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The Instant New York Times bestseller A TODAY Show Read with Jenna Book Club Pick A captivating debut novel about the tangled fates of two best friends and daughters of the Italian mafia, and a coming-of-age story of twentieth-century Brooklyn itself. Two daughters. Two families. One inescapable fate. Sofia Colicchio is a free spirit, loud and untamed. Antonia Russo is thoughtful, ever observing the world around her. Best friends since birth, they live in the shadow of their fathers’ unspoken community: the Family. Sunday dinners gather them each week to feast, discuss business, and renew the intoxicating bond borne of blood and love. But the disappearance of Antonia’s father drives a whisper-thin wedge between the girls as they grow into women, wives, mothers, and leaders. Their hearts expand in tandem with Red Hook and Brooklyn around them, as they push against the boundaries of society’s expectations and fight to preserve their complex but life-sustaining friendship. One fateful night their loyalty to each other and the Family will be tested. Only one of them can pull the trigger before it’s too late.
Many consider Evangeline Hamilton cursed. Orphaned at a young age and possessing a pair of mismatched eyes--one bright blue, the other dark brown--Eva has fought to find her way in a world that constantly rejects her. Yet the support of even one person can help overcome the world's judgments, and Eva has two--Seth and Zach, two former orphans she now counts as brothers. Seeking justice against the man who stole his birthright and destroyed his family, Logan Fowler arrives in 1880s Pecan Gap, Texas, to confront Zach Hamilton, the hardened criminal responsible for his father's death. Only instead of finding a solitary ruthless gambler, he discovers a man not much older than himself with an unusual family. When Zach's sister, Evangeline, insists on dousing Logan with sunshine every time their paths cross, Logan finds his quest completely derailed. Who is truly responsible for his lost legacy, and will restoring the past satisfy if it means forfeiting a future with Evangeline?
The female radical writers of the 1790s depict women attempting to use institutions such as the family, marriage, and motherhood to achieve social and political reform. Most striking about these novels is their depiction of the failure of these institutions to permit women to succeed in such attempts; these failures reveal a complex critique of the philosophies informing the reformist movement of the 1790s based upon the reformist culture's indifference to female concerns.
The distinctive place of Stael's novel in literature and its disseminative powers are documented in Part III, "Genie at Large." From Corilla Olimpica to Marguerite Yourcenar, the critics depict affiliations among female writers striving for public recognition and explore the ideological/textual borrowings among Corinne and other classic works.
Bama is a Tamil Dalit feminist writer and novelist. Her autobiographical novel Karukku, which chronicles the joys and sorrows experienced by Dalit Christians in Tamil Nadu, catapulted her to fame. As a prolific writer, she has experimented with all kinds of genres, such as novels, short stories, poems, autobiographical writing, children’s literature, and discursive essays. This book presents a dedicated study of Bama’s work as a writer and activist and situates her in the context of Dalit literature in general and Tamil Dalit literature in particular. It recognises Bama as writer of great relevance especially in bringing to the fore the problematics of Dalit issues and their possible modes of aesthetic articulation through a new Dalit language. Part of the Writer in Context series, this book will be useful for scholars and researchers of Indian literature, Dalit Literature, Dalit Studies, Tamil literature, English literature, comparative literature, postcolonial studies, cultural studies, Green studies. global south studies and translation studies.
The Family in Crisis in Late Nineteenth-Century French Fiction, first published in 1999, focuses on a key moment in the construction of the modern view of the family in France. Nicholas White's analysis of novels by Zola, Maupassant, Hennique, Bourget and Armand Charpentier is fashioned by perspectives on a wide cultural field, including legal, popular and academic discourses on the family and its discontents. His account encourages a close rereading of canonical as well as overlooked texts from fin de siècle France. What emerges between the death of Flaubert in 1880 and the publication of Bourget's Un divorce in 1904 is a series of Naturalist and post-Naturalist representations of transgressive behaviour in which tales of adultery, illegitimacy, consanguinity, incest and divorce serve to exemplify and to offer a range of nuances on the Third Republic's crisis in what might now be termed 'family values'.
Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling “unheimlich heimisch” (eerily at home) in Vienna.
The giant of literary theory analyses the novel: Conrad, James, Atwood, Oe, Mailer, Grass, Grossman, Garcia Marquez, Gibson, Knausgaard and more A novel is an act, an intervention, which, most often, the naïve reader takes as a representation. The novel intervenes to modify or correct our conventional notions of a situation, and, in the best and most intense cases, to propose a wholly new idea of what constitutes an event or of the very experience of living. The most interesting contemporary novels are those which try – and sometimes succeed – in awakening our sense of a collectivity behind individual experience; opening up a relationship between the isolated subjectivity and class or community. But even if this happens (rarely!), one must go on to find traces of collective praxis hidden away within the mere awakening of a feeling of multitude. And, since it is in the sense of the nation and nationality that collectivity is most often expressed, it is urgent to disengage the possibilities of genuine action within these nationalisms. This sweeping collection of essays ranges from the elusive politicality of North American literature to the sometimes frozen narrative experiences of the eastern countries and the old Soviet Union; from East Germany to Japan, Latin America and the Nordic countries. Like any such voyage, it is an arbitrary movement across the world of historical situations which, however, seeks to dramatize their common kinship in late capitalism itself.