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Finalist for the National Book Award and the National Book Critics Circle Award With an epigraph from Freud comparing the mind to a landscape in which all that ever was still persists, The Eternal City offers eloquent testimony to the struggle to make sense of the present through conversation with the past. Questioning what it means to possess and to be possessed by objects and technologies, Kathleen Graber’s award-winning second collection of poetry brings together the elevated and the quotidian to make neighbors of Marcus Aurelius, Klaus Kinski, Walter Benjamin, and Johnny Depp. Like Aeneas, who escapes Troy carrying his father on his back, the speaker of these intellectually and emotionally ambitious poems juggles the weight of private and public history as she is transformed from settled resident to pilgrim.
The highway became the Red Sea. We moved through the storm like a sheer valley. You drove; I looked at you with love. —from "Storm" One of the most gifted and readable poets of his time, Adam Zagajewski is proving to be a contemporary classic. Few writers in either poetry or prose can be said to have attained the lucid intelligence and limpid economy of style that have become a matter of course with Zagajewski. It is these qualities, combined with his wry humor, gentle skepticism, and perpetual sense of history's dark possibilities, that have earned him a devoted international following. This collection, gracefully translated by Clare Cavanagh, finds the poet reflecting on place, language, and history. Especially moving here are his tributes to writers, friends known in person or in books—people such as Milosz and Sebald, Brodsky and Blake—which intermingle naturally with portraits of family members and loved ones. Eternal Enemies is a luminous meeting of art and everyday life.
A New York Times bestseller? Oh, you know the dogs weren't going to let the cats get away with that! This canine companion to I Could Pee on This, the beloved volume of poems by cats, I Could Chew on This will have dog lovers laughing out loud. Doggie laureates not only chew on quite a lot of things, they also reveal their creativity, their hidden motives, and their eternal (and sometimes misguided) effervescence through such musings as "I Dropped a Ball," "I Lose My Mind When You Leave the House," and "Can You Smell That?" Accompanied throughout by portraits of the canine poets in all their magnificence, I Could Chew on This is a work of unbridled enthusiasm, insatiable appetite, and, yes, creative genius. Plus, this is a fixed-format version of the book, which looks nearly identical to the print version.
Poetry. "Years ago, I predicted that David Sloan's name would easily join those who revel in the stubbornly elusive meld of craft and lyric. Ever since I've known him, he's mastered it with enviable ease, in deftly-spun poems probing what consoles and disquiets us--inexplicable loss, love that illuminates, the quirks and quandaries of the natural world. This is the book that will do it."--Patricia Smith "David Sloan's second collection of poems astonishes and delights at every turn, literally as each line breaks upon a next elegant phrase, apt image or surprising metaphor. There are several ekphrastic poems that are among the best I've ever read, a sestina that definitely is, a supple and indelible ghazal. The scope of subject matter is breathtaking: birth, childhood, grief, marriage, relationships of all ilks, including one's relationship to Nature, and many more. A few poems are hilariously funny, others beautifully dark and sobering. More are praise songs, and every mood and tone of voice is artfully encoded. Abundance enough, but here as well, a consistent richness of texture, of the intricate workings of sound and thought that only happen when someone falls madly in love with, and remains under the spell of, language itself. This collection demonstrates, full-bore, Sloan's accomplishment: a true poet expressing with elegant restraint and consummate skill the agony and the ecstasy of human existence in North America at this time in history."--Gray Jacobik