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FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER Inside a Los Angeles church, on the altar steps, lies the blood-soaked body of a priest. Later, the forensic team discover that, on the victim's chest, the figure 3 has been scrawled in blood. At first, Detective Robert Hunter believes that this is a ritualistic killing. But as more bodies surface, he is forced to reassess. All the victims died in the way they feared the most. Their worst nightmares have literally come true. But how could the killer have known? And what links these apparently random victims? Hunter finds himself on the trail of an elusive and sadistic killer, someone who apparently has the power to read his victims' minds. Someone who can sense what scares his victims the most. Someone who will stop at nothing to achieve his twisted aim. PRAISE FOR CHRIS CARTER 'Gripping . . . Not for the squeamish' Heat 'A page turner' Express
The Lost Ones are wanderers who come here from a distant world known as "Japan." No one knows how or why they leave their homes. The only thing that is certain is that they bring disaster and calamity. The duty of exterminating them without remorse falls to Menou, a young Executioner. When she meets Akari, it seems like just another job...until she discovers it's impossible to kill this girl! And when Menou begins to search for a way to defeat this immortality, Akari is more than happy to tag along! So begins a journey that will change Menou forever...
The first book in the classic vigilante action series from a “writer who spawned a genre” (The New York Times). Overseas, Mack Bolan was dubbed “Sgt. Mercy” for the compassion he showed the innocent. On the home front, they’re calling him the Executioner for what he’s doing to the guilty. In the jungles of Southeast Asia, American sniper Mack Bolan honed his skills. After twelve years, with ninety-five confirmed hits, he returns home to Massachusetts. But it’s not to reunite with his family, it’s to bury them—victims in a mass murder/suicide. Even though Bolan’s own father pulled the trigger, he knows the old man was no killer. He was driven to madness by Mafia thugs who have turned his idyllic hometown into a new kind of war zone. Duty calls . . . Introducing an action hero “who would make Jack Reacher think twice,” this is the first book in the iconic series of vigilante justice that has become a publishing phenomenon (Empireonline.com). With more than two hundred million Executioner books sold since its debut, the series continues to stimulate. Gerry Conway, cocreator of Marvel Comics’ The Punisher, credits the Executioner as “my inspiration . . . that’s what gave me the idea for the lone, slightly psychotic avenger.” The series is also now in development as a major motion picture. War Against the Mafia is the 1st book in the Executioner series, but you may enjoy reading the series in any order.
The Executioner's Toll, 2010 is a meticulous examination of every execution (and the details surrounding the execution) carried out in a single year--and a thought-provoking exploration into the minds of 46 killers as each plays the role of predator, quarry and condemned. The unsettling narratives begin with a murder on May 26, 1993, and end with an execution on December 16, 2010. The book chronicles 63 murders, 44 trials, countless appeals, two suicide attempts, 41 last meals, 33 final statements and 46 executions. The Executioner's Toll, 2010 could have covered any year in the modern era of the death penalty, but had to cover one complete year, in order to provide a true picture of the death penalty, executions and the anguish of victims. This book presents the compelling stories, accounts often neglected in the mainstream media. Every person facing the executioner has a story, every killing is as unique as it is devastating.
During a career lasting nearly half a century, Meister Frantz Schmidt (1554-1634) personally put to death 392 individuals and tortured, flogged, or disfigured hundreds more. The remarkable number of victims, as well as the officially sanctioned context in which they suffered at Schmidt’s hands, was the story of Joel Harrington’s much-discussed book The Faithful Executioner. The foundation of that celebrated work was Schmidt's own journal--notable not only for the shocking story it told but, in an age when people rarely kept diaries, for its mere existence. Available now in Harrington’s new translation, this fascinating document provides the modern reader with a rare firsthand perspective on the thoughts and experiences of an executioner who routinely carried out acts of state brutality yet remained a revered member of the local community, widely respected for his piety, steadfastness, and popular healing. Based on a long-lost manuscript thought to be the most faithful to the original journal, this modern English translation is fully annotated and includes an introduction providing historical context as well as a biographical portrait of Schmidt himself. The executioner appears to us not as the frightening brute we might expect but as a surprisingly thoughtful, complex person with a unique voice, and in these pages his world emerges as vivid and unforgettable. Studies in Early Modern German History
A former millionaire's residence near Seattle has been transformed into combat headquarters for the whole Mafia infra-structure. The Mob is getting ready to attack the world, but before the Cosa Nostra killers can make their big move, the Executioner is going to shove death back down their throats!
