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The Exhibition Drama by George M. Baker: This book is a guide for putting on dramatic performances in exhibitions and other public events, written by George M. Baker, an American playwright and drama critic. The book provides practical advice for staging plays and performances in a variety of settings, and includes tips for scriptwriting, acting, directing, and stage design. Key Aspects of the Book "The Exhibition Drama": Theatre Production: The book offers valuable advice for staging plays and performances in a variety of settings, providing practical guidance for scriptwriting, acting, directing, and stage design. Public Events: The book focuses specifically on the challenges and opportunities of putting on performances in exhibitions and other public events, including strategies for attracting and engaging audiences. Theatre History: The book places the practice of exhibition drama in its historical context, discussing the major trends and developments in theatrical production during the late 19th and early 20th centuries. George M. Baker was an American playwright and drama critic who lived in the late 19th and early 20th centuries. His book, The Exhibition Drama, remains a valuable resource for anyone interested in theatrical production and the history of theatre.
Reprint of the original, first published in 1875.
Reprint of the original, first published in 1875.
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the ‘theatrical’ as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.
The late sixteenth and seventeenth centuries are frequently labeled the age of theater. Throughout western Europe, the dramatic arts attained new heights of cultural prestige, political importance, and commercial success. This series of essays investigates the dialogue between the newly invigorated theater and the plastic arts. Discussed are the interactions between spectator and spectacle, social performance and the staging of the individual, the shaping of space and time, and the debates over the relationship that visual and theatrical representations have to the objects they portray.
Guided by the spirit of his legendary Mesopotamian ancestor, Jalal, Varjak Paw, a pure-bred cat, leaves his home and pampered existence and sets out to save his feline family from the evil Gentleman who took away their owner, the Contessa.