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As he grows up on his family's farm in New York, Almanzo Wilder dreams of having a colt of his own.
This collection includes essays that consider how Bloomfield's poetry contributes to an understanding of the predominant issues, forms, and themes of literary Romanticism.
Almanzo Wilder celebrates his birthday by breaking in a pair of calves and sledding on his new sled.
Little House Big Adventure Almanzo Wilder is going west! He and his family are moving all the way from their cozy farm in Malone, New York, to the bustling town of Spring Valley, Minnesota. Almanzo can’t wait to explore, but life in Spring Valley isn’t what he expected. The Wilders have to stay with relatives in a small, cramped house where Almanzo’s aunt Martha is cold and unfriendly. Almanzo longs for the freedom he had back home, and he especially misses his horse, Starlight. Even as he makes new friends at school and helps his father pick a plot of land for the family to settle on, Almanzo can’t help but wonder: Is Minnesota the right place for the Wilders? Or do they belong in New York? First introduced in Laura Ingalls Wilder’s classic Little House book Farmer Boy, Almanzo Wilder’s adventures continue in Farmer Boy Goes West.
This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
Most of the articles in A Natural Delineation of Human Passions” originated in the Twelfth October Conference held in Leiden to celebrate the bicentenary of the publication of Lyrical Ballads. The first article, by the editor, “An Historic Moment: ‘A Natural Delineation of Human Passions’ as a ‘New Morality’?”, attempts to establish an historic and an historical context, both personal and political, for the six articles that follow, by Åke Bergvall, Myra Cottingham, C.P. Seabrook Wilkinson, James McGonigal, Jacqueline Schoemaker, and Suzanne E. Webster, which consider the themes of vagrancy and wandering in Lyrical Ballads, the expression of loss and compensation, and the consequences, both beneficial and perilous, for the language and rhetoric of poetry. Then three articles, by Annemarie Estor, Daniel Sanjiv Roberts, and Paul E.A. van Gestel, consider the ambience of science and philosophy in which Wordsworth and Coleridge strove to affirm the creative participation of poetry. After this, Jacqueline M. Labbe, Titus P. Bicknell, Robert Druce, and M. Van Wyk Smith discuss the parallel contributions of some of the more neglected contemporaries of the authors of Lyrical Ballads, not necessarily in English nor necessarily in England – Mary Robinson, Walter Savage Landor, Robert Bloomfield and Thomas Pringle. The volume concludes with an extended examination by Timothy Webb of the responses, both admiring and scornful, of the younger generation of Romantics to the legacy of Lyrical Ballads.