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An event of rare literary distinction, this book records the conjunction between two distinguished American poets, illuminating not only their work and their connection but also the deep strain of pantheistic mysticism in the American tradition. In 1934, William Everson came across a volume of Jeffers's poetry. In Everson's word, the power of Jeffers 'broke my own acquired agnosticism and compelled me to think of myself as a manifestly religious man. It is a power I still attest to in writing this study, a power which I continue to think of as an undiluted religious force'. It was after reading Jeffers that Everson's vocation as a poet emerged, and though they never met or corresponded, Everson has remained loyal and dedicated to Jeffers throughout his life. Everson, who published extensively under his religious name Brother Antoninus during his nearly twenty years as a Dominican lay brother, has become one of the most knowledgeable scholars and critics of Jeffers, as well as his one avowed poetic disciple. This book is written as a series of over-lapping and ever-widening meditations on Jeffers's sense of God, nature, the self, and language.
This work is the first volume of critical essays devoted to the poetry of Robinson Jeffers. Although Jeffers was likened to some of the greatest figures in the literary world, his work was controversial. His preoccupation with violence and sexuality was denounced by some, his alleged blasphemy by others. Condemned by moralists, Marxists, and Cold Warriors alike, Jeffers fell into obscurity until his death in 1962. Included are nine original essays by leading Jeffers scholars.
This final volume of the first comprehensive edition of all of Robinson Jeffers's completed poems, both published and unpublished, consists of commentary: various procedural explanations and textual evidence for the edition's texts, transcriptions of working notes for the poems and of alternate and discarded passages, a chronology of Jeffers's career, appendixes, and indexes.
Examines American poet Robinson Jeffers's concern with the evolution of consciousness and its effects on humans' relationship with the natural world. Presents an account of his development of a poetics that integrates scientific and spiritual views of the universe.
This book asks how we may undertake to represent representation.
For the first time classic readings on Jesus from outside of Christianity have been brought together in one volume. Jesus Beyond Christianity: The Classic Texts features significant passages on Jesus from Judaism, Islam, Hinduism and Buddhism. The fifty-six selections span two millennia of thought, including translated extracts from the Talmud and the Qur'an, and writings by Mahatma Gandhi and the 14th Dalai Lama. The volume features fresh translations of important texts, 'Key-Issues' introductions, questions for discussion and guides for further reading. Importantly, each set of readings ends with an entirely fresh reflection from a leading scholar in the field. Every care has been taken to present these often controversial passages in a manner consistent with the aims of their authors; accompanying notes directly address challenging issues. This unique collection of readings promises to become an essential resource in the study of the world's religions, providing rich guidance for anyone seeking to understand the central convergences and debates between religious traditions.
This book investigates the reciprocal and often transgressive relations between rhetorical figures and libidinal activity. The works of Nietzsche, Artaud, Bataille, Klossowski, and Sade are reconsidered in light of the modernist and postmodernist problematics of simulacra, fascination, sublimation and desublimation, perversion, deconstruction, and libidinal economies. Reading across the boundaries of philosophy, art history, comparative literature, film studies, and psychoanalytic theory, this work reveals the manner in which theoretical discourse is imbued with passional motivations, and, conversely, shows how the passions are structured according to logical and rhetorical figures. In offering specific rereadings of several key figures of our modernist tradition, this work helps identify the sources of the 'postmodern condition.' It thus provides a theoretical foundation for contemporary art and literary criticism--especially of those works to be found at the margins of our culture.
Having been a teetotaler for more than thirty years, the author's personal habits, associations, and sympathies have all been in favor of the unfermented theory; but the facts encountered in the present investigation have constrained him, reluctantly, to conclude that, so far as the wines of the ancients are concerned, unfermented wine is a myth. - Preface.