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What lies beyond the earthly world? Is there an invisible, ethereal realm inhabited by creatures that cannot be perceived by the human eye? What if fairy tales, myths, and lore hid the secret code needed to access our deepest human resources? And what if, by approaching the Faerie Dimension without prejudice or fear, we could find the secret key to reveal the treasures we are still unaware of, removing from our path any obstacle, overcoming any conflict, and fulfilling every desire? The Faerie Code is a guide and contains seven original tales that provide access to the Faerie Dimension and its gifts. It discloses information from a realm that is invisible to most humans but sometimes makes itself known. Whether this dimension belongs to the inspiration coming from the realms of consciousness, or rather, to a subtle dimension where the faeries are supposed to live, it does not matter much . . . because on the Faerie Path, everything is possible.
It started out like any other day. How was I to know it was my last day on Earth? You see, on that day, my boss sold me to Doran, the King of Shadows, ally of Chaos, and ruler of one of the three faery courts. Sounds crazy, right? After all, I’m a geneticist, not a slave. Before I knew it, I was transported to another world - a world where the very landscape killed most humans. Somehow, against the odds, I survived. But how? And why was I here? I soon found out that the faeries were barren and facing extinction. The King of Shadows set before me the daunting challenge of finding out why. The consequence for failure? Facing an unbearable fate. But someone or something was out to stop me.... My search for a solution would lead me to secrets about my own origin and to unexpected feelings for this cruel land and its harsh ruler. Oh, Chaos! What a wild ride!
The Artemis Fowl Files is comprised of two original stories: “LEPrecon”: the story of Fairy Police Captain Holly Short’s move from Traffic to Recon following her initiation into the Fairy Police; and “The Seventh Dwarf”, featuring Mulch, Butler, and Artemis himself. EXTRAS INCLUDE: • “Behind-the-scenes” interviews with major characters including: Artemis, Holly, Foaly, Mulch, and Eoin Colfer himself • Coded section from the Fairy Book for kids to translate • A section for Fairy Spotters including the different categories of Fairy and their physical characteristics and personality traits, including: Elves, Trolls, Sprites, Pixies Goblins, Dwarves and Centaurs • Technical diagrams of Foaly’s inventions
Originally published in England and cowritten with her father, "In Code" is "a wonderfully moving story about the thrill of the mathematical chase" ("Nature") and "a paean to intellectual adventure" ("Times Educational Supplement"). A memoir in mathematics, it is all about how a girl next door became an award-winning mathematician. photo insert.
No human being had ever got the better of a fairy, but twelve-year old Artemis Fowl, a criminal genius, is determined to get hold of the famous fairy gold and put his brilliant master plan into action. But these are no ordinary fairies.
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This book analyzes the Faerie Queene's setting, examining Spenser's quest structures and his ideas about epic, romance, and history. Critics almost invariably treat Spenser's Faeryland as coextensive with the world of the poem, but this is not the case; rather, Faeryland is part of an epic cosmos reaching from heaven and the abode of the classical deities to demonic underground realms. Spenser situates Faeryland within a specific spatial and temporal terrestrial geography in which locations outside Faeryland represent various heroic settings in political history. The politico-historical world built around Faeryland is ripe for analysis by contemporary historicist critics. Spenser uses political geography, in conjunction with the time-inclusive medium of Faeryland, to coordinate several transhistorical quests that create a pattern of temporal mediations among sixth-century British, 16th-century English, and biblical and prophetic versions of history. He juxtaposes chronicle history, empirical historiography, and cultural myth while manipulating genre to create a world capable of accommodating his grand romantic epic design. In mapping the world of The Faerie Queene, the book provides a widened context for Spenser's quest structures, a significant contribution to the study of the poem's relation to history, and a new perspective from which to view Spenser's debts to classical epic, Italian romantic epic, and his native medieval inheritance. Index.Bibliography.
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Hailed on publication as "an impressive integration of postmodernism and relational psychoanalysis" (James Hansel) and "an intelligent and stimulating account of where the issues of identity, gender, and difference are joined" (Jessica Benjamin), Lynne Layton's Who's That Girl? Who's That Boy? is a major contribution to the postmodern understanding of gender issues. This new edition, under the aegis of the Bending Psychoanalysis Book Series, includes a Foreword by Series Editor Jack Drescher and an Afterword in which Lynne Layton addresses the evolution of her thinking since the book's publication in 1998.