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This is is the first critical study of one of the most important women writers of the early eighteenth century, Lady Mary Wortley Montagu (1689–1762), who produced a body of erudite and entertaining correspondence that spanned more than fifty years. Lady Mary's letters illuminate the difficulties encountered by a sensitive, intelligent, and gifted woman writer living through an era of significant cultural change. These letters display the tensions inherent in the competing demands of public and private life, revealing Lady Mary's own discomfort about the problems of authorship and authority in an age that held publication to be an improper activity for respectable women. Through the discourse of supposedly “private” letters, Lady Mary was able to find an avenue for her talents that brought her “public” stature without violating the imperatives of her position as a woman and an aristocrat. Cynthia Lowenthal argues persuasively that Lady Mary's letters, themselves central to the establishment of the familiar letter as an important eighteenthcentury genre, were self-consciously constructed as literary artifacts and crafted as part of a larger female epistolary tradition. Moreover, Lowenthal contends, the works of Lady Mary are essential to the feminist recuperation of women's writing precisely because she provided an aristocratic critique—a voice often ignored—of the class and gender codes of her day.
This research monograph examines familiar letters in seventeenth- and eighteenth-century English to provide a pragmatic reading of the meanings that writers make and readers infer. The first part of the book presents a method of analyzing historical texts. The second part seeks to validate this method through case studies that illuminate how modern pragmatic theory may be applied to distant speech communities in both history and culture in order to reveal how speakers understand one another and how they exploit intended and unintended meanings for their own communicative ends. The analysis demonstrates the application of pragmatic theory (including speech act theory, deixis, politeness, implicature, and relevance theory) to the study of historical, literary and fictional letters from extended correspondences, producing an historically informed, richly situated account of the meanings and interpretations of those letters that a close reading affords. This book will be of interest to scholars of the history of the English language, historical pragmatics, discourse analysis, as well as to social and cultural historians, and literary critics.
The growth of the Atlantic world led to the separation of many families. Sarah Pearsall explores their lives and letters, revealing the sometimes shocking stories of those divided by sea, and argues that it was these transatlantic bonds-much more than the American Revolution-that reshaped contemporary ideals about marriage and the family.
This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master writers in Pushkin's time. It is written in an accessible style with translations, an annotated list of the Arzamasians, and an extensive index and a bibliography.
This important new book explores epistolary forms and practices in relation to important areas of British culture. Familiar ideas about epistolary fiction and personal correspondence, and public and private, are re-examined in the light of alternative paradigms, showing how the letter is a genre at the centre of Eighteenth-century life.
“King’s pitch for the indebtedness of the genres we know well—the novel, the biography, the magazine piece—to letter writing is stylish and convincing.” —Christina Lupton, author of Reading and the Making of Time in the Eighteenth Century In Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the “bridge genre,” which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time—the newspaper, the periodical, the novel, and the biography—were united by their reliance on letters to accustom readers to these new forms of print media. King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication—as members of what they called “the world” of writing—King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele’s Spectator, Samuel Johnson’s Lives of the Poets, and Jane Austen’s Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere. “This erudite, sophisticated, beautifully written book is a major achievement.” —Thomas Keymer, author of Poetics of the Pillory
Whilst drawing to some extent on recent theoretical studies, this book restores Clarissa to its largely neglected eighteenth-century context.
This book explores the social significance of letter writing. Letter writing is one of the most pervasive literate activities in human societies, crossing formal and informal contexts. Letters are a common text type, appearing in a wide variety of forms in most domains of life. More broadly, the importance of letter writing can be seen in that the phenomenon has been widespread historically, being one of earliest forms of writing, and a wide range of contemporary genres have their roots in letters. The writing of a letter is embedded in a particular social situation, and like all other types of literacy objects and events, the activity gains its meaning and significance from being situated in cultural beliefs, values, and practices. This book brings together anthropologists, historians, educators and other social scientists, providing a range of case studies that explore aspects of the socially situated nature of letter writing.
Reproduces in full size and transcribes a number of letters from the early sixteenth to the early eighteenth centuries
The contributions in this book discuss letter-writing from 1400 to 1800, and the material studied ranges from the late medieval Paston Letters and the correspondence between Sweden and the German Hanse to Early Modern English family letters and correspondence in natural history between England and North America in the eighteenth century. By bringing a set of corpus linguistic, discourse analytic, pragmatic and sociolinguistic approaches to bear on historical letter-writing activity, the articles both extend and complement the traditional letter-writing research in the history of European languages, which approaches the topic from a largely rhetorical perspective. The articles in this book were first published as a Special Issue of the Journal of Historical Pragmatics 5:2 (2004), share a contextualised view of letters: whether approached from the perspective of language contact, social and discursive practices, intertextuality, audience design or linguistic politeness, letters are analysed as part of their specific familial, business or scientific network. Writing letters thus emerges as highly context-sensitive social interaction.