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The only fiction collection available in English translation by the Arab world's greatest short-story writer of the twentieth century Yusuf Idris (1927-91), who belonged to the same generation of pioneering Egyptian writers as Naguib Mahfouz and Tawfiq al-Hakim, is widely celebrated as the father of the Arabic short story. He studied and practiced medicine, but his interests were in politics and the support of the nationalist struggle, and in writing--and his writing, whether in his regular newspaper columns or in his fiction, often reflected his political convictions. He was nominated for the Nobel Prize for literature more than once, and when the prize went to Naguib Mahfouz in 1988, Idris felt that he had been passed over because of his outspoken views on Israel. In all, Yusuf Idris wrote some twelve collections of superbly crafted short stories, mainly about ordinary, poor people, many of which have been translated into English and are included, along with an extract from one of his novels, in this collection of the best of his work.
One of Egypt's foremost writers, the acknowledged genius of the modern Arabic short story. Encompassing works from every stage of his career, this is the first collection of his stories to appear in English.
A classic novel from one of the great contemporary writers of Egypt and the Middle East Cairo, January 1952. Egypt is at a critical point in its modern history, struggling to throw off the yoke of the seventy-year British occupation and its corrupt royalist allies. Hamza is a committed young radical, his goal to build a secret armed brigade to fight for freedom, independence, and national self-esteem. Fawziya is a woman with a mission too, keen to support the cause. Among the ashes of the city love may grow, but at a time of national struggle what place do personal feelings have beside the greater love for a shackled homeland? In this finely crafted novel, Yusuf Idris, best known as the master of the Arabic short story, brings to life not only some of the most human characters in modern Arabic fiction but the soul of Cairo itself and the soul of a national consciousness focused on liberation.
A carefully curated selection of the most important works of Egypt's Nobel literature laureate in a single volume Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz "through works rich in nuance--now clear-sightedly realistic, now evocatively ambiguous--has formed an Arabic narrative art that applies to all mankind." Here Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt's Nobel literature laureate.
The book aims to explore the foresight of prominent Middle Eastern authors and artists who anticipated the Arab Spring, which resulted in demands for change in the repressive and corrupted regimes. Eventually, it led to cracking down on the protests with excessive force, which caused tremendous human suffering, destruction, and also escalation of extreme insurgency. The author analyzes major literary and artistic works from Egypt, Syria and Tunisia, and their political context. This monograph will be helpful to scholars and students in the growing field of Middle Eastern and North African Studies and everyone who is interested in the politics of MENA.
Presents the life and works of Denys Johnson-Davies, who was described by the late Edward Said as "the leading Arabic-English translator of our time." With more than twenty-five volumes of translated Arabic works to his name, and a career spanning some sixty years, he has brought the Arabic writing to an ever widening English readership.
"Jayyusi provides biographical information on the writers as well as a substantial introduction to the development of modern Arabic fictional genres that considers the central thematic and aesthetic concerns of Arab short story writers and novelists."--Jacket.
This original and multidimensional book brings a refreshing new approach to the study of the arts of the Middle East. By dealing in one volume with dance, music, painting, and cinema, as experienced and practiced not only within the Middle East but also abroad, Images of Enchantment breaks down the artificial distinctions--of form, geography, 'high' and 'low' art, performer and artist--that are so often used to delineate the subjects and processes of Middle Eastern artistic culture. The eighteen essays in this book cover themes as diverse as Bedouin dance, the music of Arab Americans, cinema in Egypt and Iran, Hollywood representations of the Middle East, and contemporary Sudanese painting. The contributions come from scholars and critics and from the artists themselves. Together, they present a wide-ranging and holistic view of the arts in their social, political, anthropological, and gender contexts. Contributors: Walter Armbrust, Farida Ben Lyazid, Kay Hardy Campbell, Virginia Danielson, Marjorie Franken, Sondra Hale, Carolee Kent, Hamid Naficy, Salwa Mikdadi Nashashibi, Anne K. Rasmussen, Selim Sednaoui, Simon Shaheen, Rebecca Stone, Chaïbia Talal, Karin Van Nieuwkerk, William Young, Sherifa Zuhur.