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An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts. A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.
The practice of listening to subtle, inner sounds during meditation to concentrate and elevate the mind has a long history in various religions around the world, including Islam, Christianity, Hinduism, Buddhism, Jainism, and Sikhism. Today there are a number of new religious movements that have made listening to the inner sound current a cornerstone of their teachings. These groups include the Radhasoamis, the Divine Light Mission, Eckankar, the Movement of Spiritual Inner Awareness (MSIA), MasterPath, the Sawan-Kirpal Mission, Quan Yin/Ching Hai, Manavta Mandir, ISHA, and a number of others. In this study we provide a historical and comprehensive overview of these movements and how they have incorporated listening to the inner sound as part of their spiritual discipline. We are particularly interested in the distinctive and nuanced ways that each group teaches how to listen to the inner sound current and how they interpret it in their own unique theologies.