at the Library of Congress, wrote that in the work of David Bottoms "we find a strong and original new poet. Underlying all his work is the simple and unusual conviction that the world we see is trying to tell us something." In the thirty new poems collected in Under the Vulture-Tree, the world speaks to David Bottoms in startling and disturbing ways. Again, with uncompromising realism, Bottoms explores the wilderness we thought we'd civilized, the wilderness the world proves daily is alive in the human heart. Unusual, often startling situations, coupled with the poet's powerful narrative voice, create a drama that is extraordinary in poetry today, but it is his rare talent for revealing the universal in the specific that makes his vision true witness to our common struggle.
In 2010, billions of naira were spent to celebrate the 50th anniversary of Nigeria's independence since 1960. More naira are to be spent in 2014 to commemorate the centenary marking the nation's birth in 1914 from an amalgamation of diverse group of peoples, languages, cultures and expectations. As the conscience of the nation, writers are calling for a deeper introspection. A hundred years after unification, the most populous African nation has oscillated from being great to being fickle, from colony to independence and dependency, from peace to war to ungraceful insecurity, from military dictatorship to civilian oppression and profligacy and much more of the many contradictions of a complex national polity. In this special collection Poems for a Century: An Anthology on Nigeria, poets from different backgrounds, generations and persuasions explore what it means to be a citizen of this unique African country. Shifting from despair to hope, lamentation to happiness, condemnation to adoration and every gamut of sensibilities imaginable, the contributors reiterate the notion of engagement and the power of the written word to push for social change in their beloved nation. In fifty poems, Nigeria becomes the muse not just to raise questions about its past experiences and present contexts, but also to posit aspirations for a better nation.
The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.
The Nobel Laureate's reputation as a dramatist tends to cloud his poetic achievement, and in modern African literature, poetry lives in the shadow of fiction. The criticism of Soyinka's poetry has so far centred on his themes of individuality and death, his imagery, and on the controversy over his authenticity, obscurity and difficulty. Here, in a new approach, an academic himself and one of the leading younger generation of African poets, discusses critically the voice and viewpoint of the poet with the object of establishing Soyinka's persona. The book covers the personality and world view of the man, as revealed in his poetry.
These forty-four poems, divided into two sections or streams, explore diverse social, political and emotional themes. The first stream focuses on the different roles played by the Nigerian woman - wife, mother, daughter, sister, friend, lover - her travails and her 'place' in the agenda of things. The second stream delves into the complex and oft times puzzling theme of the 'self' - self-confidence, self-belief, self-discovery and self-acceptance. Angela Miri is Head of the English Department at the University of Jos, where she teaches mainly African oral literature and African poetry.