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Visual Cultures of the Ethnic Chinese in Indonesia explores how visual representations shaped and were shaped by how the ethnic Chinese confronted the period of economic dislocation and radical social change during Dutch colonialism and the nationalist struggles in the decolonized Indonesia (including the post-1965 and 1998 social environments). How did the ethnic Chinese communities (re)present themselves to both their domestic and outside world under the changing regimes of representation? How did they visualize, symbolically, their place in Indonesian society? How did the visual shape the “ambiguities” of the Chinese, the perception of the “economic” identity, and the forgetting of their involvement in politics, cultures and histories of the nation? More broadly, how did the visual address the interconnectedness of domestic life, the urban cultural milieu, and ideologies of the state and the ruling class? The book is a response to two paradoxical socio-political phenomena whose convergence is shaping the experience and conceptualization of ethnic Chinese in Indonesia. On the one hand, the economic, technological and cultural forces of colonialism and globalization have created conditions for the formation of ethnic Chinese capital(ists), while on the other, the state generated identity and identification constituted the discourses of othering the ethnic Chinese as “foreign” minority.
Indonesia, the largest country in Southeast Asia, has as its national motto “Unity in Diversity.” In 2010, Indonesia stood as the world’s fourth most populous country after China, India and the United States, with 237.6 million people. This archipelagic country contributed 3.5 per cent to the world’s population in the same year. The country’s demographic and political transitions have resulted in an emerging need to better understand the ethnic composition of Indonesia. This book aims to contribute to that need. It is a demographic study on ethnicity, mostly relying on the tabulation provided by the BPS (Badan Pusat Statistik; Statistics-Indonesia) based on the complete data set of the 2010 population census. The information on ethnicity was collected for 236,728,379 individuals, a huge data set. The book has four objectives: To produce a new comprehensive classification of ethnic groups to better capture the rich diversity of ethnicity in Indonesia; to report on the ethnic composition in Indonesia and in each of the thirty three provinces using the new classification; to evaluate the dynamics of the fifteen largest ethnic groups in Indonesia during 2000–2010; and to examine the religions and languages of each of the fifteen largest ethnic groups.
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community’s diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sundanese choirs and dance groups in Bandung, this book takes readers on a tour of hybrid and diverse expressions of identity, tracing the stories and strategies of minority self-representation over time. Each performance form is placed in its social and historical context, highlighting how Sino-Indonesian groups and individuals have represented themselves locally and nationally to the archipelago’s majority population as well as to Indonesian state power. In the last twenty years, the long political suppression of manifestations of Chinese culture in Indonesia has lifted, and a wealth of evidence now coming to light shows how Sino-Indonesians have long been an integral part of Indonesian culture, including the performing arts. Valorizing that contribution challenges essentialist readings of ethnicity or minority, complicates the profile of a group that is often considered solely in socioeconomic terms, and enriches the understanding of Indonesian culture, Southeast Asian Chinese identities, and transnational cultural exchanges. Minority Stages helps counter the dangerous either/or thinking that is a mainstay of ethnic essentialism in general and of Chinese and Indonesian nationalisms in particular, by showing the fluidity and adaptability of Sino-Indonesian identity as expressed in performance and public display.
Examining key countries in every region of world, this handbook presents population profiles and analyses concerning racial/ethnic disparities and changing intergroup relations. Inside, prominent scholars from various parts of the world and disciplines address the links between stratification, demography, and conflict across the globe. Organized by region/continent, coverage for each profiled country includes demographic information; a historical overview that addresses past racial/ethnic conflict; identification of the most salient demographic trends and issues that the country faces; theoretical issues related to the linkages between stratification, demography, and conflict; methodological issues including quality of data and cutting-edge methods to better understand the issue at hand; and details on the possible future of the existing trends and issues with particular emphasis on public policy and human rights. This handbook will help readers to better understand the commonalities and differences that exist globally in the interplay between stratification, demography, and conflict. In addition, it also provides an excellent inventory of theoretical perspectives and methodological approaches that are needed to better comprehend this issue. This handbook will appeal to students, researchers, and policy analysts in the areas of race and ethnic relations, demography, inequality, international sociology, international relations, foreign studies, social geography, and social development.
Indonesia, the largest country in Southeast Asia, has as its national motto "e;Unity in Diversity."e; In 2010, Indonesia stood as the world's fourth most populous country after China, India and the United States, with 237.6 million people. This archipelagic country contributed 3.5 per cent to the world's population in the same year. The country's demographic and political transitions have resulted in an emerging need to better understand the ethnic composition of Indonesia. This book aims to contribute to that need. It is a demographic study on ethnicity, mostly relying on the tabulation provided by the BPS (Badan Pusat Statistik; Statistics-Indonesia) based on the complete data set of the 2010 population census. The information on ethnicity was collected for 236,728,379 individuals, a huge data set. The book has four objectives: To produce a new comprehensive classification of ethnic groups to better capture the rich diversity of ethnicity in Indonesia; to report on the ethnic composition in Indonesia and in each of the thirty three provinces using the new classification; to evaluate the dynamics of the fifteen largest ethnic groups in Indonesia during 2000-2010; and to examine the religions and languages of each of the fifteen largest ethnic groups.
Contention has surrounded the status of minorities throughout Indonesian history. Two broad polarities are evident: one inclusive of minorities, regarding them as part of the nation’s rich complexity and a manifestation of its “Unity in Diversity” motto; the other exclusive, viewing with suspicion or disdain those communities or groups that differ from the perceived majority. State and community attitudes towards minorities have fluctuated over time. Some periods have been notable for the acceptance of minorities and protection of their rights, while others have been marked by anti-minority discrimination, marginalisation and sometimes violence. This book explores the complex historical and contemporary dimensions of Indonesia’s religious, ethnic, LGBT and disability minorities from a range of perspectives, including historical, legal, political, cultural, discursive and social. It addresses fundamental questions about Indonesia’s tolerance and acceptance of difference, and examines the extent to which diversity is embraced or suppressed.
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1974 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
Aims to unpack the complex meanings of 'Chineseness' in post-1998 Indonesia, including the ways in which the policy of multiculturalism enabled such a 'resurgence', the forces that shaped it and the possibilities for 'resinicisation'. This book examines ethnic Chinese self-identify.