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"As Saigon fell in 1975, the Nguyen family, Mai and Set and their three children, escaped by helicopter from the roof of the U.S. embassy, but they were separated. Mai, with her two smaller children, went alone to Guam and eventually to Indiantown Gap, Pennsylvania. Set and Vinh, their older son, were taken to a camp in the Philippines. Set eventually was settled in California. Long months went by. Separated by 2,500 miles, Mai and Set began to adapt to American culture. But with determined faith and hope and help from friends, the Nguyens never gave up on their search to find each other. This historical novel tells their story--the story of many Vietnamese refugees to the United States. At its heart, it is also the story of many people from many lands who have contributed to MULTICULTURAL AMERICA."--Publisher.
For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes—and ultimately saves—him.
Compelling, moving, and beautifully written, the interlinked stories that make up We Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day "Little Saigon" in Southern California---exploring the reverberations of the Vietnam War in a completely new light. Intersecting the lives of eight characters across three decades and two continents, these stories dramatize the events of Operation Babylift, the U.S.-led evacuation of thousands of Vietnamese orphans to America just weeks before the fall of Saigon. Unwitting reminders of the war, these children were considered bui doi, the dust of life, and faced an uncertain, dangerous existence if left behind in Vietnam. Four of the stories follow the saga of one orphan's journey from the points-of-view of a teenage mother, a duck farmer and a Catholic nun from the Mekong Delta, a social worker in Saigon, and a volunteer doctor from America. The other four take place twenty years later and chronicle the lives of four Vietnamese orphans now living in America: Kim, an embittered Amerasian searching for her unknown mother; Vinh, her gang member ex-boyfriend who preys on Vietnamese families; Mai, an ambitious orphan who faces her emancipation from the American foster-care system; and Huan, an Amerasian adopted by a white family, who returns to Vietnam with his adoptive mother. We Should Never Meet is one of those rare books that truly takes an original look at the human condition---and marks the exciting debut of a major new writer for our time.
With the sudden end of the Vietnam War in April 1975, throngs of Vietnamese fled their country. Within months, more than 130,000 arrived in the US, determined to begin their lives anew. Offering a study of this vital segment of the American population, this title features full-color photographs, fact boxes, information on genealogy, and more.
A superb new graphic memoir in which an inspired artist/storyteller reveals the road that brought his family to where they are today: Vietnamerica GB Tran is a young Vietnamese American artist who grew up distant from (and largely indifferent to) his family’s history. Born and raised in South Carolina as a son of immigrants, he knew that his parents had fled Vietnam during the fall of Saigon. But even as they struggled to adapt to life in America, they preferred to forget the past—and to focus on their children’s future. It was only in his late twenties that GB began to learn their extraordinary story. When his last surviving grandparents die within months of each other, GB visits Vietnam for the first time and begins to learn the tragic history of his family, and of the homeland they left behind. In this family saga played out in the shadow of history, GB uncovers the root of his father’s remoteness and why his mother had remained in an often fractious marriage; why his grandfather had abandoned his own family to fight for the Viet Cong; why his grandmother had had an affair with a French soldier. GB learns that his parents had taken harrowing flight from Saigon during the final hours of the war not because they thought America was better but because they were afraid of what would happen if they stayed. They entered America—a foreign land they couldn’t even imagine—where family connections dissolved and shared history was lost within a span of a single generation. In telling his family’s story, GB finds his own place in this saga of hardship and heroism. Vietnamerica is a visually stunning portrait of survival, escape, and reinvention—and of the gift of the American immigrants’ dream, passed on to their children. Vietnamerica is an unforgettable story of family revelation and reconnection—and a new graphic-memoir classic.
"As Saigon fell in 1975, the Nguyen family, Mai and Set and their three children, escaped by helicopter from the roof of the U.S. embassy, but they were separated. Mai, with her two smaller children, went alone to Guam and eventually to Indiantown Gap, Pennsylvania. Set and Vinh, their older son, were taken to a camp in the Philippines. Set eventually was settled in California. Long months went by. Separated by 2,500 miles, Mai and Set began to adapt to American culture. But with determined faith and hope and help from friends, the Nguyens never gave up on their search to find each other. This historical novel tells their story--the story of many Vietnamese refugees to the United States. At its heart, it is also the story of many people from many lands who have contributed to MULTICULTURAL AMERICA."--Publisher.
“Beautiful and heartrending” fiction set in Vietnam and America from the Pulitzer Prize–winning author of The Sympathizer (Joyce Carol Oates, The New Yorker) In these powerful stories, written over a period of twenty years and set in both Vietnam and America, Viet Thanh Nguyen paints a vivid portrait of the experiences of people leading lives between two worlds, the adopted homeland and the country of birth. This incisive collection by the National Book Award finalist and celebrated author of The Committed gives voice to the hopes and expectations of people making life-changing decisions to leave one country for another, and the rifts in identity, loyalties, romantic relationships, and family that accompany relocation. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her with a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. “Terrific.” —Chicago Tribune “An important and incisive book.” —The Washington Post “An urgent, wonderful collection.” —NPR
From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford.In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.
In recent years the popular media have described Vietnamese Americans as the quintessential American immigrant success story, attributing their accomplishments to the values they learn in the traditional, stable, hierarchical confines of their family. Questioning the accuracy of such family portrayals, Nazli Kibria draws on in-depth interviews and participant observation with Vietnamese immigrants in Philadelphia to show how they construct their family lives in response to the social and economic challenges posed by migration and resettlement. To a surprising extent, the "traditional" family unit rarely exists, and its hierarchical organization has been greatly altered.
It is a memoir, that is to say, everything therein is through authentic personal experience and not fictional or the product of imagination. The book is at first aimed at the second and third generation Vietnamese-Americans who have somewhat lost the command of the native tongue and who would be curious about what happened when their fathers or grandfathers chose to leave everything behind to remake a decent life in this promised land. The author has been through all the phases of recent historical events leading to the collapse of free Vietnam, either as living witness or as team player. And that will bring about another view and opinion, non formulated, on why free Vietnam was defeated so quickly by the communists. One Vietnamese version was also written for all friends and siblings settled here or still in Viet Nam with their off springs to give them some hints on the elder of the Tran family, how he went through all the changes in recent history and his random recollection of the roots in spite of the loss of the Tran family book due to all tragic events since the big flood of 1897. The Vietnamese are very friendly people, and they are highly proud of their origin and history. But as one French person had said: "If you take one Vietnamese individual you would have a very outstanding, intelligent and resourceful guy, but as soon as you put three of them together, you would never get them to work harmoniously as a team and you will end up with squabbling, foul playing and a total mess." That is quite true but in light of our many thousand years of struggling against the invaders we have been made into a people of defiance, suspicion and sometimes anarchism. And it shows somewhat in mymemoir and it still shows nowadays wherever there is a strong Vietnamese community.