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The Karoo is a vast semi-desert region that extends across parts of the Western and Eastern Cape provinces of South Africa. This environmentally important area is the largest ecosystem in the country and is abundant in wildlife, vegetation, and ancient history. The Plains of Camdeboo is a celebration of this remarkable landscape. At first encounter the Karoo may seem arid, desolate and unforgiving, but to those who know it, it is a land of secret beauty and infinite variety. For generations author Eve Palmer's family have lived on the Karoo farm of Cranemere, situated on the Plains of Camdeboo. This family have battled for decades against this harsh desert; they have had to adapt to it, learning to fear, respect, and ultimately love it. First published in 1966, The Plains of Camdeboo has become a classic in South African literature. Here is a book that is not autobiography, not history, not botanical study, but all of these and more, blending into a uniquely vivid and personal account of life in the Karoo. The animals, the insects, the wealth of fossils, the countless flowers that spring miraculously to life after rain - all are woven into this rich and engaging story.
The Karoo is big sky country; a land of vast open plains punctuated by flat-topped mountains, conical hills and secluded valleys, a land of scrubby bushes and hardy trees, where pioneers carved roads out of rock to set down roots in an unforgiving environment. Here dreams are born, legends are made, and outcasts find sanctuary. It is also an ancient place, whose story is revealed through geology, fossils and artefacts, and whose human lineage predates any written history. Today, the people who inhabit it must manifest the same fortitude that sustained those who left their footprints in the primieval mud. In Hidden Karoo you will find all this, and more. Through a series of superb photo-essays, this majestic place is revealed as a land where conservation and neglect are seldom far apart, where one town boasts splendidly restored buildings, while along a dusty back road lie forgotten villages waiting for ... something. Could it be a renewal, or a slow death? There’s nothing novel about the movement of people from country to city, and the Karoo mimics other parts of the world where rural areas become derelict as they are depopulated. Hidden Karoo presents a snapshot of the region as it is now, offering a glimpse into towns and villages, farmsteads and churches, important buildings and humble homes, all against a backdrop of awe-inspiring landscapes. Through words and pictures, it prompts us to consider what was, what is and, perhaps, what might be. One constant about the Karoo is change. A book can do no more than capture a moment in time or depict fragments of a place, but in doing so, it bears witness to the past and offers the hope that there may yet be a future for this unparalleled part of our country.
Acclaimed novelist and critic Tim Parks has long been fascinated by the complicated relationship between an author’s life and work. Dissatisfied with the dominant modes of reading he encountered, he began exploring the underlying values and patterns that guide authors in both their writing and their lives. In a series of provocative, incisive, and unflinching essays written over the past decade and collected for the first time here, he reveals how style and content in a novel reflect a whole pattern of communication and positioning in the author’s ordinary and daily behavior. We see how life and work are deeply enmeshed in the work of writers as diverse as Charles Dickens, Feodor Dostoevsky, James Joyce, Anton Chekhov, Philip Roth, Julian Barnes, Peter Stamm, and Geoff Dyer, among others. Parks further shows us how readers’ reactions to these writers and their works are inevitably connected to these communicative patterns, establishing a relationship that goes far beyond aesthetic appreciation. This original and daring collection takes us into the psychology of some of our greatest writers and challenges us to see with more clarity how our lives become entangled with theirs through our reading of their novels.
J.M. Coetzee is one of the world's most intriguing authors. Compelling, razor-sharp, erudite: the adjectives pile up but the heart of the fiction remains elusive. Now, in J.M. Coetzee and the Life of Writing, David Attwell explores the extraordinary creative processes behind Coetzee's novels from Dusklands to The Childhood of Jesus. Using Coetzee's manuscripts, notebooks, and research papers--recently deposited at the Harry Ransom Center of the University of Texas at Austin--Attwell produces a fascinating story. He shows convincingly that Coetzee's work is strongly autobiographical, the memoirs being continuous with the fictions, and that his writing proceeds with never-ending self-reflection. Having worked closely with him on Doubling the Point: Essays and Interviews and given early access to Coetzee's archive, David Attwell is an engaging, authoritative source. J. M. Coetzee and the Life of Writing is a fresh, fascinating take on one of the most important and opaque literary figures of our time. This moving account will change the way Coetzee is read, by teachers, critics, and general readers.
Land Reform Revisited engages with contemporary debates on land reform and agrarian transformation in South Africa. The volume offers insights into post-apartheid transformation dynamics through the lens of agency and state making. The chapters written by emerging scholars are based on extensive qualitative research and their analysis highlights the ways in which people negotiate and contest land reform realities and politics. By focusing on the diverse meanings of land and competing interpretations of what constitutes success and failure in land reform Brandt and Mkodzongi insist on looking beyond the productivity discourses guiding research and policy making in the field towards an informed view from below. Contributors are: Kezia Batisai, Femke Brandt, Sarah Bruchhausen, Nerhene Davis, Elene Cloete, Tariro Kamuti, Tarminder Kaur, Grasian Mkodzongi, Camalita Naicker, Fani Ncapayi, Mnqobi Ngubane, and Chizuko Sato.