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A son uncovers the remarkable secret life of his midwestern father—and his Nebraska city—in this “beguiling [and] deeply unusual” memoir (The Boston Sunday Globe). Nick Rips’s son had always known him as a conservative midwesterner, dedicated, affable, bland to the point of invisibility. Upon his father’s death, however, Michael Rips returned to his Omaha family home to discover a hidden portfolio of paintings—all done by his father, all of a naked black woman. His solid Republican father, Michael would eventually discover, had an interesting past and another side to his personality. Raised in one of Omaha’s most famous brothels, Nick had insisted on hiring a collection of social misfits to work in his eyeglass factory—and had once showed up in his son’s high school principal’s office in pajamas. As Michael searches for the woman in the paintings, he meets, among others, an African American detective who swears by the clairvoyant powers of a Mind Machine, a homeless man with five million dollars in the bank, an underwear auctioneer, and a flying trapeze artist on her last sublime ride. Ultimately, in his investigations through his Nebraska hometown, he will discover the mysterious woman—as well as a father he never knew, and a profound sense that all around us the miraculous permeates the everyday. “Writing with similar pain and urgency as Nick Flynn in Another Bullshit Night in Suck City and August Kleinzahler in Cutty, One Rock, Rips’ terse, flinty syntax perfectly embodies the hard-boiled nature of this nearly surreal true-life tale.” —Booklist “An amazing, beautiful book—a study of a certain family in a certain place at a certain time that gives us, in stunning shorthand, the reality of America.” —Joan Didion, author of The White Album “At once a lyrical family portrait, a philosophical inquiry, a bittersweet evocation of a lost time and place, and an enthralling domestic mystery.” —Susan Orlean, author of The Orchid Thief “Quirky, funny, moving, and immensely readable . . . a brilliantly observed story about place, family, and race in America.” —Randall Kennedy
“Stories of human behavior at its most extreme….With humor, compassion, empathy, and insight, Small searches for and finds the humanity that lies hidden under even the most bizarre symptoms.” —Daniel H. Pink, author of Drive and A Whole New Mind A psychiatrist’s stories of his most bizarre cases, The Naked Lady Who Stood on Her Head by Gary Small, M.D., and Gigi Vorgan—co-authors of The Memory Bible—offers a fascinating and highly entertaining look into the peculiarities of the human mind. In the vein of The Man Who Mistook His Wife for a Hat, Awakenings, and the other bestselling works of Oliver Sacks, The Naked Lady Who Stood on Her Head surprises, enthralls, and illuminates as it focuses on medical mysteries that would stump and amaze the brilliant brains on House, M.D.
How Do You Grab a Naked Lady? is a sexy, horrific, funny, honest-to-the-bone memoir, with many interesting twists and turns. Sharon was torn between two opposing forces, her mother and dad. Her dad was an idealist, nothing but the best for his daughter. But with her mother, there was a bit of a problem. Mother was irrational, charming, seductive, unpredictable, and a brilliant woman with tendencies towards emotional outbursts, foul language and parading naked in public. Not the role model young Sharon wanted. Only choice left: Dads dream of the white picket fence, including squeaky-clean husband, two children, a beautiful home and enough financial security so that his daughter would never need to work. Sharon continually searched for the squeaky clean husband and the white picket fence. But she had two failed marriages. And many, many men. Too many. She came up empty. Sharon began to question her Dads dream of the white picket fence. Eventually she discovered the answer in the most unlikely sourceher Mother.
We know her name. We know of her naked ride. We don't know her true story. We all know the legend of Lady Godiva, who famously rode naked through the streets of Coventry, covered only by her long, flowing hair. So the story goes, she begged her husband Lord Leofric of Mercia to lift a high tax on her people, who would starve if forced to pay. Lord Leofric demanded a forfeit: that Godiva ride naked on horseback through the town. There are various endings to Godiva's ride, that all the people of Coventry closed their doors and refused to look upon their liege lady (except for ‘peeping Tom') and that her husband, in remorse, lifted the tax. Naked is an original version of Godiva's tale with a twist that may be closer to the truth: by the end of his life Leofric had fallen deeply in love with Lady Godiva. A tale of legendary courage and extraordinary passion, Naked brings an epic story new voice.
This 1999 book contains a critical edition of the two early versions of Lady Chatterley's Lover.
A study of the social and political impacts of tourism. It explores how and why tourism aligned itself with political power; how it became embedded within non-tourist institutions like the World Bank; and how, since World War II, it has become an instrument of international development policy.
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
The gruesome story of the devastation of buffalo herds in the late nineteenth century has become uncomfortably familiar. A less familiar story, but a hopeful one for the future, is Ken Zonteks account of Native peoples efforts to repopulate the Plains with a healthy, viable bison population.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.