Download Free The Evolution And Demise Of The Larger Format Press Camera Book in PDF and EPUB Free Download. You can read online The Evolution And Demise Of The Larger Format Press Camera and write the review.

The first photographers sent on assignment covered the Crimean War in 1855 and the American Civil War from 1861. They did so with simple but large wooden 8x10 inch field cameras on tripods and with wet plates that had to be coated before each exposure. Dry plates became available from the 1870s and at about the same time, the half-tone printing process was perfected in Canada and exported to the United States and Europe, driving up the demand for pictures for publication. The new specialist in photography-the press photographer-required a new type of camera. One that was hand held, robust, big enough to provide a good-sized glass negative for contact printing, with a lens that could be precisely focused, a shutter that would freeze action and an accurate viewfinder. At that stage, nobody had yet thought of such refinements as a rangefinder or exposure meter or an independent source of illumination. In this book Reg Holloway, who was an apprentice reporter/photographer from 1947, describes the types of cameras that were developed to meet the special needs of press photographers. He explains the laborious procedures involved in using the early cameras and along the way he touches on some of the risks that early press photographers took in their attempts to document the world. Including: - The American photographer who had himself suspended from a bunch of weather balloons to gain elevation and who had to be brought back to earth by the bursting of balloons with careful rifle fire. - The Canadian photographer who persuaded his colleagues covering the opening of a railway station to pool their flash powder and caused a frightening explosion. - The pack of photographers in London in 1924 whobroke through a police line to photograph the arrival of six US aviators on the first round-the-world flight. As the author remarks, a scrum in which everybody was wielding a large and heavy wooden camera could be a dangerous situation. The cameras illustrated are in the author's collection, assembled from around the world during 30 years he spent in the British foreign service following his career as a reporter.
Most experienced photographers who work with 35mm ask the same nagging question: If they changed to a larger format, would they get better pictures? In Medium and Large Format Photography, renowned professional photographers Roger Hicks and Frances Schultz provide all the practical and artistic guidance every aspiring photographer needs to master the world beyond 35mm. In clear, no-nonsense language, this valuable guide details all the possibilities and limitations of various film formats, as well as the best cameras and equipment to use with each. Indispensable, easy-to-read tables make it simple to compare film sizes, lens lengths, and other information at a glance. Plus, the guide is packed with over 200 stunning photos showing the merits of medium and large format photography in action. - A comprehensive introduction to the many cameras and film formats available beyond 35mm - Includes expert tips on buying equipment, darkroom supplies, and processing film
Communication technologies surround us in every part of our lives: via television, web, blogging, mass media, and much more. How do people in business keep up with the latest and greatest trends, and how do they differentiate good information from bad information? How do they get help analyzing information and coming to conclusions about trends that will impact their businesses and business decisions? How do they consider the environmental and sustainability issues surrounding communication technology? This book answers these essential questions. It's for professionals and students working in telecommunications, including electronic mass media, digital signage, computers, consumer electronics, games, satellites, and telepresence. The best of the best minds on these topics all come forward here, each in their own chapter, to report on, analyze, and make recommendations, for the new edition of this definitive guide to new technologies. New to this edition: New coverage of historical perspectives on communication technology bring the ideas and concepts to the forefront, providing a thoroughly grounded approach designed to appeal to professors looking for more the why's than the how's of communication technology New chapters on digital cinema, mobile commerce, digital television, cinema technologies, e-books, home video, digital audio, and telepresence. As always, every chapter is updated to reflect the latest trends on the topic Brand new! Instructor's manual with testbank and sample syllabus (cw.routledge.com/textbooks/instructordownload/) Companion website--brand new for this edition, including chapter-by-chapter additional coverage of technologies and further resources (commtechupdate.weebly.com)
Stroebel's View Camera Basics explains in easy-to-understand language the fundamentals of using a view camera. This heavily illustrated book covers the subjects of view camera characteristics, adjustments, lenses, exposure, film, filters and refinements. Stroebel emphasizes concepts that are important to beginning view camera users, yet will help any view camera user produce the highest quality photographs possible. Attention is given to depth of field, focal length, F-numbers, image contrast and accessories such as tripods. Leslie Stroebel, Ed.D. Professor Emeritus at Rochester Institute of Technology, is well respected as an educator, author and editor. He taught photography for forty four years at RIT where at different times he was Chair of both the Professional Photography Department and Department of Imaging and Photographic Technology.
