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The False Laws of Narrative is a selection of Fred Wah’s poems covering the poets entire poetic trajectory to date. A founding editor of Tish magazine, Wah was influenced by leading progressive and innovative poets of the 1960s and was at the forefront of the exploration of racial hybridity, multiculturalism, and transnational family roots in poetry. The selection emphasizes his innovative poetic range. Wah is renowned as one of Canada’s finest and most complex lyric poets and has been lauded for the musicality of his verse. Louis Cabri’s introduction offers a paradigm for thinking about how sound is actually structured in Wah’s improvisatory poetry and offers fresh insights into Wah’s context and writing. In an afterword by the poet himself, Wah presents a dialogue between editor and poet on the key themes of the selected poems and reveals his abiding concerns as poet and thinker.
Calum M. Carmichael here challenges commonly accepted views respecting the derivation of the biblical laws recorded in Deuteronomy and the Decalogue, presenting compelling evidence that literary traditions, rather than social imperatives, dictated the form taken by the laws. Carmichael confronts and discusses such problematic and important issues as the sequence in which apparently unrelated laws appear. Why, he then asks, are some laws general in scope, while others are extremely specific? Acknowledging the literary sophistication of the biblical compilers, Carmichael accounts for their attribution of the Deuteronomic laws to Moses, and of the Decalogue to Yahweh. He asserts that, in order to preserve the prophetic impact of their material, the compilers closely studied existing biblical narrative, and selected laws which maintained the appropriate historical context. Using this perspective, Carmichael is able to detect strong logical continuity in both the structure and the content of the Decalogue and the Deuteronomic laws. An original and distinguished contribution to the study of biblical law, Law and Narrative in the Bible will interest legal historians and Biblical scholars alike.
From Nobel Prize–winning economist and New York Times bestselling author Robert Shiller, a groundbreaking account of how stories help drive economic events—and why financial panics can spread like epidemic viruses Stories people tell—about financial confidence or panic, housing booms, or Bitcoin—can go viral and powerfully affect economies, but such narratives have traditionally been ignored in economics and finance because they seem anecdotal and unscientific. In this groundbreaking book, Robert Shiller explains why we ignore these stories at our peril—and how we can begin to take them seriously. Using a rich array of examples and data, Shiller argues that studying popular stories that influence individual and collective economic behavior—what he calls "narrative economics"—may vastly improve our ability to predict, prepare for, and lessen the damage of financial crises and other major economic events. The result is nothing less than a new way to think about the economy, economic change, and economics. In a new preface, Shiller reflects on some of the challenges facing narrative economics, discusses the connection between disease epidemics and economic epidemics, and suggests why epidemiology may hold lessons for fighting economic contagions.
The law is full of stories, ranging from the competing narratives presented at trials to the Olympian historical narratives set forth in Supreme Court opinions. How those stories are told and listened to makes a crucial difference to those whose lives are reworked in legal storytelling. The public at large has increasingly been drawn to law as an area where vivid human stories are played out with distinctively high stakes. And scholars in several fields have recently come to recognize that law's stories need to be studied critically.This notable volume-inspired by a symposium held at Yale Law School-brings together an exceptional group of well-known figures in law and literary studies to take a probing look at how and why stories are told in the law and how they are constructed and made effective. Why is it that some stories-confessions, victim impact statements-can be excluded from decisionmakers' hearing? How do judges claim the authority by which they impose certain stories on reality?Law's Stories opens new perspectives on the law, as narrative exchange, performance, explanation. It provides a compelling encounter of law and literature, seen as two wary but necessary interlocutors.ContributorsJ. M. BalkinPeter BrooksHarlon L. DaltonAlan M. DershowitzDaniel A. FarberRobert A. FergusonPaul GewirtzJohn HollanderAnthony KronmanPierre N. LevalSanford LevinsonCatharine MacKinnonJanet MalcolmMartha MinowDavid N. RosenElaine ScarryLouis Michael SeidmanSuzanna SherryReva B. SiegelRobert Weisberg.
Casuistic or case law in the Pentateuch deals with real human affairs; each case law entails a compressed story that can encourage reader engagement with seemingly "dry" legal text. This book is the first to present an interpretive method integrating biblical law, jurisprudence, and literary theory, reflecting the current "law and literature" school within legal studies. It identifies the narrative elements that exist in the laws of the Pentateuch, exposes the narrative techniques employed by the authors, and discovers the poetics of biblical law, thus revealing new or previously unconsidered aspects of the relationship between law and narrative in the Bible
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka’s writings; the presence of animals in Kafka’s texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.
Even though the First Amendment of the U.S. Constitution grants freedom of speech and freedom of the press, laws and regulations governing media frequently evolve as the media themselves do. As a result, it is often a challenge to keep pace with new laws and regulations. Electronic Media Law is a comprehensive, up-to-date textbook on the constantly changing and often complex world of electronic media law. Author Roger L. Sadler examines the laws, regulations, and court rulings affecting broadcasting, cable, satellite, and cyberspace. The book also looks at cases from the print media and general First Amendment law, because they often contain important concepts that are relevant to the electronic media. Electronic Media Law is written for mass media students, not for future lawyers, so the text is straightforward and explains "legalese." The author covers First Amendment law, political broadcasting rules, broadcast content regulations, FCC rules for station operations, cable regulation, media ownership rules, media liability lawsuits, intrusive newsgathering methods, media restrictions during wartime, libel, privacy, copyright, advertising law, freedom of information, cameras in the court, and privilege. Key Features Provides an easy-to-use format of chapter categories and sections that facilitate research on individual topics Frequently Asked Questions highlight important points from cases Explains complex, legal concepts in basic terms that give students the foundation for further studies in electronic media law Electronic Media Law provides an understanding of the First Amendment and the American legal system with an emphasis on the electronic media. It is an excellent textbook for undergraduate and graduate students studying broadcast law and media law.
'Information Technology Law' examines how law interacts with our actions in cyberspace and other elements of the information society. It considers the relationship between the legal system and the information society, covers issues such as governance, free expression and crime, and looks forward to future challenges.
Over 350 entries provide an authoritative & comprehensive A-Z list of topics in psychology and law, including criminal behaviour and treatment, juvenile offenders, eyewitness memory, forensic assessment and diagnosis, and trial processes.
The book examines six long narratives of the Fourth Gospel, arguing that they are best understood as 'symbolic narrative'. They display a unique cohesion of symbol and narrative: the narrative unfolds the symbol and the symbol draws out the narrative. This process occurs as the character struggles to understand the symbolic meaning. The structure develops in five Stages: the establishing of a 'sign', image or feast (Stage 1); misunderstood in materialistic terms (Stage 2); the struggle to understand the symbolic meaning (Stage 3); the acceptance or rejection of that meaning (Stage 4); a confession of faith or statement of rejection (Stage 5). The symbolic narratives reveal how material reality becomes symbolic of the divine. Just as the flesh of Jesus is the symbol of divine glory, so material reality now has the potential for symbolizing God. Flesh has no independent existence; its value lies in its symbolic role. This parallels the cohesion between form and meaning. Just as the flesh is given value in symbolizing the divine, so narrative form is of value in disclosing theological meaning. The implied reader is drawn into the drama of the symbolic narratives to make the authentic response of faith.