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An important novel that is as compassionate as it is eye-opening, The Exile and the Mapmaker is a testament to the triumph of the human spirit. Theo, an aging Parisian cartographer, is desperately searching for the woman he once loved before Alzheimer’s takes his memories of her. Elise, his estranged daughter, moves in to take care of him. She still blames him for the tragic loss of her mother and is struggling with this new forced intimacy. Nebay, an Eritrean refugee, becomes Theo’s carer and friend. Unbeknownst to Elise, Nebay does not have a visa for France and is working illegally in order to support his sister. Each one is living a life of questions and secrets in a world where Nebay’s very presence in the France of Theo’s maps is steeped in uncertainty. ‘Beautifully written’ Katherine Stansfield ‘Very moving’ Matthew Francis 'Emotional and eye-opening' @stories_with_hope 'Heart-warming' @bibliobushra 'Thought provoking' @SecretWorldOfaBook Emma is an editor and writer with Are You Syrious?, an independent daily news digest which chronicles news from the ground regarding the refugee situation in Europe. She is also a freelance consultant for Refugee Rights Europe.
Theo, an aging Parisian cartographer, is desperately searching for the woman he once loved before Alzheimer's takes his memories of her. Elise, his estranged daughter, moves in to take care of him. She still blames him for the tragic loss of her mother and is struggling with this new forced intimacy. Nebay, an Eritrean refugee, becomes Theo's carer and friend. Unbeknownst to Elise, Nebay does not have a visa for France and is working illegally in order to support his sister. Each is living a life of secrets, questions and uncertainty in a world where Nebay's very presence in France would be invisible on Theo's maps. An important novel that is as compassionate as it is eye-opening, The Exile and the Mapmaker is a testament to the triumph of the human spirit.
How Far Would You Go To Stay True to Yourself? Spain, 1492. On the eve of the Jewish expulsion from Spain, Amalia Riba stands at a crossroads. In a country violently divided by religion, she must either convert to Christianity and stay safe, or remain a Jew and risk everything. It's a choice she's been walking toward her whole life, from the days of her youth when her family lit the Shabbat candles in secret. Back then, she saw the vast possibility of the world, outlined in the beautiful pen and ink maps her father created. But the world has shifted and contracted since then. The Mapmaker's Daughter is a stirring novel about identity, exile, and what it means to be home. "A close look at the great costs and greater rewards of being true to who you really are. A lyrical journey to the time when the Jews of Spain were faced with the wrenching choice of deciding their future as Jews—a pivotal period of history and inspiration today."—Margaret George, New York Times bestselling author of Elizabeth I "The many twists and turns in the life of the mapmaker's daughter, Amalia, mirror the tenuous and harrowing journey of the Jewish community in fifteenth-century Iberia, showing how family and faith overcame even the worst the Inquisition could inflict on them."—Anne Easter Smith, author of Royal Mistress and A Rose for the Crown "A powerful love story ignites these pages, making the reader yearn for more as they come to know Amalia and Jamil, two of the most compelling characters in recent historical fiction. An absolute must-read!"—Michelle Moran, author of The Second Empress and Madam Tussaud
The story of an infamous crime, a revered map dealer with an unsavory secret, and the ruthless subculture that consumed him Maps have long exerted a special fascination on viewers—both as beautiful works of art and as practical tools to navigate the world. But to those who collect them, the map trade can be a cutthroat business, inhabited by quirky and sometimes disreputable characters in search of a finite number of extremely rare objects. Once considered a respectable antiquarian map dealer, E. Forbes Smiley spent years doubling as a map thief —until he was finally arrested slipping maps out of books in the Yale University library. The Map Thief delves into the untold history of this fascinating high-stakes criminal and the inside story of the industry that consumed him. Acclaimed reporter Michael Blanding has interviewed all the key players in this stranger-than-fiction story, and shares the fascinating histories of maps that charted the New World, and how they went from being practical instruments to quirky heirlooms to highly coveted objects. Though pieces of the map theft story have been written before, Blanding is the first reporter to explore the story in full—and had the rare privilege of having access to Smiley himself after he’d gone silent in the wake of his crimes. Moreover, although Smiley swears he has admitted to all of the maps he stole, libraries claim he stole hundreds more—and offer intriguing clues to prove it. Now, through a series of exclusive interviews with Smiley and other key individuals, Blanding teases out an astonishing tale of destruction and redemption. The Map Thief interweaves Smiley’s escapades with the stories of the explorers and mapmakers he knew better than anyone. Tracking a series of thefts as brazen as the art heists in Provenance and a subculture as obsessive as the oenophiles in The Billionaire’s Vinegar, Blanding has pieced together an unforgettable story of high-stakes crime.
After being given an apprenticeship to chart her entire kingdom, young Aoife encounters a secretive culture of wealthy and peaceful people who she protects by enduring a harrowing exile.
