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The sin narratives of Genesis 3 and 4 have been scrutinized by biblical interpreters throughout the centuries. Some exegetical traditions have separated the story of Cain-Abel from the preceding Edenic narrative, thus undermining the unity of the Primeval History. The book synthesizes the sin narratives of Adam-Eve and Cain-Abel and examines a wide range of premodern biblical interpretations attesting to their literary and theological unity. This study makes a case for reading these primordial narratives as one familial saga that conveys to the reader the origins of human defiance against God.
Are you able to give your first impressions a second look? In this lighthearted and humorous take on life, Knox McCoy explores questioning and examining long-held ideas that no longer represent how we think. What would it mean to really examine what you think you know about yourself and your beliefs? To not just rely on the cliches you’ve always recited to yourself but to look deeply into why you think what you think? In All Things Reconsidered, popular podcaster Knox McCoy uses a unique blend of humor, pop culture references, and personal stories to show how a willingness to reconsider ideas can actually help us grow ourselves, our lives, and our beliefs. In this laugh-out-loud defense of changing your mind, Knox dives into a variety of topics including: Are participation trophies truly the worst? Is it really worth it to be a ride-or-die sports fan? Do we believe in God because of the promise of heaven—or the threat of hell? Does prayer work? Is anyone even there? In a world where we’re divided by political, social, and religious differences, All Things Reconsidered is a hilarious and insightful book of essays that reminds us of the value of reflection and open-mindedness.
Here is a vividly written and compact overview of the brilliant, flawed, and quarrelsome group of lawyers, politicians, merchants, military men, and clergy known as the "Founding Fathers"--who got as close to the ideal of the Platonic "philosopher-kings" as American or world history has ever seen. In The Founding Fathers Reconsidered, R. B. Bernstein reveals Washington, Franklin, Jefferson, Adams, Hamilton, and the other founders not as shining demigods but as imperfect human beings--people much like us--who nevertheless achieved political greatness. They emerge here as men who sought to transcend their intellectual world even as they were bound by its limits, men who strove to lead the new nation even as they had to defer to the great body of the people and learn with them the possibilities and limitations of politics. Bernstein deftly traces the dynamic forces that molded these men and their contemporaries as British colonists in North America and as intellectual citizens of the Atlantic civilization's Age of Enlightenment. He analyzes the American Revolution, the framing and adoption of state and federal constitutions, and the key concepts and problems--among them independence, federalism, equality, slavery, and the separation of church and state--that both shaped and circumscribed the founders' achievements as the United States sought its place in the world.
Documentary photography is undergoing an unprecedented transformation as it adapts to the impact of digital technology, social media and new distribution methods. In this book, photographer and educator Michelle Bogre contextualizes these changes by offering a historical, theoretical and practical perspective on documentary photography from its inception to the present day. Documentary Photography Reconsidered is structured around key concepts, such as the photograph as witness, as evidence, as memory, as narrative and as a vehicle for activism and social change. Chapters include in-depth interviews with some of the world's leading contemporary practitioners, demonstrating the wide variety of different working styles, techniques and topics available to new photographers entering the field. Every key concept is illustrated with work from a range of innovative, influential and often under-represented photographers, giving a flavor of the depth and range of projects from the history of this global art form. There are also creative projects designed to spark ideas and build skills, to help you conceive, develop and produce your own meaningful documentary projects. The book is supported by a companion website, which includes in-depth video interviews with featured practitioners.
A rich and surprising look at the robust European culture that thrived after the collapse of Rome. The barbarians who destroyed the glory that was Rome demolished civilization along with it, and for the next four centuries the peasants and artisans of Europe barely held on. Random violence, mass migration, disease, and starvation were the only ways of life. This is the picture of the Dark Ages that most historians promote. But archaeology tells a different story. Peter Wells, one of the world’s leading archaeologists, surveys the archaeological record to demonstrate that the Dark Ages were not dark at all. The kingdoms of Christendom that emerged starting in the ninth century sprang from a robust, previously little-known European culture, albeit one that left behind few written texts.
Phillip A. Hussey examines the scholarship of Jonathan Edwards and interrogates the relationship between Christ and the decree within Reformed Theology; and reveals the contemporary theological significance of supralapsarian Christology. In a late notebook entry, Jonathan Edwards offered a programmatic statement on the relation between Christ and predestination: “In that grand decree of predestination, or the sum of God's decrees...the appointment of Christ, or the decree respecting his person...must be considered first.” This work unpacks the scope of Edwards's statement, both in terms of setting forth an interpretation of Edwards's own theology on the relation between Christ and the decree, as well as drawing out the larger insights of Edwards's reasoning for current theological reflection.
Late Byzantium Reconsidered offers a unique collection of essays analysing the artistic achievements of Mediterranean centres linked to the Byzantine Empire between 1261, when the Palaiologan dynasty re-conquered Constantinople, and the decades after 1453, when the Ottomans took the city, marking the end of the Empire. These centuries were characterised by the rising of socio-political elites, in regions such as Crete, Italy, Laconia, Serbia, and Trebizond, that, while sharing cultural and artistic values influenced by the Byzantine Empire, were also developing innovative and original visual and cultural standards. The comparative and interdisciplinary framework offered by this volume aims to challenge established ideas concerning the late Byzantine period such as decline, renewal, and innovation. By examining specific case studies of cultural production from within and outside Byzantium, the chapters in this volume highlight the intrinsic innovative nature of the socio-cultural identities active in the late medieval and early modern Mediterranean vis-à-vis the rhetorical assumption of the cultural contraction of the Byzantine Empire.
Venice Reconsidered offers a dynamic portrait of Venice from the establishment of the Republic at the end of the thirteenth century to its fall to Napoleon in 1797. In contrast to earlier efforts to categorize Venice's politics as strictly republican and its society as rigidly tripartite and hierarchical, the scholars in this volume present a more fluid and complex interpretation of Venetian culture. Drawing on a variety of disciplines—history, art history, and musicology—these essays present innovative variants of the myth of Venice—that nearly inexhaustible repertoire of stories Venetians told about themselves.