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A fresh voice from the 'other America', investigative journalist Amy Goodman exposes corporate cronyism, media spin and the systematic undermining of democracy in George Bush's USA.
A collection of newspaper and magazine articles where Goodman and Moynihan take an anti-establishment stance and get to the heart of today's critical news stories and political events
Torture. Kidnapping. Bogus wars. Illegal wiretapping. Propaganda. Spies in the newsrooms. Oil profiteers. Soldiers who won't fight. Mothers of fallen soldiers Who will. In Static, the bestselling brother-sister team of Amy Goodman, host of Democracy Now!, and investigative journalist David Goodman takes on government liars, corporate profiteers, and the media that have acted as their cheerleaders. The authors cut through the official static to show the truth about war, torture, and government control of the media. Static breaks the sound barrier to present the voices of dissidents, activists, and others who are often frozen out of official debate. Read Static. Become informed. Fight back. Defend democracy.
Explore the forgotten history of early California from the viewpoint of the working poor, blacks, immigrants, and other disenfranchised groups who rebelled against rulers.
This book brings the ironic worldview of the Lisu to life through vivid, often amusing accounts of individuals, communities, regions, and practices. One of the smallest and last groups of stateless people, and the most egalitarian of all Southeast Asian highland minorities, the Lisu have not only survived extremes at the crossroads of civil wars, the drug trade, and state-sponsored oppression but adapted to modern politics and technology without losing their identity. The Lisu weaves a lively narrative that condenses humanity’s transition from border-free tribal groupings into today’s nation-states and global market economy. Journalist and historian Michele Zack first encountered the Lisu in the 1980s and conducted research and fieldwork among them in the 1990s. In 2014 she again traveled extensively in tribal areas of Thailand, Myanmar, and China, when she documented the transformative changes of globalization. Some Lisu have adopted successful new urban occupations in business and politics, while most continue to live as agriculturists “far from the ruler.” The cohesiveness of Lisu culture has always been mysterious—they reject hierarchical political organization and traditionally had no writing system—yet their culture provides a particular skillset that has helped them navigate the terrain of the different religious and political systems they have recently joined. They’ve made the transition from living in lawless, self-governing highland peripheries to becoming residents and citizens of nation-states in a single generation. Ambitious and written with journalist’s eye for detail and storytelling, The Lisu introduces the unique and fascinating culture of this small Southeast Asian minority. Their path to national and global citizenship illustrates the trade-offs all modern people have made, and their egalitarian culture provides insight into current political choices in a world turning toward authoritarianism.
This book is about the possibility of organising society without the state, but, crucially, it makes the claim, contrary to much anarchist theory, that such a life would not entail absolute freedom; rather, as the title suggests, it would mean creating new forms of social organisation which, whilst offering more freedom than state-capitalism, would nonetheless still entail certain limits to freedom. In making this argument, a secondary point is made, which highlights the book’s originality; namely, that, whilst anarchism is defended by an increasing number of radicals, the reality of what an anarchist society might look like, and the problems that such a society might encounter, are rarely discussed or acknowledged, either in academic or activist writings.
Collection of the author's commentaries from Democracy now!, the daily grassroots global news hour that broadcasts the program via radio, satellite and cable television, and Internet.
From Nero's nagging mother (whom he found especially annoying after taking her as his lover) to Catherine's stable of studs (not of the equine variety), here is a wickedly delightful look at the most scandalous royal doings you never learned about in history class. Gleeful, naughty, sometimes perverted-like so many of the crowned heads themselves-A Treasury of Royal Scandals presents the best (the worst?) of royal misbehavior through the ages. From ancient Rome to Edwardian England, from the lavish rooms of Versailles to the dankest corners of the Bastille, the great royals of Europe have excelled at savage parenting, deadly rivalry, pathological lust, and meeting death with the utmost indignity-or just very bad luck.
"A celebration of the acclaimed television and radio news program Democracy Now! and the extraordinary movements and heroes who have moved our democracy forward. In 1996 Amy Goodman began hosting a show on Pacifica Radio called Democracy Now! to focus on the issues and movements that are too often ignored by the corporate media. Today Democracy Now! is the largest public media collaboration in the US, broadcasting on over 1,400 public television and radio stations around the world, with millions accessing it online at DemocracyNow.org. Now Amy, along with her journalist brother, David, and co-author Denis Moynihan, share stories of the heroes -- the whistleblowers, the organizers, the protesters -- who have brought about remarkable change. This important book looks back over the past two decades of Democracy Now! and the powerful movements and charismatic leaders who are re-shaping our world. Goodman takes the reader along as she goes to where the silence is, bringing out voices from the streets of Ferguson to Staten Island, Wall Street, South Carolina to East Timor -- and other places where people are rising up to demand justice. Democracy Now! is the modern day underground railroad of information, bringing stories from the grassroots to a global audience."--