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"The Fate of Sparta; or, The Rival Kings" by Hannah Cowley is a tragic tale set in ancient Greece, exploring themes of power, honor, and the destructive force of ambition. At its core are the rival kings of Sparta, Agesilaus and Agis, whose bitter feud drives the kingdom to the brink of destruction. As they vie for supremacy, their personal ambitions clash with their duties to their people, leading to a series of betrayals, conspiracies, and ultimately, tragedy. Through the intertwined fates of the two kings and those around them, Cowley paints a vivid portrait of the political turmoil and moral dilemmas of ancient Sparta. The play delves into the complexities of leadership and the sacrifices required to maintain power, while also examining the consequences of pride and hubris.
Description: Prologue, missing here, states that this play is not set in the heroic days of Sparta, but in the latter days of luxury and weakness. The story deviates from history and is complete fiction by the author.
Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.