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"The ongoing proliferation of new versions of Carmen presents an ideal opportunity to study both the cultural power and renewability of certain literary texts and the relationship between literature and the performing arts. Since its introduction in Prosper Mérimée's 1845 novella, the Carmen character has been the subject of countless portrayals, from Bizet's 1874 opera, to various dramatic, dance and musical renditions, to films by such directors as Peter Brook, Jean-Luc Godard, Francesco Rosi, and Carlos Saura. In [this book], [the author] studies competing representations of Carmen as either dangerous femme fatale, liberated woman, or vanguard warrior in the battle between the sexes. [The author] locates the impetus for the continual renewal of this modern myth in the cultural ideal of Bohemia, tracing the history of this ideal from nineteenth-century Paris to the European Union of today"--Back cover.
Bizet's Carmen is probably the best known opera of the standard repertoire, yet its very familiarity often prevents us from approaching it with the seriousness it deserves. This handbook explores the opera in a number of contexts, bringing to the surface the controversies over gender, race, class and musical propriety that greeted its premiere and that have been rekindled by the recent spate of film versions. Beginning with a study of the Mérimée story by Peter Robinson and an examination of the social tensions in nineteenth-century France that inform both that story and the opera, the book traces the latter through its genesis and reception. The central core of the book presents a close reading of the opera that offers new interpretive possibilities. The handbook concludes with discussions of four films based on the opera: Carmen Jones and the versions of Carmen by Carlos Saura, Peter Brook, and Francesco Rosi. The volume contains a bibliography, music examples, and a synopsis.
"The ongoing proliferation of new versions of Carmen presents an ideal opportunity to study both the cultural power and renewability of certain literary texts and the relationship between literature and the performing arts. Since its introduction in Prosper Mérimée's 1845 novella, the Carmen character has been the subject of countless portrayals, from Bizet's 1874 opera, to various dramatic, dance and musical renditions, to films by such directors as Peter Brook, Jean-Luc Godard, Francesco Rosi, and Carlos Saura. In [this book], [the author] studies competing representations of Carmen as either dangerous femme fatale, liberated woman, or vanguard warrior in the battle between the sexes. [The author] locates the impetus for the continual renewal of this modern myth in the cultural ideal of Bohemia, tracing the history of this ideal from nineteenth-century Paris to the European Union of today"--Back cover.
Russia, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the almost-living portrait that the Tsar intends to acquire and the opium-infused manuscripts she wrote just before her death, one of which opens a trapdoor to a wild feminist fairytale. Across the city, Clementine, an anarchist seamstress, and Father Gapón, the charismatic leader of the proletariat, tip the country ever closer to revolution. Boullosa lifts the voices of coachmen, sailors, maids, and seamstresses in this playful, polyphonic, and subversive revision of the Russian revolution, told through the lens of Tolstoy’s most beloved work.
A word-by-word translation in English and IPA, and annotated guides to the dialogue and recitative versions of the opera, this book is a complete reference for anyone studying or producing Bizet's Carmen. It provides all the material necessary for practical use by singers, conductors, coaches, stage directors, opera producers, students and teachers. - from the publisher's notes.
A comprehensive guide to Bizet's CARMEN, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with French/English side-by side, and over 30 music highlight examples."
"What capacity for good lies in the hidden depths of people?" Starting with this question, award-winning author Charles Wohlforth sets forth on a wide-ranging exploration of our relationship with the world. In The Fate of Nature, he draws on science, spirituality, history, economics, and personal stories to reveal answers about the future of that relationship. There is no better place to witness the highs and lows of our treatment of the natural world than the vast wilds, rocky coasts, and shifting settlements of Alaska. Since the first encounter between Captain Cook's crew and the Alaskan Natives in 1778, there have been countless struggles between people who have had different plans for the region. Some have hoped to preserve Alaska as they found it, while others aimed to create something new in its place. Incidents such as the Exxon Valdez oil spill may seem like cause for despair. In the face of such profound tragedies, Charles Wohlforth has found heartening developments in the science of human altruism. This new understanding of what causes humans to cooperate and act conscientiously may be the first step toward taking the actions necessary to preserve an environment that has already been altered drastically in our lifetime. A clear-eyed, original work of research, reportage, and philosophical reflections, The Fate of Nature gives us a chance to change the way we think about our place in society and the world at large.
Offers brief summaries of the plots of one hundred operas, and includes background commentary and recommendations for favorite recordings of each opera.