This essential guide provides you with a tailored introduction to the design techniques and production practices employed in the media industry. It presents clear and relevant explanations of how to design and produce any type of print and online publication to a professional standard, from pre-planning through to going to press or online. In providing the context, principles and thinking behind design over time, alongside the key practical techniques and know-how, this resource will enable you to present information clearly and effectively. Key features: Provides a complete resource, explaining the background, theory and application of design as well as the ‘how to’ Tutorials and exercises demonstrate how to create clean, attractive and well-targeted designs Supported by a comprehensive gallery of examples and case studies Highly illustrated throughout Colour ‘How to’ sections explain in detail how to create layouts and work with type, pictures and colour successfully Design for Media is a core resource for students and professionals in journalism, PR, advertising, design and across the media and creative sectors.
Architectural photography is more than simply choosing a subject and pressing the shutter-release button; it's more than just documenting a project. An architectural photograph shows the form and appeal of a building far better than any other medium. With the advent of the digital photographic workflow, architects are discovering exciting new opportunities to present and market their work. But what are the ingredients for a successful architectural photograph? What equipment do you need? How can you improve your images in your digital darkroom? Why does a building look different in reality than in a photographic image? In this book you will find the answers to these questions and much more. Author Adrian Schulz-both an architect and a photographer by training-uses real-world projects to teach you how to: Capture outstanding images of buildings, inside and out Choose the right equipment and use it effectively Compose architectural shots Work with ambient and artificial light Process images in an efficient workflow based on Adobe Photoshop This book is a step-by-step guide to architectural photography for both the aspiring amateur photographer interested in architectural photography and the professional photographer wanting to expand his skills in this domain. Moreover, architects themselves will find this book motivating and inspiring. This second edition has been extensively revised and includes 80 new images and illustrations, as well as an expanded chapter on shooting interior spaces. Also included is an updated discussion of post-processing techniques and the latest technical developments in the world of photography. With this book, you will learn a variety of creative tips, tricks, and guidelines for making the perfect architectural image.
2D Materials for Infrared and Terahertz Detectors provides an overview of the performance of emerging detector materials, while also offering, for the first time, a comparison with traditional materials used in the fabrication of infrared and terahertz detectors. Since the discovery of graphene, its applications to electronic and optoelectronic devices have been intensively researched. The extraordinary electronic and optical properties allow graphene and other 2D materials to be promising candidates for infrared (IR) and terahertz (THz) photodetectors, and yet it appears that the development of new detectors using these materials is still secondary to those using traditional materials. This book explores this phenomenon, as well as the advantages and disadvantages of using 2D materials. Special attention is directed toward the identification of the most-effective hybrid 2D materials in infrared and terahertz detectors, as well as future trends. Written by one of the world’s leading researchers in the field of IR optoelectronics, this book will be a must-read for researchers and graduate students in photodetectors and related fields. Features • Offers a comprehensive overview of the different types of 2D materials used in fabrication of IR and THz detectors, and includes their advantages/disadvantages • The first book to compare new detectors to a wide family of common, commercially available detectors that use traditional materials.
Best known for his Civil War photographs, Alexander Gardner also documented the construction of the Union Pacific Railway, Eastern Division (later the Kansas Pacific Railroad), across Kansas beginning in 1867. This book presents recent photographs by John R. Charlton of the scenes Gardner recorded, paired with the Gardner originals and accompanied by James E. Sherow’s discussion. Like most rephotography projects, this one provides fascinating information about the changes in the landscape over the last century and a half. The book presents ninety pairs of Gardner’s and Charlton’s photographs. In all of Charlton’s photos he duplicates the exact location and time of day of the Gardner originals. Sherow uses the paired images to show how Indian and Anglo-American land-use practices affected the landscape. As the Union Pacific claimed, the railroad created an American empire in the region, and Charlton’s rephotography captures the transformation of the grasslands, harnessed by the powerful social and economic forces of the railroad.