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The 1968 Soviet invasion of Czechoslovakia brought an end to the Prague Spring and its promise of "socialism with a human face." Before the invasion, Czech reformers had made unexpected use of television to advance political and social change. In its aftermath, Communist Party leaders employed the medium to achieve "normalization," pitching television stars against political dissidents in a televised spectacle that defined the times. The Greengrocer and His TV offers a new cultural history of communism from the Prague Spring to the Velvet Revolution that reveals how state-endorsed ideologies were played out on television, particularly through soap opera-like serials. In focusing on the small screen, Paulina Bren looks to the "normal" of normalization, to the everyday experience of late communism. The figure central to this book is the greengrocer who, in a seminal essay by Václav Havel, symbolized the ordinary citizen who acquiesced to the communist regime out of fear. Bren challenges simplistic dichotomies of fearful acquiescence and courageous dissent to dramatically reconfigure what we know, or think we know, about everyday life under communism in the 1970s and 1980s. Deftly moving between the small screen, the street, and the Central Committee (and imaginatively drawing on a wide range of sources that include television shows, TV viewers' letters, newspapers, radio programs, the underground press, and the Communist Party archives), Bren shows how Havel's greengrocer actually experienced "normalization" and the ways in which popular television serials framed this experience. Now back by popular demand, socialist-era serials, such as The Woman Behind the Counter and The Thirty Adventures of Major Zeman, provide, Bren contends, a way of seeing—literally and figuratively—Czechoslovakia's normalization and Eastern Europe's real socialism.
An awkward young rider returns not only with a critical message for the bearded man of the castle that will change the fate of the country for ever, but also – after all the horrors the rider has witnessed whilst away – as a self-assured adult. On the long ride back, the rider dreams of being greeted with a fanfare, with praise and respect, but the bearded man is more intent on welcoming home his magical horse, Ruby... Ruby’s Return centres on the same world as the epic fantasy novel Melokai, book one of the In the Heart of the Mountains trilogy. The action takes place in the country of Fertilian, forty years before the events depicted in the novel. Does Benjamin Thorne overthrow the Clelands? And just who is the rider? Find out in Melokai now. This adult fantasy short story can be read as a standalone and no prior knowledge of the trilogy is required.
In this delightful romantic adventure, a 16-year-old overachiever learns how to seize the day. "I've got my entire life planned out for the next ten years — including my PhD and Pulitzer Prize," claims 16-year-old overachiever Vassar Spore, daughter of overachiever parents, who in true overachiever fashion named her after an elite women's college. Vassar expects her sophomore summer to include AP and AAP (Advanced Advanced Placement) classes. Surprise! Enter a world-traveling relative who sends her plans into a tailspin when she blackmails Vassar's parents into forcing their only child to backpack with her through Southeast Asia. On a journey from Malaysia to Cambodia to the remote jungles of Laos, Vassar sweats, falls in love, hones her outdoor survival skills — and uncovers a family secret that turns her whole world upside-down. Vassar Spore can plan on one thing: she'll never be the same again.
Ambitious young warrior Gogo is selected for an important mission – to protect a delegation travelling to a distant land. But so is another. Unknown to Gogo, is this mysterious warrior a friend or a deadly rival? A brutal ambush provides the answer as Gogo's fate suddenly lies in the hands of this other. To survive, a choice must be made... The Clash at Jagged Canyon is set in the same world as grimdark epic fantasy trilogy In the Heart of the Mountains and five years before the first book, Melokai. This adult fantasy short story can be read as a standalone and no prior knowledge of Melokai is required.
Some rise by sin, and some by virtue fall... In America, kings are not born, they are made. Men with ambition build their own empires and it is their heirs who carry the torch of tradition, generation by generation. The Vasser Hotel Empire rose out of the ashes of an Industrial era, cementing itself in the very heart of America's greatest city, New York. Through the drive and courage of one man, a legacy was born that would last more than a hundred years. That is, until word got out that one of their own was murdered. Sixty years of lies will come crashing down in flames of treachery and blood, and the truth will send shockwaves through an entire nation. Now the newest generation of Vasser heirs will have to deal with the consequences, or else allow their legacy to burn to the ground. But dark secrets are buried deep within the family itself, and everyone has an agenda. Love of family and forbidden passion will set off sparks in a powder keg ready to annihilate the empire, but it may also be the only thing keeping them whole. When reputation is everything, it will take all they've got to save themselves from their own undoing.
Communism Unwrapped is a collection of essays that unwraps the complex world of consumption under communism in postwar Eastern Europe, featuring new work by both American and European scholars writing from variety of disciplinary perspectives. The result is a fresh look at everyday life under communism that explores the ways people shopped, ate, drank, smoked, cooked, acquired, exchanged and assessed goods. These phenomena, the editors argue, were central to the way that communism was lived and experienced in its widely varied contexts in the region. Consumption pervaded everyday life far more than most other political and social phenomena. From design, to production, to retail sales and black market exchange, Communism Unwrapped follows communist goods from producer to consumer, tracing their circuitous routes. In the communist world this journey was rife with its own meanings, shaped by the special political and social circumstances of these societies. In examining consumption behind the Iron Curtain, this volume builds on a new field of study. It brings dimension and nuance to our understanding of the communist period and a new perspective to our current analyses of consumerism.
Reprint of the original, first published in 1883.