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A collection of twenty-two fairy tales by the Nobel Prize-winning novelist, most translated into English for the first time, show the influence of German Romanticism, psychoanalysis, and Eastern religion on his development as an author.
Translated and with an introduction by Jack Zipes A collection of twenty-two fairy tales by the Nobel Prize-winning novelist, most translated into English for the first time, show the influence of German Romanticism, psychoanalysis, and Eastern religion on his development as an author. Praise for The Fairy Tales of Hermann Hesse “Sometimes lush and lyrical, sometimes in the simple language of the parable, these tales elaborate Hesse's concerns with mortality, the unity of life and the isolation of the artist. . . . Quirky and evocative, Hesse's fairy tales stand alone, but also amplify the ideas and utopian longings of such counterculture avatars as Siddhartha and Steppenwolf.”—Publishers Weekly “Hesse unerringly creates the feel of a fairy tale. . . . Lay readers will enjoy this as much as literary specialists.”—Library Journal
Eight stories about the distillation of wisdom, concerning dream worlds, magical thinking, the subconscious and the soul.
The fairy tale may be one of the most important cultural and social influences on children's lives. But until Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives – their behavior, values, and relationship to society. As Jack Zipes convincingly shows, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture. For this new edition, the author has revised the work throughout and added a new introduction bringing this classic title up to date.
In the spring of 1922, several months after completing Siddhartha, Hermann Hesse wrote a fairy tale that was also a love story, inspired by the woman who was to become his second wife. That story, Pictor's Metamorphoses, is the centerpiece of this anthology of Hesse's luminous short fiction. Based on The Arabian Nights and the work of the Brothers Grimm, the nineteen stories collected here represent a half century of Hesse's short writings. They display the full range of Hesse's lifetime fascination with fantasy--as dream, fairy tale, satire, or allegory.
For centuries fairy tales have been a powerful mode of passing cultural values onto our children, and for many these stories delight and haunt us from cradle to grave. But how have these stories become so powerful and why? Until now we have lacked a social history of the fairy tale to frame our understanding of the role it plays in our lives. With the publication of When Dreams Came True, Jack Zipes fills this gap and shifts his focus to the social and historical roots of the classical tales. With coverage of the most significant writers and their works in Europe and North America from the sixteenth century to the beginning of the twentieth century, When Dreams Came True is another important contribution by the master of fairy tales. From the French Charles Perrault to the American L. Frank Baum and the German Hermann Hesse, Zipes explores the way in which particular authors used the genre of the fairy tale to articulate their personal desires, political views and aesthetic preferences in their particular social context. At the core of this magical tour through the history of the fairy tale is Zipes' desire to elucidate the role that the fairy tale has assumed in the civilizing process--the way it imparts values, norms and aesthetic taste to children and adults. His journey takes us to the familiar and the exotic in the great classical tales by Perrault, the Brothers Grimm, and Hans Christian Andersen and in such fascinating works as Pinocchio, The Thousand and One Nights, The Happy Prince and The Wonderful Wizard of Oz. Throughout, Zipes reveals the historical dimensions of the tales and demonstrates their continuing relevance in our lives today.
"Although life is an affair of light and shadows, we never accept it as such." Hermann Hesse Hermann Hesse is one of the most widely read German-language authors, his books are world literature classics. Hesse's great literary success is based on such works as The Glass Bead Game, Steppenwolf, Siddharta, Klingsor's Last Summer and Knulp. His books hold a special fascination for readers around the world. Hermann Hesse's Fairy Tales are seven short philosophical fictions written between 1913 and 1918, prior to and during the First World War. Still more relevant than ever, these philosophical fictions home in on the key questions of human existence and challenge conventional intellectual life and the orthodoxy of the world. Hesse's Fairy Tales deal with the dream world, the subconscious and the realm of magic. Full of images springing from Hesse's deep subconscious, the stories do not lend themselves to rational interpretation. They offer an exercise in spiritual detachment and allow their reader to gain perspective of what's really important in life.
Three mini-plays by the German wunderkind and asylum-dweller. Fairy Tales gathers the unconventional verse dramolettes of the Swiss writer Robert Walser. Narrated in Walser's inimitable, playful language, these theatrical pieces overturn traditional notions of the fairy tale, transforming the Brothers Grimm into metatheater, even metareflections. Snow White forgives the evil queen for trying to kill her, Cinderella doubts her prince and enjoys being hated by her evil stepsisters; the Fairy Tale itself is a character who encourages her to stay within the confines of the story. Sleeping Beauty, the royal family, and its retainers are not happy about being woken from their sleep by an absurd, unpretentious, Walser-like hero. Mary and Joseph are taken aback by what lies in store for their baby Jesus.
" Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In his examinations of key classical fairy tales, Zipes traces their unique metamorphoses in history with stunning discoveries that reveal their ideological relationship to domination and oppression. Tales such as Beauty and the Beast, Snow White and the Seven Dwarves, and Rumplestiltskin have become part of our everyday culture and shapers of our identities. In this lively work, Jack Zipes explores the historical rise of the literary fairy tale as genre in the late seventeenth century and examines the ideological relationship of classic fairy tales to domination and oppression in Western society. The fairy tale received its most "mythic" articulation in America. Consequently, Zipes sees Walt Disney's Snow White as an expression of American male individualism, film and literary interpretations of L. Frank Baum's The Wizard of Oz as critiques of American myths, and Robert Bly's Iron John as a misunderstanding of folklore and traditional fairy tales. This book will change forever the way we look at the fairy tales of our youth.
Twenty-three stories arranged in chronological order that are primarily concerned with the authors own secret.