Download Free The Etruscan Cities And Rome Book in PDF and EPUB Free Download. You can read online The Etruscan Cities And Rome and write the review.

In The Etruscan Cities and Rome, H. H. Scullard examines the cities of Etruria, the dominant power on the Italian peninsula just prior to the ascendancy of Rome. Though eventually conquered by the Romans, the Etruscans exerted enormous influence on Roman political and social institutions. Scullard describes the mysterious origins of these people, their years of conquest and expansion, and their encounters with Greeks, Romans, Celts, and others. Generously illustrated, the book admirably captures the distinct qualities of Etruria's various urban centers - from the southern cities, where art and handicrafts flourished, to the metal-working northern cities, to the outlying Etruscan areas of Latium and Campania.
"Between c. 900-400 BC the Etruscans were the innovative, powerful, wealthy, and sophisticated elite of Italy. Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewellery, and art."
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.
Tarquinia was one of the principal cities of ancient Etruria, the most powerful nation in pre-Roman Italy. This book charts the history of the site and its interpretation, from its use in early propaganda under the Medici and other Tuscan rulers, right up to the twentieth century.
*Includes pictures *Includes a bibliography for further reading "These people of Greek descent were called Etruscans, and it has been discovered that they had advanced so far in civilization, that they afterwards gave many of their customs to the city of Rome when it came to power. A confederacy known as the 'Twelve Cities of Etruria' became famous afterwards, though no one knows exactly which the twelve were." - Arthur Gilman, The Story of Rome from the Earliest Times to the End of the Republic When people think of ancient Italy, the Romans are usually the first and last people that come to mind, but long before Rome was built by Latin speaking people, the culture of Italy was dominated by the Etruscans. Although the Etruscans may not comprise the core of most histories of the ancient Mediterranean, they exerted a profound influence on the region from the 8th-5th centuries BCE that continued to resonate for centuries after as the Romans carried on many of their traditions. Today, much of what is known about the Etruscans comes from the ancient Roman and Greek writers who had a deep respect for them but saw them as exotic and foreign. As the famous Roman philosopher Seneca wrote about the Etruscans, "Whereas we believe lightning to be released as a result of the collision of clouds, they believe that the clouds collide so as to release lightning: for as they attribute all to deity, they are led to believe not that things have a meaning insofar as they occur, but rather that they occur because they must have a meaning." The Etruscans referred to themselves as "Rasenna" in their own language, but the Greeks called them "Tyrrhenians" and the Romans referred to them as "Etrusci", which is where the modern term "Etruscan" is derived (Cornell 1995, 45). As this suggests, reconstructing Etruscan history is based primarily on the Greco-Roman accounts, but other sources are utilized by modern scholars to create a more accurate picture. Unfortunately, despite the fact the Etruscans were a literate people, their own histories have disappeared without a trace. Nevertheless, even with this lack of primary sources, the abundance of classical writings about the Etruscans and modern historical, archaeological, and art historical studies can establish an image of Etruscan history and culture that, although not complete, is enough for scholars to arrive at some important conclusions. An in-depth examination of Etruscan history and culture reveals that the Etruscans developed a culture that was as advanced as that of their Greek contemporaries and was also one that the later Romans were indebted to on many levels. "Rome was a poem pressed into service as a city." In that short line, Anatole Broyard, a 20th century American writer, compactly captures the timeless and enchanting beauty that resides within the Eternal City of Rome. This tourist destination is often one of the highest ranked on bucket lists, for how could one not want to experience its marvelous ruins, mirror-like rivers, and spectacular stretches of aqueducts firsthand? As one sips on fine Italian wine on a terrace overlooking the grand remnants of the Colosseum, one can practically hear the roars of the battling gladiators and the raucous applause of the spectators. And as one strolls through the coarse, yet quaint cobblestone streets, one can almost hear the galloping horses and screeching wheels of chariots in the distance, and even feel the brush of the breeze as they charge past. It is difficult not to fall in love with a city so effortlessly nostalgic it verges on utopian. The ambitious and fearless emperors that built the legendary Roman Empire from scratch, the broad-shouldered and bronzed gladiators with their iconic plume helmets and glinting swords, and elaborate parties attended by toga-wearing Romans fueled by alcohol, violence, orgies, and other godless acts all paint a picture of Roman life.
