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This work is the product of seven years research based on historical documents that sets out to prove the authenticity and antiquity of the "Gospel of the Essenes," which for 90 years has been considered by theologians a forgery, as the original manuscripts were lost. Evidence is presented to show the "Gospel of the Essenes" to be the predecessor of the New Testament and thus about 2000 years old. The Essene Prophet introduced the model of a brotherhood in that era and viewed the concept of this brotherhood on a universal scale as the only way to create lasting peace in the world.
This book provides a bold examination of the political use of history in contemporary Russia. Anton Weiss-Wendt argues that history is yet another discipline misappropriated by the Kremlin for the purpose of rallying the population. He explains how, since the pro-democracy protests in 2011–12, the Russian government has hamstrung independent research and aligned state institutions in the promotion of militant patriotism. The entire state machinery has been mobilized to construe a single, glorious historical narrative with the focus on Soviet victory over Nazi Germany. Putin's Russia and the Falsification of History examines the intricate networks in Russia that engage in “historymaking.” Whether it is the Holocaust or Soviet mass terror, Tsars or Stalin, the regime promotes a syncretic interpretation of Russian history that supports the notion of a strong state and authoritarian rule. That interpretation finds its way into new monuments, exhibitions, and quasi-professional associations. In addition to administrative measures of control, the Russian state has been using the penal code to censor critical perspectives on history, typically advanced by individuals who also happen to call for a political change in Russia. This powerful book shows how history is increasingly becoming an element of political technology in Russia, with the systematic destruction of independent institutions setting the very future of History as an academic discipline in Russia in doubt.
"On The Foundations of Computing is a technical, historical and conceptual investigation in the three main methodological approaches to the computational sciences: mathematical, engineering and experimental. The first part of the volume explores the background behind the formal understanding of computing, originating at the end of the XIX century, and it invesitagtes the formal origins and conceptual development of the notions of computation, algorithm and program. The second part of the volume overviews the construction of physical devices to perform automated tasks and it considers associated technical and conceptual issues. We start from the design and construction of the first generation of computing machines, explore their evolution and progress in engineering (for both hardware and software), and investigate their theoretical and conceptual problems. The third part of the volume analyses the methods and principles of experimental sciences founded on computational methods. We study the use of machines to perform scientific tasks, with particular reference to computer models and simulations. Each part aims at defining a notion of computational validity according to the corresponding methodological approach"--
The authoritative translations of The Inferno, The Purgatorio, and The Paradiso—together in one volume. Belonging in the immortal company of the great works of literature, Dante Alighieri’s poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise—the sphere of universal harmony and eternal salvation. Now, for the first time, John Ciardi’s brilliant and authoritative translations of Dante’s three soaring canticles—The Inferno, The Purgatorio, and The Paradiso—have been gathered together in a single volume. Crystallizing the power and beauty inherent in the great poet’s immortal conception of the aspiring soul, The Divine Comedy is a dazzling work of sublime truth and mystical intensity.
Using Dan Brown's book as a jumping off point, Inferno Revealed will provide readers of Brown's Inferno with an engaging introduction to Dante and his world. Much like the books on Leonardo that followed the release of the Da Vinci Code, this book will provide readers with more information about the ever-intriguing Dante. Specifically, Inferno Revealed explores how Dante made himself the protagonist of The Divine Comedy, something no other epic poet has done, a move for which the ramifications have not yet been fully explored. The mysteries and puzzles that arise from Dante's choice to personalize the epic, along with his affinity for his local surroundings and how that affects his depiction of the places, Church, and politics in the poem are considered--along with what this reveals about Brown's own usage of the work. The authors will focus on and analyze how Dan Brown has repurposed Inferno in his newest book--noting what he gets right and what errors are made when he does not. Of course, Dan Brown is not the first author to base his work on Dante. The Comedy has elicited many adaptations from major canonical writers such as Milton and Keats to popular adaptations like David Fincher's Se7en and Tim Burton's Beetlejuice-- all of which will be discussed in detail within Inferno Revealed.