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Describes the moon's phases as it orbits the Earth every twenty-nine days using rhyming text and cut-outs that illustrate each phase.
Faces in the Moon is the story of three generations of Cherokee women, as viewed by the youngest, Lucie, a woman who has been able to use education and her imagination to escape the confines of her rootless, impoverished upbringing. When her mother’s illness summons her back to Oklahoma, Lucie finds herself confronted with the legacy of a childhood she has worked hard to separate from her adult self. Her mother, Gracie, and her maternal aunt, Auney, are members of the Cherokees’ "lost generation," women who rejected the traditional rural ways in search of a more glamorous life as autonomous working women.
Gathering for the first time all of Claude Lévi-Strauss’s writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist’s dictum that to understand one’s own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Lévi-Strauss’s early intellectual growth, and between 1977 and 1988 he visited the country five times. The essays, lectures, and interviews of this volume, written between 1979 and 2001, are the product of these journeys. They investigate an astonishing range of subjects—among them Japan’s founding myths, Noh and Kabuki theater, the distinctiveness of the Japanese musical scale, the artisanship of Jomon pottery, and the relationship between Japanese graphic arts and cuisine. For Lévi-Strauss, Japan occupied a unique place among world cultures. Molded in the ancient past by Chinese influences, it had more recently incorporated much from Europe and the United States. But the substance of these borrowings was so carefully assimilated that Japanese culture never lost its specificity. As though viewed from the hidden side of the moon, Asia, Europe, and America all find, in Japan, images of themselves profoundly transformed. As in Lévi-Strauss’s classic ethnography Tristes Tropiques, this new English translation presents the voice of one of France’s most public intellectuals at its most personal.
A Face Like the Moon is the debut short story collection from Coptic Canadian writer Mina Athanassious. The eight stories in this book revolve around the world of young Coptic children living in urban and rural areas of Egypt. "All Good Things Thrown Away" delves into Egypt's notorious "Garbage City" and the lives of Cairo's garbage collectors. The title story moves to a small remote village in southern Egypt where a young ten-year-old boy struggles with a family tragedy. All together, Athanassious's debut collection of short stories offers a truly remarkable and moving look at the lives of Coptic children coming of age in Egypt and marks a bold and original new voice in Canadian fiction.
A guide to conscious living through the moon and her phases, incorporating wellness rituals, spellwork, and witchcraft for the modern seeker. We all know the moon. We all have a relationship with it. The earliest people obeyed her orbit, timed their months and holidays and celebrations and agriculture to the moon; the echoes of that system are still visible today, though the connection to the moon is often forgotten. Sarah Faith Gottesdiener is the leader of a movement to remind us of that lineage, guiding our rhythms and our sleep, our energy and our emotions, reminding us of our humanity and our magic. In her self-published Many Moons Workbooks and Lunar Journals, as well as her sold-out classes, she has guided over 50,000 readers to a deeper relationship with the moon, and through it, with themselves. This evergreen book will be an informative and comprehensive guide to lunar living, incorporating radical, self-empowering, and magical tools and resources for the beginner and experienced lunar-follower alike. Depending on where we are in our lives, depending on what we are feeling or what is happening around us, the moon allows us a space to invite ritual into our daily lives. The Moon Book will provide a framework on how to utilize the entire lunar cycle holistically, while offering ways for the reader to develop a personal relationship with their own cycles—energetic, personal, and emotional—through the lens of the moon’s phases.
Moon Bath a luxurious guide that invites readers to immerse themselves in the healing powers of nature. This transformative book features 16 bath and shower rituals aligned with the lunar cycles and the natural rhythms of the cosmos. Organized by moon cycle—New Moon, Waxing Moon, Waning Moon, and Full Moon—each ritual includes a bath recipe featuring healing natural ingredients. • Includes affirmations and meditations • Journaling prompts promote reflection and self-discovery. • Filled with lush, nature-inspired photography Brimming with Ayurvedic wisdom and plant-based medicine, Moon Bath is a lovely companion for modern mystics, wellness enthusiasts, and anyone who wants to wash away the stresses of daily life. Bath recipes include ginger and baking soda for detoxification, cacao and rose to cultivate love, eucalyptus and bentonite clay to release negativity, and chamomile and lavender to connect to deep wisdom. • This beautiful guide to bathing rituals and bath recipes makes it easy to incorporate calming and enriching self-care practices into everyday life. • Perfect for women who love self-care, meditation, yoga, crystals, and those interested in Ayurveda • You'll love this book if you love books like Crystal Muse: Everyday Rituals to Tune In to the Real You by Heather Askinosie and Timmi Jandro; The Spirit Almanac: A Modern Guide to Ancient Self-Care by Emma Loewe and Lindsay Kellner; and Lunar Abundance: Cultivating Joy, Peace, and Purpose Using the Phases of the Moon by Ezzie Spencer.
The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.