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The Fashion World of Jean Paul Gaultier: From the Catwalk to Australia provides an exclusive look at the uncompromising designer's career to date, with a special focus on Gaultier's unique relationships with his 'Australian muses' - luminaries of the Australian film, television, music and fashion industries. This distinctive, magazine-style publication brings together personal photographs, archival fashion images, and interviews with Australian icons: Kylie Minogue, Cate Blanchett, Nicole Kidman, Andreja Peji?, Gemma Ward, Catherine McNeil and Alexandra Agoston. A biography of the renowned designer is also included, as well as an essay by NGV curators Paola Di Trocchio and Roger Leong about collecting Gaultier's exquisite work for the NGV.
Présente l'exposition atypique du créateur de mode Jean Paul Gaultier qui a fait appel aux plus célèbres boulangers de France pour présenter une collection de vêtements uniques au monde fait à la fois de farine, de levure, d'eau et de haute couture. Dévoile les analogies entre la couture et l'univers de la boulangerie à partir desquelles J.P Gauliter a travaillé.
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
In this limited edition, Ultimate Collection format linen clamshell and handmade oversized book, Valerie Steele flexes her curatorial muscle by showcasing the most iconic dresses of the twentieth century. From Poiret to Pucci, Doucet to Dior, Vionnet to Valentino, Steele selects one hundred dresses that caused a stir either on the runway or entering a room and ultimately inspired new directions in fashion. Steele’s selections include Paul Poiret's figure-liberating 1907 gown, Madame Grès’s sublimely draped goddess creation from 1938, Jean Paul Gaultier's shockingly exaggerated cone-bust corset dress circa 1984, and Hussein Chalayan’s awe-inspiring remote-control fiberglass Airplane dress from 2000. The compilation, while certainly subjective, is sure to receive nods of recognition along with a gasp or two of surprise.
A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing.
Jean-Paul Gaultier is fashion's polymath. As a designer, a TV star and gay icon he has used his subversive sense of humour to make us question our attitudes towards sex and morality. He has never been less than revolutionary, and this work explores how this has happened.
Frida Kahlo was not only an iconic artist, she was also a bold beauty and an avant-garde fashionista whose timeless sense of style continues to inspire and influence the worlds of fashion, media, and art today.
New York Times Editors’ Choice, One of NPR’s Best Books of the Year In this “infinitely readable” biography, award-winning author Mary Gabriel chronicles the meteoric rise and enduring influence of the greatest female pop icon of the modern era: Madonna (People Magazine) With her arrival on the music scene in the early 1980s, Madonna generated nothing short of an explosion—as great as that of Elvis or the Beatles—taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called “Madonna-land.” But Madonna was more than just a pop star. Everywhere, fans gravitated to her as an emblem of a new age, one in which feminism could shed the buttoned-down demeanor of the 1970s and feel relevant to a new generation. Amid the scourge of AIDS, she brought queer identities into the mainstream, fiercely defending a person's right to love whomever—and be whoever—they wanted. Despite fierce criticism, she never separated her music from her political activism. And, as an artist, she never stopped experimenting. Madonna existed to push past boundaries by creating provocative, visionary music, videos, films, and live performances that changed culture globally. Deftly tracing Madonna’s story from her Michigan roots to her rise to super-stardom, master biographer Mary Gabriel captures the dramatic life and achievements of one of the greatest artists of our time.
"'Style is about expressing yourself, ' says Susanne Bartsch. 'You can be whatever you want to be--a silver screen star, a Marie Antoinette baroque creature, or a Victorian punk. I love that about fashion and make-up.' Susanne Bartsch has long been a highly visible player in New York City nightlife, with her parties known for their mix of uptown and downtown, gay and straight, high fashion, street style, and Mardi Gras extravaganza. Her penchant for extreme fashion and make-up have made her name the equivalent of a couture label among the 'Fashion Underground, ' a diverse group of individuals united around a love of fashion, defined as an embodied practice of self-expression and transformation. This creative subculture distinguishes itself from the commercial, mainstream fashion system, but their extraordinary styles, often bordering on performance art, have often influenced the wider world of fashion and beauty"--Museum at FIT web site