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"The 'Fan Kwae' at Canton Before Treaty Days 1825-1844" is a historical narration of eighteen century life for Westerners in Canton. During the days of Old Canton, the Middle Kingdom deigned to suffer the presence of a small number of 'foreign barbarians' on the banks of the Choo, or Pearl River. Their residences consisted of Factories built expressly for them, and originally destined one for each nationality. They were contiguous, except where separated by three streets of narrow dimensions which led from the suburbs of the city to the river which ran in front of them. No other port than that of Canton was open, nor had there been one since 1745, and no foreigner was permitted on any pretext to enter the country or even the city outside of which he lived.
An innovative new study of the Canton trade networks that helped to shape the modern world.
This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history. Artists have always been fascinated by and drawn to the sea and this book considers some of the themes and approaches in art that have evolved as a result of this captivation. The chapters consider how an examination of art can provide new insights into existing knowledge of port and maritime history, and are representative of a ‘cultural turn’ in port and maritime studies, which is becoming increasingly visible. In Art and the Sea, multiple perspectives are offered as a result of the contributors’ individual positions and methodologies: some museological, others art historical or maritime-historical. Each chapter proposes a new way of building upon available interpretations of port and maritime history: whether this be to reject, support or reconsider existing knowledge. The book as a whole is a timely addition, therefore, to the developing body of revisionist texts in port and maritime history. The interdisciplinary nature of the volume relates to a current trend for interdisciplinarity in art history and will appeal to those with an interest in art history, geography, sociology, history and transport / maritime studies.
"For many people who have encountered it, Macau makes a deep impression on the imagination, as if the city were not entirely real or, rather, not of the real world. Macau often seems dreamlike, as though it were sustained by the effort of some powerful imagination." In this evocative essay on the cultural and social history of a unique and fragile city, Jonathan Porter examines Macau as an enduring but ever-changing threshold between East and West. Founded by the Portuguese in 1557, Macau emerged as a vibrant commercial and cultural hub in the early seventeenth century. The city then gradually evolved, flourishing first as a Eurasian community in the eighteenth century and then as an increasingly Chinese city in the nineteenth century. Macau became a modern manufacturing center in the late twentieth century and is now destined for reversion to the People’s Republic of China in 1999. The city was the meeting ground for many cultures, but central to this fascinating story is the encounter between an expansive, seaborne Portuguese empire and the introspective, closed world of imperial China. Unlike the other great colonial port cities of Asia, Macau did not provide natural access to the hinterland, and this geographical and historical isolation has fostered a unique balance of cultural influences that survives to this day. Poised on the periphery of two worlds, an isolated but global crossroads, Macau is a unique cultural and social melange that illuminates crucial issues of cross-cultural exchange in world history. Establishing Portugal and China as distinct cultural archetypes, Porter then examines the subsequent encounters of East and West in Macau from the sixteenth to the twentieth century. Avoiding the traditional linear chronological approach, Porter instead looks at a series of images from the city’s history and culture, including its place in the geographical context of the South China coast; the architecture of Macau, which reflects the memories of its historical passages; the variety of people who crossed the threshold of Macau; the material culture of everyday life; and the spiritual topography resulting from the encounters of popular religious movements in Macau. Jonathan Porter concludes his literary journey by reflecting on the character and meaning of the many cultural and social influences that have met and mingled in Macau. His words and photographs eloquently capture the essence of a place that seems too ephemeral to be real, too captivating to be anything but an imaginary city.
What roles did Americans play in the expanding global empires of the nineteenth century? Thomas M. Larkin examines the Hong Kong–based Augustine Heard & Company, the most prominent American trading firm in treaty-port China, to explore the ways American elites at once made and were made by British colonial society. Following the Heard brothers throughout their firm’s rise and decline, The China Firm reveals how nineteenth-century China’s American elite adapted to colonial culture, helped entrench social and racial hierarchies, and exploited the British imperial project for their own profit as they became increasingly invested in its political affairs and commercial networks. Through the central narrative of Augustine Heard & Co., Larkin disentangles the ties that bound the United States to China and the British Empire in the nineteenth century. Drawing on a vast range of archival material from Hong Kong, China, Boston, and London, he weaves the local and the global together to trace how Americans gained acceptance into and contributed to the making of colonial societies and world-spanning empires. Uncovering the transimperial lives of these American traders and the complex ways extraimperial communities interacted with British colonialism, The China Firm makes a vital contribution to global histories of nineteenth-century Asia and provides an alternative narrative of British empire.
This volume explores commercial relations between the United States and China from the eighteenth century until 1949, fleshing out with facts the romantic and shadowy image of "the China trade." These nine chapters by specialists in the field have developed from papers they presented at a conference supported by the national Committee on American-East Asian Relations. The work begins with an Introduction by John K. Fairbank, then moves on to analysis of the old China trade up to the American Civil War, centering on traditional Chinese exports of tea and silk. A second section deals with American imports into China--cotton textiles and textile-related goods, cigarettes, kerosene. Finally, the impact of the trade on both countries is assessed and the operations of American-owned and multinational companies in China are examined. For both the United States and China, the economic importance of the trade proves to have been less than the legend might suggest.
The starting point of this volume is the scathing attack, far-reaching in its consequences, launched in 1942 by J.C. van Leur on the views then current on the character and significance of the 18th century as a category in Asian history. His denial of European pre-eminence in Asian waters represented a direct attack on colonial historiography. The essays here derive from an international conference held 50 years later, to assess the impact of van Leur’s work. In part historiographic, in part drawing on new research, they aim to delimit the boundaries of European-Asian interaction, and to provide case studies of what this period actually meant for the history of South and East Aia.
This collection of papers from the first and second international conferences with the above title explores why early sinologists chose certain works for translation in their particular historical contexts, how such works were interpreted, translated, or manipulated, and the impact they made, especially in establishing the discipline of sinology in various countries.
Missionary medicine flourished during the period of high European imperialism, from the late-1800s to the 1960s. Although the figure of mission doctor – exemplified by David Livingstone and Albert Schweitzer – exercised a powerful influence on the Western imagination during the nineteenth and early-twentieth centuries, few historians have examined the history of this important aspect of the missionary movement. This collection of articles on Asia and Africa uses the extensive archives that exist on medical missions to both enrich and challenge existing histories of the clinic in colonial territories – whether of the dispensary, the hospital, the maternity home or leprosy asylum. Some of the major themes addressed within include the attitude of different Christian denominations towards medical mission work, their differing theories and practices, how the missionaries were drawn into contentious local politics, and their attitude towards supernatural cures. Leprosy, often a feature of such work, is explored, as well as the ways in which local people perceived disease, healing and the missionaries themselves. Also discussed is the important contribution of women towards mission medical work. Healing Bodies, Saving Souls will be of interest not only to students and historians but also the wider reader as it aims to define the place of missionary within the overall history of medicine.