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A fallen Valkyrie. A Fae-Wraith hybrid. Enemies become allies to survive a god’s wrath. Odin’s Order to reap an innocent soul from Earth makes me question everything I have ever known as a Valkyrie. Protecting the innocent is our basis for existing, and now I must decide. Do I blindly follow his order? If I don’t, I will be just another casualty in Odin and Thor’s destruction of the realms. Anyone who challenges their rule dies a very public death, regardless of their origins. And now they have enslaved Earth. Reyfyre, a fae-wraith hybrid, and one of Asgard’s enemies, has been hiding in this realm his entire life. When he finds me, he offers asylum as long as I help him kill Odin and Thor. With everything they have done, how can I refuse? When a bounty is placed on my head, we make the decision to leave Reyfyre’s mountain sanctuary and head to New York to get lost in the city of millions. But the trek across the Canadian wilderness brings us face to face with hidden refugees, predators, and thieves. There’s no other option but to survive. If we die, then there will be no one left to stop the callous gods before they destroy the only realm left. But are we strong enough to take down a god? If you like dark twists on Norse Mythology, you will love the Fallen Valkyrie duet.
A fallen Valkyrie. A Fae-Wraith hybrid. Enemies become allies to survive a god's wrath. Odin's Order to reap an innocent soul from Earth makes me question everything I have ever known as a Valkyrie. Protecting the innocent is our basis for existing, and now I must decide. Do I blindly follow his order? If I don't, I will be just another casualty in Odin and Thor's destruction of the realms. Anyone who challenges their rule dies a very public death, regardless of their origins. And now they have enslaved Earth. Reyfyre, a fae-wraith hybrid, and one of Asgard's enemies, has been hiding in this realm his entire life. When he finds me, he offers asylum as long as I help him kill Odin and Thor. With everything they have done, how can I refuse? When a bounty is placed on my head, we make the decision to leave Reyfyre's mountain sanctuary and head to New York to get lost in the city of millions. But the trek across the Canadian wilderness brings us face to face with hidden refugees, predators, and thieves. There's no other option but to survive. If we die, then there will be no one left to stop the callous gods before they destroy the only realm left. But are we strong enough to take down a god? If you like dark twists on Norse Mythology, you will love the Fallen Valkyrie duet.
Mya is missing. And the Director wants her back. Or worse, dead. Avery’s mission was to find Mya, the lost assassin, who stepped through the portal to Eleka and disappeared. If Avery finds her, she must bring her home, or if Mya is unwilling to return, Avery must kill her. But Mya was the only assassin at the complex who saw Avery as a person. She even gave her the name Avery instead of only the numbers issued to each assassin by the Director. This is not a job she wants. But she’s one of a handful of assassins with fae blood, and she has no choice but to follow the Director’s orders. If she fails, her handler will pay the price. And he has angel blood like she does, which makes him the closest thing to kin that she has. Her only hope is to find Mya and convince her to come home. Or Avery will witness her handler’s death before her own.
Kompozytorzy polscy: Fryderyk Chopin, Maurycy Moszkowski, wykonawcy: Ignacy Friedman, Józef Hofmann, Eustachy Horodyski, Wanda Landowska, Ignacy J. Paderewski, Artur Rubinstein.
Things like this are written only for people who have good powers of endurance (so really for nobody!)', wrote Wagner about Die Walkuere. Yet, as Geoffrey Skelton points out, the opera has enjoyed a separate popularity and existence from the Ring Cycle. George Gillespie shows just how the string of mythical events was converted into a drama remarkable for its concentrated excitement and fine construction. Barry Millington introduces the web of motifs in the complex score. The English version, with Elizabeth Forbes's translation of the verses that Wagner did not eventually set to music but retained as footnotes to his published version, is by acclaimed translator Andrew Porter.Contents: A Conflict of Power and Love, Geoffrey Skelton; Chronology of the Composition of 'The Valkyrie'; An Introduction to the Music of 'The Valkyrie', Barry Millington; New Myths for Old, George Gillespie; Translating 'The Ring', Andrew Porter; Die Walkuere: Poem by Richard Wagner; The Valkyrie: English translation by Andrew Porter
From #1 New York Times bestselling author Iris Johansen comes a classic tale of opposites attracting—and finding love in the most unexpected places. When P.I. Honey Winston is hired to steal incriminating letters from visiting dignitary Prince Rubinoff, she’s prepared for a dangerous mission that could end her career. But when she blows her cover, she finds that the amused prince is everything the media have made him out to be: part Adonis, part playboy—and irresistibly charismatic. The problem is, the feeling is mutual. Intrigued, the prince is determined to keep his gorgeous young trespasser by his side as long as possible. For he’s never met anyone quite as daring, or breathtaking, as Honey. With the tables turned, Prince Rubinoff has Honey appointed his personal bodyguard. The official reason is an assassination plot. The truth is far more dangerous….
Four scorching-hot gods. One kickass valkyrie. Nine realms of trouble. All I wanted was to keep my distance from the criminals I work for and get my little brother out of the hell that is our mother's house. Then I died and woke up to four stunningly hot gods telling me I'm now a valkyrie. Sly, sharp Loki. Jovial but ferocious Thor. Dreamily compassionate Baldur. Grim and secretive Hod. I'm connected to all of them through a bond we barely understand. The longer I spend with them, the more my walls start to crack. But the gods didn't summon me just for kicks. Their king is missing, and they need me to find him. The first three valkyries they sent on the job never made it back. More power is awakening in me than I could ever have imagined, but the gods' enemies are more devious than even they knew. It's going to take every trick in the book for me to save myself, my brother, and these divine men who're getting under my skin in the most alluring way. Good thing I've always been a fighter. I'm Aria Watson, and Valhalla ain't seen nothing yet. *Their Dark Valkyrie is an action-packed, heart-wrenching urban fantasy series with Norse mythology like you've never seen it before. This set contains all four books in the series-Claimed by Gods, Bound to Gods, Falling for Gods, and Waking the Gods-as well as a brand-new bonus epilogue.*
Time magazine music critic Michael Walsh has created for the rock ‘n roll generation a complete and totally irreverent guide to listening to, collecting, and enjoying classical music. If rock ‘n roll just isn’t enough for you anymore; if you loved the music from Amadeus, 2001 and Ordinary People and want to know how to find more; or if you can’t wait to take full advantage of your new CD player with the music it was made for, here is a complete and totally irreverent guide to listening to, collecting, and enjoying classical music. It gives you: -The basic beginner’s repertoire, from Bach partitas to Philip Glass operas -The inside story of the great composers as real people with real foibles -Suggested tunes for Sunday brunch, highway driving, morning jogs, and nighttime seductions -And even de-mystifies the dreaded “o” –word (opera)! Who’s Afraid of Classical Music? shows that when you know how to listen, this stuff can be as much fun as the Rolling Stones—and maybe more!