The Etruscan Brontoscopic Calendar is a rare document of omens foretold by thunder. It long lay hidden, embedded in a Greek translation within a Byzantine treatise from the age of Justinian. The first complete English translation of the Brontoscopic Calendar, this book provides an understanding of Etruscan Iron Age society as revealed through the ancient text, especially the Etruscans' concerns regarding the environment, food, health and disease. Jean MacIntosh Turfa also analyzes the ancient Near Eastern sources of the Calendar and the subjects of its predictions, thereby creating a picture of the complexity of Etruscan society reaching back before the advent of writing and the recording of the calendar.
This new collection presents a rich selection of innovative scholarship on the Etruscans, a vibrant, independent people whose distinct civilization flourished in central Italy for most of the first millennium BCE and whose artistic, social and cultural traditions helped shape the ancient Mediterranean, European, and Classical worlds. Includes contributions from an international cast of both established and emerging scholars Offers fresh perspectives on Etruscan art and culture, including analysis of the most up-to-date research and archaeological discoveries Reassesses and evaluates traditional topics like architecture, wall painting, ceramics, and sculpture as well as new ones such as textile archaeology, while also addressing themes that have yet to be thoroughly investigated in the scholarship, such as the obesus etruscus, the function and use of jewelry at different life stages, Greek and Roman topoi about the Etruscans, the Etruscans’ reception of ponderation, and more Counters the claim that the Etruscans were culturally inferior to the Greeks and Romans by emphasizing fields where the Etruscans were either technological or artistic pioneers and by reframing similarities in style and iconography as examples of Etruscan agency and reception rather than as a deficit of local creativity
The lively ferment in Etruscan studies, generated in part by recent archaeological discoveries and fostered by new trends in interpretation, has produced a wealth of information about the people historians traditionally considered as inaccessible. Now, scholars are reconstructing a portrait of the wealthy, sophisticated Etruscans whose territory once extended from the Po River to the Bay of Naples. Unfortunately, the wider English-speaking public has had no single resource which synthesizes these new findings and interpretations about the Etruscans. In fact, some sources continue to propagate the traditional myth of the "enigmatic and isolated Etruscans." In response, the eminent Etruscan scholar Larissa Bonfante asked seven other internationally known classicists to join her in providing this "handbook" for the non-specialist as an authoritative and readable guide to the burgeoning Etruscan scholarship. As Bonfante explains in the introductory chapter, "The Etruscans provide an excellent opportunity of turning archaeology into history: this we tried to do, in our chapters, according to our individual directions. Nancy Thomson de Grummond traces the interest in and knowledge of the Etruscans from the earliest days. Mario Torelli provides an independent account of Etruscan history, based on monuments and sources. Jean MacIntosh Turfa belies the cliche of the Etruscans' traditional 'isolation' by surveying the material evidence for their trade with the Phoenicians, Greeks, and other neighbors in the Mediterranean. Marie-Fran'oise Briguet, Friedhelm Prayon, David Tripp, and I survey Etruscan art, architecture, coinage, and daily lives, respectively, Emeline Richardson contributes what she calls a 'primer' in the Etruscan language, a basic archaeological introduction to the Etruscan language, meant to help newcomers read the inscriptions on many of the monuments illustrated and to see these with the interdisciplinary approach so characteristic of, and necessary in, Etruscan studies." The book is profusely illustrated with over 300 photos and maps. Notes and bibliographic references lead to standard texts on the Etruscans and to the more specialized literature in the field. The result is a reliable and lively volume which brings readers into the mainstream of the latest Etruscan scholarship.