A child with a love of wizards and an ageing rock star share their fate with a disparate collection of visitors when their paths collide in a remote refugee camp. Years later they find a way to tell their stories. A tale of grief and resilience against the odds, The Bones of Barry Knight asks how we can better care for one another on a global scale. 'Very few novelists are able to cope convincingly with the apocalyptic times we're living through. Emma Musty's new novel shows that she has the skills, the breadth of vision and the humanity to meet the challenge' Matthew Francis 'Utterly contemporary and unflinching' Katherine Stansfield 'An engaging book that looks at how our flaws and our humanity go hand in hand' Megan Campisi 'Sweeping in its scope and resonant with compassion' Jacqueline Yallop Emma is an editor and writer with Are You Syrious?, an independent daily news digest which chronicles news from the ground regarding the refugee situation in Europe. She is also a freelance consultant for Refugee Rights Europe.
IN A TOWN IN THE HEART OF LA MANCHA, home to Don Quijote and his windmills, the Clemente family lived for centuries, their fortunes tied to those of a plant... So begins the grand tale that is The Mapmaker's Opera. Born in Seville, Spain to a dishonored governess, a young Diego Clemente finds solace in the world of books, in particular John James Audubon's Birds of America. Mesmerized by the wondrous images in Audobon's magnificent volume, he longs to travel to the New World to find his destiny and see these amazing creatures for himself. When renowned American naturalist Edward Nelson enlists him by chance to create a guide to Yucatan's birds, Diego's dream comes true. Arriving on Mexico's Yucatan Peninsula on the eve of the Mexican Revolution, Diego finds himself in a world that is as precarious as it is beautiful, where opulent henequen plantations are built on the backs of slave labor and the social order is on the brink of imploding. And there, Diego falls for the young Sofia, a woman who longs to be as free as the birds she also loves. He tries with all his might to win her and, with Nelson's help, to save the last pair of passenger pigeons in existence. A mesmerizing tale of star-crossed passions, a pair of mysterious birds, and a young man's quest to honor both his passions, The Mapmaker's Opera transports its audience with stunning vistas, magical storytelling, and a universal story of love.
In sixteenth-century Venice, in an island monastery, a cloistered monk experiences the adventure of a lifetime—all within the confines of his cell. Part historical fiction, part philosophical mystery, A Mapmaker's Dream tells the story of Fra Mauro and his struggle to realize his life's work: to make a perfect map—one that represents the full breadth of Creation. News of Mauro's projects attracts explorers, pilgrims, travelers, and merchants, all eager to contribute their accounts of faraway people and places. As he listens to the tales of the strange and fantastic things they've seen, Mauro comes to regard the world as much more than continents and kingdoms: that it is also made up of a vast and equally real interior landscape of beliefs, aspirations, and dreams. Mauro's map grows and takes shape, becoming both more complete and incomprehensible. In the process, the boundaries of Mauro's world are pushed to the extreme, raising questions about the relationship between representation, imagination, and the nature of reality itself.
Juan Mayorga: Six Plays is the first collection of Spanish dramatist Juan Mayorga’s plays in English, offering a compelling insight into the extraordinary range and quality of one of the Spanish-speaking world’s most distinctive voices. The six plays are presented in translations that are both readable and eminently performable. Each is accompanied by a translator’s note that discusses the strategies and decisions used in making the play performable in English as well as the play’s key themes. The book also features an introduction to Mayorga’s life and work, emphasising his commitment to plays whose range of forms and innovative theatre-making practice re-imagines the nature of theatre and performance each time anew. The plays themselves are brilliant treatises on our times, inspiring conversation about and critical examination of our troubled world. These scripts will be of interest to professional practitioners but are no less suited to both university and amateur settings, making this the definitive collection of Mayorga’s work in English for theatremakers, students, and scholars.
England during the Middle Ages was at the forefront of European antisemitism. It was in medieval Norwich that the notorious "blood libel" was first introduced when a resident accused the city's Jewish leaders of abducting and ritually murdering a local boy. England also enforced legislation demanding that Jews wear a badge of infamy, and in 1290, it became the first European nation to expel forcibly all of its Jewish residents. In The Accommodated Jew, Kathy Lavezzo rethinks the complex and contradictory relation between England’s rejection of "the Jew" and the centrality of Jews to classic English literature. Drawing on literary, historical, and cartographic texts, she charts an entangled Jewish imaginative presence in English culture. In a sweeping view that extends from the Anglo-Saxon period to the late seventeenth century, Lavezzo tracks how English writers from Bede to Milton imagine Jews via buildings—tombs, latrines and especially houses—that support fantasies of exile. Epitomizing this trope is the blood libel and its implication that Jews cannot be accommodated in England because of the anti-Christian violence they allegedly perform in their homes. In the Croxton Play of the Sacrament, Marlowe’s The Jew of Malta, and Shakespeare’s The Merchant of Venice, the Jewish house not only serves as a lethal trap but also as the site of an emerging bourgeoisie incompatible with Christian pieties. Lavezzo reveals the central place of "the Jew" in the slow process by which a Christian "nation of shopkeepers" negotiated their relationship to the urban capitalist sensibility they came to embrace and embody. In the book’s epilogue, she advances her inquiry into Victorian England and the relationship between Charles Dickens (whose Fagin is the second most infamous Jew in English literature after Shylock) and the Jewish couple that purchased his London home, Tavistock House, showing how far relations between gentiles and Jews in England had (and had not) evolved.