Called “brilliantly devastating” in a starred review from Kirkus Reviews, this award-winning, mesmerizing novel, based on the chilling true story of the last execution in Denmark’s history, asks a question that plagues a small Danish town: does a fifteen-year-old boy deserve to be put to death? On February 22, 1853, a fifteen-year-old Niels Nelson is prepared to be executed on Gallows Hill. The master carpenter comes to measure Niels for his coffin. The master baker bakes bread for the spectators. The messenger posts the notice of execution in the town square. The poet prepares his best pen to record the events as they unfold. A fly, Niels’s only companion in the cell, buzzes. A dog hovers by his young master’s window. A young girl hovers too, pitying the boy. The executioner sharpens his blade. This remarkable, wrenching story is told with the alternating perspectives of eleven different bystanders—one per hour—as the clock ticks ever closer to the moment when the boy must face his fate. Niels Nielson, a young peasant, was sentenced to death by beheading on the dubious charges of arson and murder. Does he have the right to live despite what he is accused of? That is the question the townsfolk ask as the countdown begins. With strong social conscience, piercing intellect, and masterful storytelling, Jesper Wung-Sung explores the age-old question: who determines who has the right to live or die?
Example in this ebook The intention of both the author and the editor of this little book has been to set forth, as plainly and as simply as possible, certain facts and opinions with regard to what is undoubtedly a most important subject—the carrying out of the ultimate sentence of the law. While facts have not been in any way shirked or misrepresented, much that is horrible in detail has been suppressed; so that people who may be tempted to take up the book in search of ghastly descriptive writing, are warned at the outset that they will be disappointed. It is believed that a publication of Mr. Berry’s experiences will correct many errors and misconceptions as to the way in which capital sentences are carried out in England; and that it will lead to a consideration of the whole subject, from a practical, rather than from a sentimental, point of view. The management, and, if possible, the regeneration of the criminal classes, is one of the most serious tasks that civilisation has to face; and those who undertake such a task require all the light that can possibly be thrown upon the subject. The public executioner has many and special opportunities of studying the criminal classes, and of knowing their attitude and feelings with regard to that capital punishment which civilisation regards as its strongest weapon in the war against crime. When, as in the case of Mr. Berry, several years’ experience in various police forces can be added to his experience as an executioner, the man who has had these exceptional opportunities of studying criminals and crime, must necessarily have gathered much information and formed opinions that are worthy of attention. Therefore, this book has a higher aim than the mere recording of the circumstances and incidents of the most painful business in which a man can engage. The recording is necessary, for without the facts before them, readers could not form their own opinions; but it is hoped that the facts will be read with more than mere curiosity, that the readers will be led to take a personal interest in the weak and erring brethren who form the criminal classes, the canker-worm of our social system. An explanation of how this book was written may not be out of place. The statements are entirely those of the author, though in many cases the words are those of the editor, whose task consisted of re-arranging and very greatly condensing the mass of matter placed in his hands by Mr. Berry. The narrative and descriptive portion of the work is taken from a series of note-books and a news-cuttings book kept by Mr. Berry; who includes the most minute particulars in his diaries. One chapter—“My First Execution”—is word for word as written in the diary, with the exception that a few whole pages of descriptive detail are omitted, and indicated by points (thus....) The chapter “On Capital Punishment,” and portions of other chapters, were not written out at length by Mr. Berry, but were supplied in the form of full notes, and the principal portions dictated. In every case, however, the opinions are those of the author, with whom the editor is by no means in entire personal agreement. To be continue in this ebook
Something is rotten in the state of Spain. The uninterred corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy’s Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939–75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain’s transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch’s persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain’s ongoing transition towards democratic pluralism, Patriarchy’s Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to haunt Iberian society.