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This wonderfully small, thick book--like a box of photos--is divided up into the following categories: bonds (between partners and family members), icons (say, Jane Fonda as Barbarella), observations of glimpsed love or lust, come-ons to further naughtiness, tokens (mostly flowers juxtaposed with women), libidos (lusty acts), reveries (erotica), and obsessions (the sexual unusual). The international array of photographers includes Man Ray, Robert Mapplethorpe, Nan Goldin, Helmut Newton, Sally Mann, Immogen Cunningham, Brassai, and Julia Margaret Cameron. After a lengthy introduction on the history of photography and desire, there's nothing but photos there-on-in. You might just get aroused, or fascinated as to how others are aroused, or intrigued as to how far people go to arouse others. Ewing is director of the Musee de l'Elysee in Lausanne, Switzerland. Annotation copyrighted by Book News Inc., Portland, OR
Over 450 rare pieces of Native American art and artifacts.
The sensual curve of the shoulder, the disturbing line of a scar, the magnetic pull of a lashed eye -- since the birth of photography, images of the human body have attracted, disturbed, fascinated, and obsessed us. The body has been scrutinized by medical and anatomical photographers; it has been celebrated by photographers of sport and dance; it has inspired a long tradition of photographing the nude; and it has been depicted in phantasmagoric terms. In this rich, involving archive of over 360 duotone and color images culled from worldwide collections, renowned photo curator William A. Ewing has compiled the most comprehensive and arresting visual survey ever published of the human form. From nineteenth-century erotica to the politicized images of the 1990s, The Body offers an exciting, elegantly packaged, provocative record of the camera's infatuation with the human figure.
Electric Arches is an imaginative exploration of black girlhood and womanhood through poetry, visual art, and narrative prose. Blending stark realism with the fantastical, Ewing takes us from the streets of Chicago to an alien arrival in an unspecified future, deftly navigating boundaries of space, time, and reality with delight and flexibility.
Brings to life the drama of political intrigue and military valor of the Ewing family.
NPR Best Books of 2019 Chicago Tribune Best Books of 2019 Chicago Review of Books Best Poetry Book of 2019 O Magazine Best Books by Women of Summer 2019 The Millions Must-Read Poetry of June 2019 LitHub Most Anticipated Reads of Summer 2019 The Chicago Race Riot of 1919, the most intense of the riots comprising the nation’s Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.
A frivolous masterpiece set in New York, Paris and London in the Twenties starring Princesse Angele de Villfranche, Comtesse Fervante de Contrecoeur, Pisa Barteau and Napier Knightsbridge. Price: $16.95 ISBN: 978-1-933527-27-7 ISBN (e-book): 978-1-933527-27-7 Genre: Fiction
Washington Post • 10 Best Graphic Novels of 2022 A vibrant and informative debut with “great documentary power” (Alison Bechdel), Fine is an elegantly illustrated celebration of the transgender community. As graphic artist Rhea Ewing neared college graduation in 2012, they became consumed by the question: What is gender? This obsession sparked a quest in which they eagerly approached both friends and strangers in their quiet Midwest town for interviews to turn into comics. A decade later, this project exploded into a sweeping portrait of the intricacies of gender expression with interviewees from all over the country. Questions such as “How do you Identify” produced fiercely honest stories of dealing with adolescence, taking hormones, changing pronouns—and how these experiences can differ, often drastically, depending on culture, race, and religion. Amidst beautifully rendered scenes emerges Ewing’s own story of growing up in rural Kentucky, grappling with their identity as a teenager, and ultimately finding themself through art—and by creating something this very fine. Tender and wise, inclusive and inviting, Fine is an indispensable account for anyone eager to define gender in their own terms.