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The Fabulous Flathead by Jesse Fay McAlear, as told to Sharon Bergman, is an extensive local history of the Flathead Indian Reservation, which is located in western Montana on the Flathead River. It is home to the Bitterroot Salish, Kootenai, and Pend d’Oreilles tribes—also known as the Confederated Salish and Kootenai Tribes of the Flathead Nation. The reservation was created through the July 16, 1855, Treaty of Hellgate. In addition to detailing the story of Montana’s Native Americans, who have lived there for more than 14,000 years, The Fabulous Flathead summarizes the anthropological information on the Confederated Tribes; treats the history of the tribes before the opening of the reservation; discusses cattle and buffalo on the reservation; and sketches transportation, economic development, the irrigation system, as well as other topics in Flathead history.
This local history of the Flathead Reservation includes a number of topics relating to the Salish and Kootenai Indians. Pages 5-10 summarize the anthropological information on the Confederated Tribes. Pages 11-39 treat the history of the tribes before the opening of the reservation. Cattle and buffalo on the reservation are discussed in pages 40-61. The rest of the book sketches transportation, economic development, the irrigation system, and other topics in Flathead history.
All people, in no matter what culture, must be able to place their music firmly in the context of the totality of their beliefs, experiences, and activities, for without such ties, music cannot exist. This means that there must be a body of theory connected with any music system - not necessarily a theory of the structure of music sound, although that may be present as well, but rather a theory of what music is, what it does, and how it is coordinated with the total environment, both natural and cultural, in which human beings move.The Flathead Indians of Western Montana (just over 26,000 in number as of the 2000 census) inhabit a reservation consisting of 632,516 acres of land in the Jocko and Flathead Valleys and the Camas Prairie country, which lie roughly between Evaro and Kalispell, Montana. The reservation is bounded on the east by the Mission Range, on the west by the Cabinet National Forest, on the south by the Lolo National Forest, and on the north by an arbitrary line, approximately bisecting Flathead Lake about twenty-four miles south of Kalispell. The area is one of the richest agricultural regions in Montana, and fish and game are abundant. The Flathead are engaged in stocking, timbering, and various agricultural enterprises.For the Flathead, the most important single fact about music and its relationship to the total world is its origin in the supernatural sphere. All true and proper songs, particularly in the past, owe their origin to a variety of contacts experienced by humans with beings which, though a part of this world, are superhuman and the source of both individual and tribal powers and skills. Thus a sharp distinction is drawn by the Flathead between what they call "make-up" and all other songs. Merriam's pioneering work in the relationship of ethnography and musicology remains a primary source in this field in anthropology.
Once gathered only for subsistence and cultural purposes, wild huckleberries are now also harvested commercially. Drawing on archival research as well as harvester and producer interview and survey data, an inventory of North American wild huckleberry plant genera is presented, and the wild huckleberry harvesting patterns of early Native Americans and nonindigenous settlers are described. The social, technological, and environmental changes that gave rise to the commercial industry in the Pacific Northwest by the 1920s and the industrys demise after World War II are explained. The resurgence of the commercial wild huckleberry industry in the mid-1980s and national forest management issues related to the industry are presented as are possible strategies that land managers could develop to ensure wild huckleberry, wildlife, and cultural sustainability.
" ... Six adapted screenplays ... [and] two traditional stories.''--Back cover.