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In 1769 Thomas Gray (best known for his 'Elegy in a Country Chuchyard') made a tour of the English Lakes, and recorded it in a journal that is now widely accepted as the first example of modern travel writing. He delighted in what he saw and conveys vividly to us the lakes and the mountains through eighteenth-century eyes. A few years later the watercolourist Joseph Farington followed in Gray's footsteps and painted a series of key views along the way. These paintings, which were later engraved and published, are beautiful in the picturesque tradition, and, from a topographical point of view, are remarkably accurate, unlike the work of most artists of the time. John Murray has brought together for the first time Thomas Gray's journal, Joseph Farington's watercolours, and the engravings after the watercolours that sold widely at the time and were key to the popularising of the lakes. In addition he has photographed Farington's views as they appear today, and it is remarkable how many of them are so clearly and still easily recognisable today. Here is an unusual and original view of the Lake District, and one that has not been attempted before.
"You know from seeing it that Herzog was up to something strange in filming Heart of Glass. Now the mystery is clarified. Alan Greenberg peers into the heart of darkness of the great artist." —Roger Ebert&“Mesmerizing . . . as poetic and mysterious as the film itself.&”—Jim JarmuschThis intimate chronicle of the visionary filmmaker Werner Herzog directing a masterwork is interwoven with Herzog's original screenplay to create a unique vision of its own. Alan Greenberg was, according to the director, the first &“outsider&” to seek him out and recognize his greatness. At the end of their first evening together Herzog urged Greenberg to work with him on his new film--and everything thereafter. In this film, Heart of Glass, Herzog exercised control over his actors by hypnotizing them before shooting their scenes. The result was one of the most haunting movies ever made. Not since Lillian Ross's classic 1950 book Picture has an American writer given such a close, first-hand, book-length account of how a director makes a movie. But this is not a conventional, journalistic account. Instead it presents a unique vision with the feel of a novel--intimate, penetrating, and filled with mystery. Alan Greenberg is a writer, film director, film producer, and photographer. He is also the author of Love in Vain: A Vision of Robert Johnson. Werner Herzog is considered one of the world's greatest filmmakers. His books include Conquest of the Useless and Of Walking in Ice.
William Blake, poet and artist, is a figure often understood to have 'created his own system'. Combining close readings and detailed analysis of a range of Blake's work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake's work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom.