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Treasury of ninety-three short works includes horror stories, realistic narratives of war, and tall tales of the old West
Sixteen dark and vivid tales by great satirist: "A Horseman in the Sky," "An Occurrence at Owl Creek Bridge," "Chicakamauga," "A Son of the Gods," "What I Saw of Shiloh," more. Note.
A Study Guide to Ambrose Bierce's An Occurrence at Owl Creek Bridge, excerpted from Gale's acclaimed Short Stories for Students series. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Donald T. Blume rejects the view that In the Midst of Life, the second volume of Bierce's collected works, is his most important literary work. Instead, he posits that Bierce's original 1892 collection is his most definitive and authoritative opus.
Classic Books Library presents this brand new edition of the short story, “An Occurrence at Owl Creek Bridge” (1890) by Ambrose Bierce. In this text Bierce creatively uses both structure and content to explore the concept of time, from present to past, and reflecting its transitional and illusive qualities. The story is one of Bierce’s most popular and acclaimed works, alongside “The Devil’s Dictionary” (1911). Bierce (1842-c. 1914) was an American writer, journalist and Civil War veteran associated with the realism literary movement. His writing is noted for its cynical, brooding tones and structural precision.
The tradition of supernatural horror fiction runs deep in Anglo-American literature. From the Gothic novels of the eighteenth century to such contemporary authors as Stephen King and Anne Rice, writers have employed horror fiction to unearth many disquieting truths about the human condition, ranging from mistreatment of women and minorities to the ever-present dangers of modern city life. In Journeys into Darkness: Critical Essays on Gothic Horror, James Goho analyzes many significant writers and trends in American and British horror fiction. Beginning with Charles Brockden Brown’s disturbing novels of terror and madness, Goho proceeds to discuss the influence of Edgar Allan Poe’s “The Fall of the House of Usher” on H. P. Lovecraft, who is treated in several penetrating essays. Lovecraft was a uniquely philosophical writer, and Goho approaches his work through the lens of existentialist philosopher Søren Kierkegaard, while also probing Lovecraft’s racism as exhibited in several tales about Native Americans. Goho also discusses the Welsh writer Arthur Machen’s tortured tales of suffering and evil and Algernon Blackwood’s numerous stories set in the wilds of the Canadian backwoods. The book concludes with a centuries-spanning essay on the witchcraft theme in the American Gothic tradition and a comprehensive essay on Fritz Leiber’s invention of the urban Gothic. In this wide-ranging study, James Goho examines the varied ways in which supernatural fiction can address the deepest moral, social, and political concerns of the human experience. Journeys into Darkness will be of interest to readers and scholars of horror fiction and to students of literary history and culture in general.
Ambrose Bierce and the Dance of Death uses psychoanalytic theory in combination with historical, cultural, and literary contexts to examine the complex motif of death in a full range of Bierce’s writings. Scholarly interest in Bierce, whose work has long been undervalued, has grown significantly in recent years. This new book contributes to the ongoing reassessment by providing new contexts for joining the texts in his canon in meaningful ways. Previous attempts to consider Bierce from a psychological perspective have been superficial, often reductive Freudian readings of individual stories such as “An Occurrence at Owl Creek Bridge” and “The Death of Halpin Frayser.” This new volume not only updates these interpretations with insights from post-Freudian theorists but uses contemporary death theory as a framework to analyze the sources and expressions of Bierce’s attitudes about death and dying. This approach makes it possible to discern links among texts that resolve some of the still puzzling ambiguities that have—until now—precluded a fuller understanding of both the man and his writings. Lively and engaging, Ambrose Bierce and the Dance of Death adds valuable new insights not only to the study of Bierce but to that of nineteenth-century American literature in general.
Ambrose Bierce (1842–1914?) has been a widely read, often controversial, author for more than a hundred years, but until now there has been no exhaustive collection of his short fiction. This new edition, both comprehensive and chronological, reveals the broad range of fiction that Bierce mastered. Readers who expect to find only a writer of grim and shocking stories of war and other horrors will discover that he excelled at other types of tales—humorous, mystical, Gothic, satirical, sentimental, mystery, science fiction, and even love stories. This collection gives readers the opportunity to observe the growth of characteristic themes and techniques in Bierce’s short fiction. A number of the early sketches evidence both the thoughtful moral focus and the technical brilliance of his best work, and here they also can be seen as training exercises for the young writer on his way to the better-known stories of his artistic peak. Although several previous books purport to provide accurate collections of Bierce’s work, none does more than uncritically re-assemble the tales in the heretofore standard Collected Works (1909-1912). This edition will be the new standard. It is the first to include all his known and rediscovered short fiction. Of the 249 items collected in this edition, 1 story (“Alasper”) is unpublished, 58 have not been previously reprinted from the newspapers and magazines in which they originally appeared, and 74 have not been reprinted since their appearance in Bierce’s early volumes. It is also the only edition to be based upon consultation of manuscripts and early printed sources. As a result, textual corrections have been made to some of Bierce’s stories, including two of his best known. Volume III covers the years 1895 to 1910 and includes more than 70 pieces, with “Moxon’s Master,” “Beyond the Wall,” and “The Eyes of a Panther.” A model of careful scholarship, this edition includes selected textual variants, a bibliography of all appearances of the story in Bierce’s lifetime, introductory comments and extensive annotations that provide biographical and other background information, and citations to important works of criticism.
Covering the decades from the 1830s through the end of the century, as well as the eastern, southern, and western regions of the United States, these essays, by a diverse group of scholars, examine a variety of periodicals from the well-known Atlantic Monthly to small papers such as The National Era. They illustrate how literary analysis can be enriched by consideration of social history, publishing contexts, the literary marketplace, and the relationships between authors and editors.