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Whilst drawing to some extent on recent theoretical studies, this book restores Clarissa to its largely neglected eighteenth-century context.
Bodenheimer defines the personal paradoxes that helped to shape Eliot's fictional characters and narrative style. Bodenheimer revisits pivotal episodes in Mary Ann Evans's life and career, including the "Holy War" through which she asserted her youthful religious skepticism; her decision to elope with the married writer George Henry Lewes; and her marriage with John Cross after Lewes's death. Bodenheimer also discusses the rumor campaign that led to the discovery that "George Eliot" was a woman, and she traces the trajectory of Eliot's impassioned conflict between her ambition and her womanhood.
Providing a detailed and comprehensive account of the development of phrasal verbs from early modern to present-day English, this study covers almost 400 years in the history of English, and provides both a diachronic and synchronic account based on over 12,000 examples extracted from stratified electronic corpora. The corpus analysis provides evidence of how registers can inform us about the history of English, as it traces and compares the usage and stylistic drifts of phrasal verbs across ten different genres - drama, fiction, journals, diaries, letters, medicine, news, science, sermons, and trial proceedings. The study also sheds new light on the morpho-syntactic and semantic features of phrasal verbs, proposing a new approach to the category, considering not only on their grammatical features, but also their historical development, by discussing the category in terms of a number of central mechanisms of language change.
Examines the idea of 'gift-giving' to reassess a wide range of issues in the thought and work of William Blake.
While seventeenth-century London may immediately evoke images of Shakespeare and thatched roof-tops and nineteenth-century London may call forth images of Dickens and cobblestones, a popular conception of eighteenth-century London has been more difficult to imagine. In fact, the immense variety of textual traditions, metaphors, classical allusions, and contemporary contexts that eighteenth-century writers use to illustrate eighteenth-century London may make eighteenth-century London seem more strange and foreign to twenty-first-century readers than any of its other historical reincarnations. Indeed, "imagining" a familiar, unified London was precisely the task that occupied so many writers in London after the 1666 Fire decimated the City and the 1688 Glorious Revolution destabilized the English monarchy's absolute power. In the authoritative void created by these two events, writers in London faced not only the problem of how to guide readers' imaginations to a unified conception of London, but also the problem of how to govern readers whom they would never meet. Erik Bond argues that Restoration London's rapidly changing administrative geography as well as mid-eighteenth-century London's proliferation of print helped writers generate several strategies to imagine that they could control not only other Londoners but also their interior selves. As a result, Reading London encourages readers to respect the historical alterity or "otherness" of eighteenth-century literature while recognizing that these historical alternatives prove that our present problems with urban societies do not have to be this way. In fact, the chapters illustrate how eighteenth-century writers gesture towards solutions to problems that urban citizens now face in terms of urban terror, crime, policing, and communal conduct.
Exploring how readers received and responded to literary works in the long eighteenth century, M-C. Newbould focuses on the role played by Laurence Sterne’s fiction and its adaptations. Literary adaptation flourished throughout the eighteenth century, encouraging an interactive relationship between writers, readers, and artists when well-known works were transformed into new forms across a variety of media. Laurence Sterne offers a particularly dynamic subject: the immense interest provoked by The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey through France and Italy inspired an unrivalled number and range of adaptations from their initial publication onwards. In placing her examination of Sterneana within the context of its production, Newbould demonstrates how literary adaptation operates across generic and formal boundaries. She breaks new ground by bringing together several potentially disparate aspects of Sterneana belonging to areas of literary studies that include drama, music, travel writing, sentimental fiction and the visual. Her study is a vital resource for Sterne scholars and for readers generally interested in cultural productivity in this period.
Annotation Here, at last, Is the biography that Abigail Adams has long seservedone that puts her, rather than her husband, at its center, and which interprets her life in light of both its eighteenth-century context and recent feminist scholarship. Gelles brings new insights to familiar topics like the Adamss marriage and Abigails wartime role; explains more fully than previous scholars such incidents as the failed courtship of Royall Tyler and Abigail Junior; and examines with sensitivity hitherto little-known episodes like that of Abigails epistolary flirtation with James Lovell during the Revolution or Abigail Juniors mastectomy in 1811. In short, this is a remarkable achievement, far surpassing all earlier attempts to capture the essence of the woman who was one of early Americas greatest letter-writers. Mary Beth Norton Edith Gelles has written a deeply interesting book about Abigail Adams. ... she is careful to reconstruct the eighteenth-century environment of Abigail Adams. De. Gelles is a careful historian of eighteenth-century America and a thoughtful biographer. She has given us a fresh examination of Abigail Adams which will stimulate in helpful ways additional research and discussion. Robert Middlekauf In this important and fascinating biography, Edith Gelles not only restores Abigail Adams to her rightful place at the center of her own story, she challenges the creaky conventions of traditional male-defined biography. Portia breaks ranks with the biographers twiceby refusing to treat Abigail Adams as a reflection of her husband and by refusing to force her lifes story into an artificially linear narrative. In this masterful work, Edith Gelles reconceptualizes and revolutionizes the very notion of biography by capturing experience as it truly unfolds in so many womens livesas a collage of overlapping and circular impressions and feelings, rather than a relentless climb up a ladder of public ambition. Susan Faludi The best biography of Abigail Adams in print. By keeping the spotlight on Mrs. Adams and sensitively evaluating her in eighteenth-century terms, Edith Gelles provides the most rounded portrait yet of this important woman. Patricia U. Bonomi Edith B. Gelles uses the revolutionary years as the backdrop of this sensitive study, And The political events as the drama in which the players act out well-defined roles. ... [Gelless] story of relationships, networks, and power in the context of Abigails eighteenth-century world is truly a superb accomplishment. American Historical Review Adamss strength, courage, and wit ... emerge more fully than they have in any previous work. ... [Gelles] has succeeded in providing a well-rounded portrait of a remarkable figure. Choice Portia ... Is a refreshing change of pace. ... [Edith Gelles] is affectionate yet scholarly, determined to present Adams as a strong character who was very much a woman of her time, not merely a liberated precursor to feminism or the little wife behind the great man. San Francisco Chronicle Portia, The first woman-centered biography of Abigail Adams, details the issues, events, and relationships that informed Adamss life. The portrait that emerges also describes women like her during the Revolutionary era. Much of Abigail Adamss independent reputation derives from the letters that she wrote for over a half-century. Personal and eloquent, they provide unusual access to her private life and capture the social conventions, politics, and people of her age. The letters describe her domestic sphererelationships with her sisters, her daughter and sons, and friends such as Thomas Jefferson. Her marriage to John Adams is considered in the context of the patria.
The conversation parties of the bluestockings, held to debate contemporary ideas in eighteenth-century Britain, were vital in encouraging female artistic achievement. The bluestockings promoted links between learning and virtue in the public imagination, inventing a new kind of informal sociability that combined the life of the senses with that of the mind. This collection of essays, by leading scholars in the fields of literature, history and art history, provides an interdisciplinary treatment of bluestocking culture in eighteenth-century Britain. It is the first academic volume to concentrate on the rich visual and material culture that surrounded and supported the bluestocking project, from formal portraits and sculptures to commercially reproduced prints. By the early twentieth century, the term 'bluestocking' came to signify a dull and dowdy intellectual woman, but the original bluestockings inhabited a world in which brilliance was valued at every level and women were encouraged to shine and even dazzle.
This volume of essays addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to Oscar Wilde.
A wide-ranging exploration of women's travel writing between 1714 and 1789, emphasising women's contribution to processes of cultural change.