Download Free The Fabulous Book Of Feminist Fairy Tales Book in PDF and EPUB Free Download. You can read online The Fabulous Book Of Feminist Fairy Tales and write the review.

Discover a collection of fairy tales unlike the ones you've read before . . . Once upon a time, in the middle of winter, a King sat at a window and sewed. As he sewed and gazed out onto the landscape, he pricked his finger with the needle, and three drops of blood fell onto the snow outside. People have been telling fairy tales to their children for hundreds of years. And for almost as long, people have been rewriting those fairy tales - to help their children imagine a world where they are the heroes. Karrie and Jon were reading their child these stories when they hit upon a dilemma, something previous versions of these stories were missing, and so they decided to make one vital change.. They haven't rewritten the stories in this book. They haven't reimagined endings, or reinvented characters. What they have done is switch all the genders. It might not sound like that much of a change, but you'll be dazzled by the world this swap creates - and amazed by the new characters you're about to discover.
Fabulous Identities revises traditional interpretations of the fairy-tale vogue which was dominated by salon women in the last decade of the French seventeenth century. This study of women's tale narratives is set into an investigation of how aristocratic identity was transformed by political and social realignments forced by royal absolutism or ambitious materialism. Women's distinctive contributions to the genre are defined by drawing upon various texts that articulated the century's moral, cultural, and aesthetic values, as well as upon contemporary critical perspectives including seventeenth-century historical and cultural studies. Caught up in the philosophical, political and social controversy over woman's nature, seventeenth-century women writers benefited from salon culture and their access to writing through the literary genres of fairy tales and novels, to explore new identities and expand representations of subjectivity. Women's tales can be seen as a theater for staging an authorial persona at odds with their portrait as presented in male-authored didactic treatises and in the fairy tales of Charles Perrault. At a time when the pressures of social conformity weighed heavily upon them, the conteuses highlight through metamorphosis the affective dimension together with its impact on evolving notions of personal autonomy.
It was on a sabbatical in England in the late seventies that Suniti Namjoshi discovered feminism—or rather, she discovered that other feminists existed, and many among them shared her thoughts and doubts, her questions and visions. Since then, she has been writing—fables, poetry, prose autobiography, children’s stories—about power, about inequality, about oppression, effectively using the power of language and the literary tradition to expose what she finds absurd and unacceptable. This new collection brings together in one volume a huge range of Namjoshi’s writings, starting with her classic collection, Feminist Fables, and coming right up to her latest work. Published by Zubaan.
IntroductionPart One: Refashioning Fairy TalesThe Sleeping Beauty in the Wood, Anne Thackeray RitchieBeauty and the Beast, Anne Thackeray RitchieThe Brown Bull of Norrowa, Maria Louisa MolesworthAmelia and the Dwarfs, Juliana Horathia EwingPart Two: SubversionsNick, Christina RossettiChristmas Crackers, Julian Horathia EwingBehind the White Brick, Frances Hodgson BurnettMelisande, or, Long and Short Division, E. NesbitFortunatus Rex amp Co., E. NesbitPart Three: A Fantasy NovelMopsa the Fairy, Jean IngelowPart Four: A Trio of AntifantasiesSpeaking Likenesses, Christina RossettiBiographical SketchesFurther Readings Copyright © Libri GmbH. All rights reserved.
Melissa Bashardoust’s acclaimed debut novel Girls Made of Snow and Glass is “Snow White as it’s never been told before...a feminist fantasy fairy tale not to be missed” (BookPage)! “Utterly superb.” —ALA Booklist, starred review “Dark, fantastical, hauntingly evocative.” —Kirkus Reviews, starred review “An empowering and progressive original retelling.” —SLJ, starred review Sixteen-year-old Mina is motherless, her magician father is vicious, and her silent heart has never beat with love for anyone—has never beat at all, in fact, but she’d always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother. Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known...or else defeat her once and for all. Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.
Feminist Fables is a reworking of fairy tale s and mixes mythology with the author''s original material an d imagination to make this a feminist classic. '
The poems in Fabulous Beast explore what it means to be a woman divided between biology, ambition, and desire. By reimagining the traditional forms of fable, fairy tale, and myth, and borrowing a bit from magical realism, Fabulous Beast contends with decisions faced by women who no longer fit neatly in traditional roles and so must construct new ones. The first section, “The Sow,” is a fable told through a sequence of free verse poems. These poems examine motherhood through the experience of a shape-shifting animal. The manuscript’s second section is a long poem, “The Woman with the Frog Tongue,” written in Spenserian stanzas and organized according to the morphology of the fairy tale as laid out in Vladimir Propp’s “Thirty-One Functions” told in ten chapter-poems. At the poem’s end, the reader is offered three possible endings with which to resolve the woman’s strange and difficult tale. The third section of the chimerical Fabulous Beast is “Minor Gods,” a sequence of metrical poems exploring autonomy, sexuality, and fidelity through the lens of mythology. The entire collection ends with one last conversation between the mother and child from the book’s central fairy tale. The child, trying to make sense of her place in the world, listens to her mother speak about her own childhood. In this closing prose poem, she attempts to assure her daughter that our very terrible moments are often short-lived, and what lasts is a renewed sense of presence, of aliveness, in the world. She allows that this anecdote has its limitations, however: “I want you to believe me,” she says in the book’s final lines. “And yet, I want/ for you those summer nights, too, when you lie awake and imagine/ all the ways you don’t.”
Poet, writer, and Instagram sensation Nikita Gill returns with a collection of fairytales poetically retold for a new generation of women. Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.
Kidnapped at birth by a wicked witch, then locked up in a tower, Rapunzel thinks all is lost until a handsome prince comes to save her. The witch is more cunning than they realize. Will Rapunzel ever escape?
Step into a Once Upon a Time where anything is possible . . . Radiya Hafiza's enchanting and funny debut weaves together three stories, spinning the classic fairytale to show that anyone can be a hero. 'Rumaysa, Rumaysa, let down your hijab!' For as long as she can remember Rumaysa has been locked away in her tower, forced to spin straw into gold for the evil Witch, unable to leave. Until one day, after dropping a hijab out of her small tower-window, Rumaysa realizes how she might be able to escape . . . Join Rumaysa as she adventures through enchanted forests and into dragon's lairs, discovers her own incredible magical powers and teams up with Cinderayla and Sleeping Sara! Rumaysa: A Fairytale is a magically fresh, empowering and funny debut, which retells three classic fairytales – Rapunzel, Cinderella and Sleeping Beauty – with beautiful inside illustrations by Rhaida El Touny and cover illustration by Areeba Siddique. Discover more of Rumaysa's adventures in the enchanting sequel Rumaysa: Ever After.