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This book, Lectures On The Formation Of Character, Temptations And Mission Of Young Men (1853), by Rufus Wheelwright Clark, is a replication of a book originally published before 1861. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
The Napoleonic Wars have an important place in the history of Europe, leaving their mark on European and world societies in a variety of ways. In many European countries they provided the stimulus for radical social and political change - particularly in Spain, Germany, and Italy - and are frequently viewed in these places as the starting point of their modern histories. In this Very Short Introduction, Mike Rapport provides a brief outline of the wars, introducing the tactics, strategies, and weaponry of the time. Presented in three parts, he considers the origins and course of the wars, the ways and means in which it was fought, and the social and political legacy it has left to the world today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
It is time for a major work of synthetic interpretation, and this is what The Jacobin Republic Under Fire offers.".
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.