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The Family Way, the twelfth entry in Rhys Bowen's bestselling Molly Murphy series, will delight fans and win over newcomers with its elegantly plotted mystery, atmospheric historical detail, and vivid characters. Molly Murphy—now Molly Sullivan—is a year into her marriage, expecting her first child, and confined to the life of a housewife. She's restless and irritable in the enforced idleness of pregnancy and the heat of a New York summer in 1905. So when a trip to the post office brings a letter addressed to her old detective agency asking her to locate a missing Irish serving maid, Molly figures it couldn't hurt to at least ask around, despite her promise to Daniel to give up her old career as a detective. On the same day, Molly learns that five babies have been kidnapped in the past month. Refusing to let Molly help with the kidnapping investigation, Daniel sends her away to spend the summer with his mother. But even in the quiet, leafy suburbs, Molly's own pending motherhood makes her unable to ignore these missing children. What she uncovers will lead her on a terrifying journey through all levels of society, putting her life—and that of her baby—in danger.
Unwilling to force Case McCord into a proposal of marriage, a pregnant Pru Kenyon decides to walk away from the man she loves, not telling him that she is expecting his baby, but she never bargained on how much Case is willing to do for love.
The year Paul turns forty, his friends Wendy and Eve ask him to help them getpregnant. Nothing about the process feels natural to him. But for a gay man of acertain age, making a family still means finding your own way through a world withfew ready answers. The eighteen-month journey reveals many insights about Paul'spast and present, from his strained relationship to his father, his overprotectiverelationship with his partner Michael, and the many friends around him whom heconsiders his family.
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
Only a generation or two ago, illegitimacy was one of the most shameful things that could happen in a family. In the Family Way tells secrets kept for entire lifetimes: long-silent voices from the workhouse, the Magdalene Laundry or the distant mother-and-baby home. Anonymous childhoods are recalled, spent in the care of Dr Barnardo or a Child Migration scheme halfway across the world. There are sorrowful stories in this book, but it is also about hope: about supportive families who welcomed 'love-children' home, or those who were parted and are now reconciled. Most of all, In the Family Way is about finally telling the truth.
It should be the most natural thing in the world. But in Tony Parsons’ latest bestseller, three couples discover that Mother Nature can be one hell of a bitch.
Architecture in the Family Way explores the relationship between domestic architecture, health reform, and feminism in late nineteenth-century England. Annmarie Adams examines the changing perceptions about the English middle-class house from 1870 to 1900, highlighting how attitudes toward health, women, home life, and even politics were played out in architecture.
'She said she was in the family way' examines the subject of pregnancy and infancy in Ireland from the seventeenth to the twentieth century. It draws on exciting and innovative research by early-career and established academics, and considers topics that have been largely ignored by historians in Ireland. The book will make an important contribution to Irish women's history, family history, childhood history, social history, crime history and medical history, and will provide a reference point for academics interested in themes of sexuality, childbirth, infanthood and parenthood.
Based on the public television series of the same name, Bradshaw On: The Family is John Bradshaw's seminal work on the dynamics of families that has sold more than a million copies since its original publication in 1988. Within its pages, you will discover the cause of emotionally impaired families. You will learn how unhealthy rules of behavior are passed down from parents to children, and the destructive effect this process has on our society. Using the latest family research and recovery material in this new edition, Bradshaw also explores the individual in both a family and societal setting. He shows you ways to escape the tyranny of family-reinforced behavior traps--from addiction and co-dependency to loss of will and denial--and demonstrates how to make conscious choices that will transform your life and the lives of your loved ones. He helps you heal yourself and then, using what you have learned helps you heal your family. Finally, Bradshaw extends this idea to our society: by returning yourself and your family to emotional health, you can heal the world in which you live. He helps you reenvision societal conflicts from the perspective of a global family, and shares with you the power of deep democracy: how the choices you make every day can affect--and improve--your world.