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Steve Almond, the man whose candy jones fueled the bestseller Candyfreak, returns with a collection of stories that both seals his reputation as a master of the modern form and risks getting him arrested. The cast of characters in The Evil B.B. Chow and Other Stories includes a wealthy family certain they have been abducted by space aliens, a sexy magazine editor who falls for a worldclass cad, and a beleaguered dentist who refuses to read his best friend’s novel. Michael Jackson and Abraham Lincoln make cameos, as do a variety of desperate and beautiful loonies, all of whom are laid bare, often literally. In these twelve stories, Almond refuses to let his characters off the hook, or to abandon them, until we have seen the full measure of ourselves within their struggle.
Soon to be a major motion picture starring Lucy Hale and Nat Wolff. A pair of romantic flameouts meet at a dull wedding and wind up entwined in a deserted coatroom. Shockingly, Jane and John decide not to have sex. Instead, they embark on a far more dangerous endeavor: sharing the stories of their past love affairs. They tell each other everything, aiming for radical honesty over polished seduction. Jaded as they may be, these two sense that they just might be soulmates. Which Brings Me to You, cowritten by bestselling authors Julianna Baggott (Pure, Harriet Wolf’s Seventh Book of Wonders) and Steve Almond (Candyfreak, All the Secrets of the World), is “poignant and meaningful...fresh and intriguing...a great story.”—Booklist. It has been brought to the screen by director Peter Hutchings (The Hating Game).
A self-proclaimed candy fanatic and lifelong chocoholic traces the history of some of the much-loved candies from his youth, describing the business practices and creative candy-making techniques of some of the small companies.
In (Not that You Asked), Steve Almond documents a life spent brawling with the idiot kings of modern culture. He squares off against Sean Hannity on national TV, takes on Oprah Winfrey, nearly gets kidnapped by a reality TV crew, and winds up in Boston, where he quickly enrages the entire population of Red Sox Nation. Amid the carnage, he finds time to celebrate his literary hero, the late Kurt Vonnegut. These are essays the Los Angeles Times has called “rich, fearless [and] cutting.” Praise for (Not that You Asked) “Refreshingly irreverent . . . absurdly funny.” –The Boston Globe “[Almond] scores big in every chapter of this must-have collection. Biting humor, honesty, smarts and heart: Vonnegut himself would have been proud.” –Kirkus Reviews (starred review) “Taunting, revealing, irreverent, and earnest.” –The New York Times “Steve Almond has created a distinctive voice and literary persona. Pleasure-obsessed, self-deprecating, horny, hilarious and always dedicated to parsing the messy terrain of the human heart.” –Forward.com
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
With American Football becoming an increasingly popular sport in the UK, concerns are also being raised about the health impact the sport can have on players. The scary facts about American football causing brain injury have become a hot topic in the media, especially as the same worries are surfacing for other full contact sports such as rugby. Steve Almond was a keen American football fan, but, in light of recent scientific studies about the prevalence of injuries within the sport has slowly turned against the game.
“Almond draws on everything from The Grapes of Wrath to the voting practices of his babysitter to dismantle the false narratives about American democracy.” —Cheryl Strayed, international-bestselling author of Wild Like a lot of Americans, Steve Almond spent the weeks after the 2016 election lying awake, in a state of dread and bewilderment. The problem wasn’t just the election, but the fact that nobody could explain, in any sort of coherent way, why America had elected a cruel, corrupt, and incompetent man to the Presidency. Bad Stories: What the Hell Just Happened to Our Country is Almond’s effort to make sense of our historical moment, to connect certain dots that go unconnected amid the deluge of hot takes and think pieces. Almond looks to literary voices—from Melville to Orwell, from Bradbury to Baldwin—to help explain the roots of our moral erosion as a people. The book argues that Trumpism is a bad outcome arising directly from the bad stories we tell ourselves. To understand how we got here, we have to confront our cultural delusions: our obsession with entertainment, sports, and political parody, the degeneration of our free press into a for-profit industry, our enduring pathologies of race, class, immigration, and tribalism. Bad Stories is a lamentation aimed at providing clarity. It’s the book you can pass along to an anguished fellow traveler with the promise, This will help you understand what the hell happened to our country. “Almond holds up literature as a guide through America’s age-old moral dilemmas and finds hope for his country in family, forgiveness, and political resistance.” —Booklist
With the breadth and cumulative force of a novel, Mother of Sorrows presents ten interwoven stories of an American family starting out in the post—World War II suburbs of Washington, D.C., a world of identical brick houses and sunstruck, treeless lawns, a world of initial hopefulness from which shame and loss have seemingly been banished. This is the story of two adolescent brothers whose father has suddenly died, and of their beautiful and complicated mother, a mother whom the younger son worshipfully imagines as “Our Mother of the Sighs and Heartaches . . . Our Mother of the Gorgeous Gypsy Earrings . . . Our Mother of the Late Movies and the Cigarettes . . . Our Mother of Sudden Attentiveness . . . Our Mother of Sudden Anger.” This is the brother who narrates these tales as he looks back thirty years later, the only remaining survivor of a world he seeks both to leave behind and to preserve in words forever, a world of sorrow that has held him spellbound even as he has attempted to create a life of his own. Suffused with the beauty of Richard McCann’s extraordinary language, Mother of Sorrows introduces us to a voice that is urgent, contemplative, elegant, angry, revelatory, and like no other in contemporary fiction.
Illuminating Fiction contains nineteen interviews with fiction-writing luminaries including Edward P. Jones, Julia Glass, Amy Bloom, Jill McCorkle, Margot Livesy, Ron Carlson and Steve Almond. The interviews contain questions about narrative, voice, character, place, point of view, arc of the story/novel plot, and revision; questions about the writing process; questions about the trajectory of the writer's career; questions about the role and importance of writing courses and mentoring; and also questions that Ellis has drawn from the text of the authors' work. Authors describe the challenges they have faced. The reader is able to gain an intimate and specific understanding of the authors works, and the authors thought process as they created their novels and short stories.