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This stunning follow-up to Ellen Kushner’s cult-classic novel, Swordspoint, is set in the same world of labyrinthine intrigue, where sharp swords and even sharper wits rule. Against a rich tapestry of artists and aristocrats, students, strumpets, and spies, a gentleman and a scholar will find themselves playing out an ancient drama destined to explode their society’s smug view of itself–and reveal that sometimes the best price of uncovering history is being forced to repeat it…. The Fall of the Kings Generations ago the last king fell, taking with him the final truths about a race of wizards who ruled at his side. But the blood of the kings runs deep in the land and its people, waiting for the coming together of two unusual men, Theron Campion, a young nobleman of royal lineage, is heir to an ancient house and a modern scandal. Tormented by his twin duties to his family and his own bright spirit, he seeks solace in the University. There he meets Basil St. Cloud, a brilliant and charismatic teacher ruled by a passion for knowledge–and a passion for the ancient kings. Of course, everyone now knows that the wizards were charlatans and the kings their dupes and puppets. Only Basil ins not convinced–nor is he convinced that the city has seen its last king…
'Hear the Brhunye Taal, speak the Brhunye Taal...' The powers of Darkness are growing in the realm of Lindfel. King Ammoron and his scheming chancellor, Lord Damon, rule the land with tyranny. But there is hope, as the prophetic Far-Seer Sandivar leads a rebellion against the king. Gideon is the third son of a provincial noble and a university student unconcerned with politics or power. But in a tragic encounter, his life is upturned, and he finds himself in the midst of the struggle to restore justice by deposing King Ammoron. If Gideon is to survive the conflict, he must master the Brhunye Taal, the ancient power of the One God, Iomthal. Only when he learns to hear the Brhunye Taal, and then speak with its power, will he succeed. The fate of the entire realm lies in his hands. Gideon and Sandivar are joined on their quest by a mysterious warrior, Teanhi, and a fugitive princess, Jenivere. Together, they are chased across the realm by the king's fearsome warriors, as each of them becomes entwined in the rebellion, and part of the King's Fall.
More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.
The cult classic fantasy of manners, now with three bonus stories “Swordspoint has an unforgettable opening and just gets better from there.”—George R. R. Martin Hailed by critics as “a bravura performance” (Locus) and “witty, sharp-eyed, [and] full of interesting people” (Newsday), this acclaimed novel, filled with remarkable plot twists and unexpected humor, takes fantasy to an unprecedented level of elegant writing and scintillating wit. Award-winning author Ellen Kushner has created a world of unforgettable characters whose political ambitions, passionate love affairs, and age-old rivalries collide with deadly results. On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless—until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.
In the conclusion of the trilogy retelling the story of Homer's "Iliad," the allies of the Mykene king Agamemnon, including a reluctant Odysseus, ruler of Ithaca, and the fierce warrior Achilles, gather to prepare a final onslaught against the Golden City of Troy.
Look forward to King Jesus' perfect rule and kingdom as you look back at the rise of King Solomon--and his fall.
This stunning follow-up to Ellen Kushner’s cult-classic novel, Swordspoint, is set in the same world of labyrinthine intrigue, where sharp swords and even sharper wits rule. Against a rich tapestry of artists and aristocrats, students, strumpets, and spies, a gentleman and a scholar will find themselves playing out an ancient drama destined to explode their society’s smug view of itself–and reveal that sometimes the best price of uncovering history is being forced to repeat it…. The Fall of the Kings Generations ago the last king fell, taking with him the final truths about a race of wizards who ruled at his side. But the blood of the kings runs deep in the land and its people, waiting for the coming together of two unusual men, Theron Campion, a young nobleman of royal lineage, is heir to an ancient house and a modern scandal. Tormented by his twin duties to his family and his own bright spirit, he seeks solace in the University. There he meets Basil St. Cloud, a brilliant and charismatic teacher ruled by a passion for knowledge–and a passion for the ancient kings. Of course, everyone now knows that the wizards were charlatans and the kings their dupes and puppets. Only Basil ins not convinced–nor is he convinced that the city has seen its last king…
Maya kings who failed to ensure the prosperity of their kingdoms were subject to various forms of termination, including the ritual defacing and destruction of monuments and even violent death. This is the first comprehensive volume to focus on the varied responses to the failure of Classic period dynasties in the southern lowlands. The contributors offer new insights into the Maya "collapse," evaluating the trope of the scapegoat king and the demise of the traditional institution of kingship in the early ninth century AD--a time of intense environmental, economic, social, political, and even ideological change. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase
For generations, scholars have attempted to solve the chronological problems associated with the mysterious numbers of the Hebrew kings. In this volume, the authors provide a coherent, sensible, and believable chronology for the Israelite and Judean kings. In their reconstruction, Hayes and Hooker take into consideration not only all of the biblical data but also all relevant ancient Near Eastern sources. Utilizing all available and reliable evidence, they establish not only regnal years for all the rulers but also specific dates for numerous events in Israelite and Judean history. In their opening chapters, the authors explain the scheme of chronological reckoning found in the books of 1-2 Kings. Their calculations are then computed without recourse to shifting understandings of the methods of reckoning or to a theory of co-regencies. The value of this work is not limited to purely chronological matters. Its implications extend to the dating of biblical sources such as the Book of the Covenant, D, P, and the Deuteronomistic History. The volume also provides insights into the socio-cultic life of biblical times.