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Anthology of about 600 poems from more than 200 twentieth century English poets.
First published in February 1936, just under a year from when the idea for it was first discussed, this is one of the most important and influential anthologies of the twentieth century. Since then three further editions by, in succession, Anne Ridler, Donald Hall and Peter Porter have been published. All took as their kernel the original selection by Michael Roberts. This "Faber Finds" reissue restores that pristine selection. More likely than not, the original idea was T. S. Eliot's, the choice of editor was undoubtedly his, and it was an inspired one. Michael Roberts was a poet himself, and a good one, but more important for this task was his acute awareness of the poetry scene, and his sense of the modern movement within it. Yes, his purpose was tendentious. He excludes some poets he admires such as Edmund Blunden and Walter de la Mare because (they) 'seem to me to have written good poems without having been compelled to make any notable development of poetic technique.' On the other hand, 'I have included only poems which seem to me to add to the resources of poetry, to be likely to influence the future development of poetry and language . . .' From the very start (and could there be a more arresting one?) with Gerard Manley Hopkins' "The Wreck of the Deutschland" Michael Roberts powerfully and consistently fulfils that aim. Philip Hobsbaum, in "The Oxford Companion to Twentieth-Century Poetry," says of "The Faber Book of Modern Verse," 'it also encapsulates, as no other literary document quite does, the innovative quality of the 1930s.'
Rilke, Sachs, Brecht, Celan: German has produced some of the giants of 20th century European poetry. In this new selection, complete with many new translations, Michael Hofmann guides us through the poems, poets and themes of German verse. Meticulously researched but eminently approachable, The Faber Book of Twentieth Century German Poems is an essential new addition to any poetry bookshelf.'Michael Hofmann has a skeptical intelligence, an observant eye, a compulsion to speak the unspeakable, and the useful wariness of the displaced person.' Helen Vendler, New York Review of Books'It is probably impossible to produce poetry of this quality that is tuned more precisely to the timbre of the present than Michael Hofmann's. Rapture is the only adequate response.' Geoff Dyer, Guardian
Gathers poems by Hilda Doolittle, Marianne Moore, Edna St Vincent Millay, Louise Bogan, Stevie Smith, Maxine Kumin, Adrienne Rich, Sylvia Plath, and Margaret Atwood
"First published in a slight different form in Great Britain in 2019 by Profile Books Ltd."--Title page verso.
In a wide-ranging and compelling account of the life of metrical and free verse in the twentieth century, poet and critic Jon Silkin deepens our understanding of the way poetry works on us. He begins from the premiss that two modes of verse, free and metrical, engage the creative energies of poetry now, creating a rich, fertile environment capable of yielding work valuable to poetry itself and to the society which has given it life. With a practitioner's empathy Silkin reads the poetry of Whitman, Hopkins, Eliot, Pound, Lawrence, Dylan Thomas, Bunting and eight British poets from the post-second World War period to illustrate how free and metrical verse create, separately or together, a poetic harmony. Additionally, he includes crucial statements on modern poetry from poets themselves, concluding with a fine memoir of Basil Bunting by Connie Pickard, published in book-form for the first time.
Rilke, Sachs, Brecht, Celan: German has produced some of the giants of 20th century European poetry. In this new selection, complete with many new translations, Michael Hofmann guides us through the poems, poets and themes of German verse. Meticulously researched but eminently approachable, The Faber Book of Twentieth Century German Poems is an essential new addition to any poetry bookshelf. 'Michael Hofmann has a skeptical intelligence, an observant eye, a compulsion to speak the unspeakable, and the useful wariness of the displaced person.' Helen Vendler, New York Review of Books 'It is probably impossible to produce poetry of this quality that is tuned more precisely to the timbre of the present than Michael Hofmann's. Rapture is the only adequate response.' Geoff Dyer, Guardian
The last century's 100 most enduring poems, selected and introduced by former Poet Laureate Mark Strand. Accounting for the great range of style and content with which poets such as W. H. Auden, Dylan Thomas, Federico García Lorca, Rainer Maria Rilke, William Butler Yeats, Pablo Neruda, and Jorge Luis Borges responded to the changes and challenges of the twentieth century, 100 Great Poems of the Twentieth Century is intended as both a unique compendium for the already well-versed and as an engaging introduction for those new to the expansive world of poetry. Alan Ginsberg's struggle—"What thoughts I have of you tonight, Walt Whitman....In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!"—is echoed by other remarkable poets in this international collection of exciting and moving poems that are alike not in their length or for their status as seminal texts but because they are impossible to forget.